Wednesday, 17 January 2024

Forthcoming books from Orion Publishing

 January 2024

Harbour Lights by James Lee Burke is a story collection from one of the most popular and widely acclaimed icons of American fiction, featuring a never-before-published novella. These eight stories move from the marshlands on the Gulf of Mexico to the sweeping plains of Colorado to prisons, saloons, and trailer parks across the South, weaving together love, friendship, violence, survival, and revenge. With his nuanced characters, lyrical prose, and ability to write shocking violence in the most evocative settings, James Lee Burke's singular skills are on display in this superb anthology.

The Clinic is by Cate Quinn. This place will change your life . . . or end it. Welcome to The Clinic. The world's most exclusive rehab clinic offers treatment to the rich and famous. Meg's sister Haley was one of them - a troubled country singer running from a terrible addiction. Between the luxury spa, the ayurvedic yoga and the world-class therapy, the clinic is a perfect place to heal and brush shoulders with the world's most beautiful people. Safely locked in the secluded compound, its patients are a thousand miles away from crazed fans and paparazzi... with no one to call for help. When Haley is found dead at the clinic, Meg checks in under an alias to find out why. Soon she's confronting a whole lot more than her own addiction - there's a killer on the loose and anyone could be next . . .

The Excitements is by C J Wray. Revenge is a dish best served old. Meet the Williamson sisters, Britain's most treasured World War II veterans. Now in their nineties, Josephine and Penny are in demand, popping up at commemorative events all over the country. Despite their age, they're in great form-sprightly and sparky, and always in search of their next "excitement." This time it's a trip to Paris to receive the Légion d'honneur, accompanied by their devoted great-nephew, Archie. Keen historian Archie believes his great aunts had minor roles in the Women's Royal Navy and the First Aid Nursing Yeomanry, but that's only half the story. There's a reason sweet Auntie Penny can dispatch a would-be mugger with a brolly. This trip to Paris is not what it seems either. Scandal and crime have quietly trailed the sisters since the war. Now armed with new information about an old adversary, these much decorated (but admittedly ancient) veterans intend to settle scores, avenge lost friends, and pull off one last heist before the curtain comes down on their illustrious careers.

Her teacher's pet, or his worst nightmare? Jessica Mooney seems like any other student at her university. She's talented, driven, and looks set to be this year's 'favourite' in charismatic Professor Crane's Law and Literature class. But unlike the other students competing for his good opinion, Jessica isn't what she seems. She's carrying a dark secret. Her sister is dead. Crane's to blame. And she's the only one who can bring him to justice. Will Jessica be able to get the answers and justice she seeks, or will her search for revenge destroy her first? The Favourite is by Rosemary Hennigan.

Lies cost lives. Three years ago police officer Georgina Ioannau was murdered, her killers never brought to justice. Now the prime suspects have been shot dead within hours of their return to the UK. Has someone finally taken the law into their own hands? Seeking out the truth will force Kate Daniels to confront her own past mistakes, and put her career, and her team's lives, on the line. The Longest Goodbye is by Mari Hannah. 





February 2024

It was my job to look and look and never look away, until I had captured every part of the scene, until I had told the story of those last moments that the dead could not...  For years, A.J. Hewitt was the first person into a crime scene. Before the detectives and the forensics team it was her alone with the body, the only sound her flashes firing as they lit up scenes of unimaginable horror. It was her job to shoot the photographs that revealed the circumstances of someone's final moments. Now in her debut book, The Darkroom, Hewitt takes us into the shadowy world of the crime scene photographer, and recounts remarkable tales, from murders to suicides, accidents to assassinations. In the tradition of Unnatural Causes, When the Dogs Don't Bark and All That Remains, this is a true crime book full of the wisdom that can be found in the darkness.

A true Victorian murder mystery... Great Yarmouth, September 1900: A young woman is found dead on the beach, a bootlace tied tightly around her neck. Despite her death attracting national attention in the press, nobody claims her. Detective Inspector Robert Lingwood of the Great Yarmouth police force declares he will not rest until the mystery of the young woman's death is solved. But it's only once the case has been referred to Scotland Yard that the layers of mystery start to peel away... 'Mrs Hood' was in fact Mary Jane Bennett, and this is her story. Following clues and tracking red herrings leads the police to close in on their one and only suspect. With arson, fraud, an affair and a sensation-hungry press, the murder gripped the nation in one of the most eagerly anticipated trials of the early twentieth century. The Mysterious Mrs Hood is by Kim Donovan who finally tells her great-great-aunt's story and the truth of evil duplicity in Victorian England

After the Carusos family home is destroyed by police with a no-knock warrant, the family struggle to return to normal. Two former inmates reunite on a TV set. They're both back on the straight and narrow ... until one sees the potential for an easy grift. A teenage boy must step into the man he'd like to be as a hostage crisis grips his hometown. A woman adrift meets a man tied to her grandmother's past, and awakens to the bloody history of the place she grew up. Owning Up is by George Pelecanos' and his portraits are characterized by shades of grey, resisting the mold of heroes and villains, victims and perpetrators, good and evil. At once streetwise and full of heart, Owning Up grapples with random chance, the bind of consequence, and the forked paths a life can take.


March 2024

As each prisoner dies, the bell will ring... After a drugs bust goes wrong, Deputy Sheriff Garrett Nelson is left wounded, with a permanent limp and a career in tatters. On his long road to recovery he finds one consolation - Hannah, his tough-as-nails physiotherapist, and soon they're planning a future together. Unfit for active police service, Nelson is left with few options, so he gratefully accepts his father-in-law's offer of a job at a Florida penitentiary on the grounds of an old Spanish mission in the Everglades. The prison's chapel, a working bell tower, is now an execution chamber. And Nelson must attend the executions. Working on Death Row comes with a few simple rules: - Do not let the inmates get under your skin. - Do not allow any prisoners to escape. - Do not take justice into your own hands. Garrett Nelson will break every one of them. The Bell Tower is by R J Ellory. 

Rome, 1659. Months after the plague has ravaged Rome, men are still dying in unnatural numbers, and rumour has it that their corpses do not decay as they should. The Papal authorities commission prosecutor Stefano Bracchi to investigate, telling him he will need considerable mettle to reach the truth. To the west of the Tiber, Girolama and her female friends are at work, helping other women with childbirths and foretelling their futures. Elsewhere in the city, a young wife, Anna, must find a way to escape her abusive husband. But in a city made by men for men, there are no easy paths out.  Stefano's investigation at the Tor di Nona prison will introduce him to horror, magic and an astonishing cast of characters. He will be left wondering if certain deeds should remain forever unpunished... The Book of Secrets is by Anna Mazzola.

Even Greater London 1887. An uninterrupted urban plane encompassing the entire lower half of England and, for complex reasons, only the upper third of the Isle of Wight. The immense Tower casts electricity through the sky, powering the mind-boggling mechanisms of the city. The engineer-army of Isambard Kingdom Brunel swarms across the capital, building, demolishing, and rebuilding whatever they see fit. And at the heart of it all sits the country's first private detective agency. Archibald Fleet and Clara Entwhistle hoped things would pick up quickly for their new enterprise. No-one is taking them seriously, but their break will come soon. Definitely. Probably. Meanwhile, police are baffled by a series of impossible bank robberies, their resources absorbed by the case. Which means that when a woman witnesses a kidnapping, Fleet-Entwhistle Private Investigations is the only place she can turn for help. They're more than happy to oblige! But what's the motive behind the kidnap? As Clara and Fleet investigate, they find more than they could ever have imagined . . . High Voltage is by Chris Sugden and Jen Sugden. 

April 2024

An innocent man faces execution. Can Baptiste save him? France, 1977. Baptiste is an intelligent but somewhat naive detective, sent to work in Clermiers, a town filled with corruption. A girl goes missing, presumed dead after bloody clothes are found close to an illicit party near an abandoned chateau. Baptiste believes he's nailed the culprit, the eccentric Gilles Mailloux. When he appears in court, the public call for the guillotine - and that's the sentence Mailloux gets. But as Mailloux awaits an appeal for clemency, he asks to see Baptiste, who's still haunted by the fact the girl's body remains missing. As the clock ticks towards execution hour, Baptiste begins to realise he may have made a terrible mistake... Baptiste is by David Hewson. 

Last Witness is by Lucie Whitehouse. One murder, three families destroyed. And a detective guilty of a crime of her own. When 18-year-old Ben Renshaw is found dead in city woodland, DCI Robin Lyons is plunged into one of Birmingham's most controversial cases. Months earlier, Ben and his best friend gave testimony that sent a former classmate, Alistair Heywood, to prison for a vicious sexual assault. Before the trial, the boys and their families endured months of brutal witness intimidation, for which the Heywoods, a privileged and influential local family, faced no legal repercussions. Instead, they vowed revenge. Is Ben's murder the fulfilment of that vow, the beginning of a bloody new chapter that will go on claim lives on all sides? Or is the truth - as the Heywoods claim - something entirely different? To solve the case, Robin has to negotiate the city's networks of power while walking a dangerous line: her own daughter, Lennie, has a secret that could threaten her liberty - and, if it comes out, Robin's, too. Before long, Robin comes to question whether she knows what justice is at all.

The Vanishing of John Blackwood is by Lisa Rookes. The debris from the night before is scattered underneath the village tree and across the cobbles. Red wine stains the ground like blood. And Joni has vanished. Joni Blackwood is my best friend. She was there for my first crush, stood beside me at my wedding, watched my daughter grow up. She's been there through the painful mess of the divorce, too. So when she suddenly goes missing on All Gallows' Eve, I'm first to raise the alarm. People outside the village say she must have been sacrificed in some pagan ritual. But All Gallows' Eve isn't like that. We're just simple folk enjoying an annual bonfire to keep an old tradition alive. It's mulled cider and local mums running charity bake sales to be in with a chance of winning Gallows Queen. Joni wins every year. My mum used to say this village was built on the roots of The Gallows Tree, that they're underneath the ground, under all of our houses. It used to scare me as a kid. Thick, snaking roots squirming under me. No matter how far you ran, they could tunnel after you. And when the bones of a small child are unearthed in the church graveyard, I have to wonder how many secrets are running through our village, like the roots of the tree. And I wonder if Joni can really outrun hers. And I wonder if I can really outrun mine.

May 2024

There are more than just secrets buried in these walls. It's the day of the demolition at White Cross Academy, and a crowd of former pupils and teachers have gathered to watch. But as the final charges are laid in the basement, the crew make a shocking discovery - a human skull. Former student DI Jennie Whitmore is assigned to the case, her first big murder investigation and one where there can be no room for mistakes. The remains are identified as Hannah Jennings, a popular, but troubled classmate who went missing during her lower Sixth year. As news of the body's discovery soon leaks, the small town erupts with intrigue, conspiracy and accusation. Jennie now finds herself at the heart of the storm, tasked with making up for the failings of the initial investigation to ensure that justice is finally done. At the centre is Hannah's five closest friends who used the basement as a base for the photography club. Jennie knows many of the suspects personally and she is convinced that one of this group of five knows the truth about what happened to the wilful, beguiling teenager. As Jennie unearths secrets buried deep, and lies repeatedly told, the assembled friends must reassess their past, before confronting the terrible realisation that one amongst them would rather kill to protect their new life, than pay for the sins of their teenage years. The Reunion is by M J Arlidge and Steph Broadribb.


June 2024

Farewell Amethystine is by Walter Mosley. The Easy Rawlins novels follow the infamous detective Easy Rawlins solving mysteries on the sun-soaked streets of Southern California. Ezekiel "Easy" Porterhouse Rawlins is an unlicensed private investigator turned hard-boiled detective always willing to do what it takes to get things done in the racially charged, dark underbelly of Los Angeles.

Daniel Clement has suffered a secret humiliation and to recover, takes respite at the monastery where he was a novice. But the monastery doesn't allow Daniel a break, for there are tensions building there too, as the secret past of novice master Father Paul is emerging. Tension mounts and a murder ensues. Meanwhile back at Champton, Daniel is the subject of village gossip, his mother Audrey is up to something again, there's trouble at the dress shop, up at the big house, and the puppies are running riot. Can Daniel be reconciled with detective Neil and solve the mystery? Murder at the Monastrey is by Richard Coles.

July 2024

Forget Me Not is by M J Arlidge. As a feud between drug gangs grips the city, a desperate mother begs DI Helen Grace to help find her teenage daughter. Grace soon discovers more missing girls, but the web of corruption she finds stretches far deeper and closer to home than she could have imagined. 

When coffee shop worker Cheryl meets handsome stranger Dale. It's a nightmare and a dream. Loan sharks keep banging at Cheryl's door. That is, until Dale sends them running for good with just a few words. A romance soon blossoms between Cheryl and Dale, whose family has bought the house next door to hers. But when Cheryl mwwts Dale's family, it's clear that they have dangerous secrets to hide. And as Cheryl uncovers the mystery of is family, it's clear that her life is in terrible danger. The Family is by Mandasue Heller.

Tuesday, 16 January 2024

Forthcoming Books from Michael Joseph

 January 2024

The Actor is by Chris MacDonald. . At long last, Adam Sealey has an Oscar within reach. Working with his controversial former mentor, Jonathan, he's given the performance of a lifetime, and he almost believes it might be worth the cost. Because Adam subscribes to "the method". It's the secret that the world's greatest actors swear by - digging into their darkest, most personal traumas to bring a role to life. And Adam's greatest trauma is worse than most. Losing his mother when he was just a boy. A forced choice between the success he craved and the girl he loved. And that night back in drama school, the night of Adam's darkest secret, when everyone knows about the dead body, but nobody suspects the truth. And then he gets a message: someone knows. And if they tell, everything Adam's worked for will come crashing down.

Welcome to Hampshire, 1795, where a young Jane Austen has her sights set on securing a marriage proposal from the dashing Tom Lefroy at a local ball. But when a shocking discovery is made - a milliner's lifeless body tucked away in a linen closet - Jane finds herself embroiled in an unexpected murder mystery. As she races against the clock to clear her beloved brother Georgy's name, Jane uses her sharp wits to navigate the treacherous waters of society, unmasking secrets and unearthing hidden motives along the way. With every twist and turn, Jane's determination to solve the case deepens. And if she fails, her brother will face the ultimate punishment - the hangman's noose. Join Jane on her quest for justice as she faces down danger, deceit, and scandal amidst her own friends and neighbours. Will she uncover the truth in time, or will the real killer go free? One thing's for certain - in Hampshire, nothing is as it seems. Miss Austen Investigates is by Jessica Bull.

February 2024

The Fury is by Alex Michaelides 'There were seven of us in all, trapped on the island.One of us was a murderer...' On a small private Greek island, former movie star Lana Farrar - an old friend - invites a select group of us to stay. It'll be hot, sunny, perfect. A chance to relax and reconnect - and maybe for a few hidden truths to come out. Because nothing on this island is quite what it seems. Not Lana. Not her guests. Certainly not the murderer - furiously plotting their crime... But who am I? My name is Elliot Chase, and I'm going to tell you a story unlike any you've ever heard.

Lone Wolf is by Gregg Hurwitz. An assassin in freefall. Following a career in which he was always the most dangerous man in the room, ex-government assassin Evan Smoak is the last person his friends should ever have to worry about. But when Evan, formerly codenamed Orphan X, drops out of sight they’re concerned. They were right to be. A personal crisis has left him on his knees. A reclusive billionaire. If anyone remembered his first name they never cared to use it. But Allman’s lack of empathy hasn’t proven any barrier to building a tech empire whose tentacles reach into every aspect of people’s lives. And in the rush to praise his genius, no one’s asking what it could mean for humanity. Nor what Allman’s got coming next. A killer at large. Someone is leaving a trail of dead in their wake. Apparently chosen at random, their deaths dressed up as accidents or suicides. The woman responsible is known only as the Wolf and looks to be every bit Evan’s equal. She now has him in her sights. How does it all connect? What is at stake? And will Evan rediscover the instinct and skill he needs to prevail? Or die trying . . .


Six writers. Five detectives. Four days. Three weapons. Two murders. One train... When the Australian Mystery Writers' Society invited me to their crime-writing festival aboard the Ghan, the famous train between Darwin and Adelaide, I was hoping for some inspiration for my second book. Fiction, this time: I needed a break from real people killing each other. Obviously, that didn't pan out. The program is a who's who of crime writing royalty: the debut writer (me!), the forensic science writer, the blockbuster writer, the legal thriller writer, the literary writer, the psychological suspense writer. But when one of us is murdered, six authors quickly turn into five detectives. Together, we should know how to solve a crime. Or commit one... But how do you catch a killer, when all your suspects know how to get away with murder? Everyone on This Train is a Suspect is by Benjamin Stevenson. 

March 2024

The Wrong Sister is by Claire Douglas. Tasha has always felt in the shadow of her older sister, Alice. Their lifestyles couldn't be more different; Alice is married to wealthy entrepreneur Kyle and has a high-flying career, Tasha is married to her childhood sweetheart and lives in a Bristol suburb with their four-year-old twins. When Alice realises that Tasha is struggling - with money, the kids, losing her identity - she suggests they do a lifeswap for a week. Alice and Kyle will come to stay at Tasha's terraced house to look after the twins, while Tasha and Harry spend the week in Alice and Kyle's Venice apartment. But a few days in, it all goes terribly wrong. Tasha receives a phonecall to say Alice is in hospital and Kyle is dead after an intruder broke into their house. They think it must have been a burglary gone wrong. Until a note arrives through the letterbox saying It was supposed to be you. Who was there that night, and why? Is it really Tasha they are targeting? And can these two sisters find the answers they need, or are they about to stumble upon something more sinister?

April and Eddie have taken a wrong turn. They're on a long dark road, late at night, and they see a woman up ahead, clearly in trouble. They stop and pick her up. It's only once she's in the car that they see the blood. And then they see the headlights, and at last, the woman speaks, her voice faint. "I'm sorry, he's coming." Murder Road is by Simone St James. 

April 2024

The Gathering is by C J Tudor. A small Alaskan town. A missing boy. A brutal murder. A detective brought in from out of state to assist the former sherriff who investigated a similar murder twenty-five years ago. But are they hunting a twisted psychopath - or something even more terrifying?








Monday, 15 January 2024

The Origins of The Dancer, by Óskar Guðmundsson

The idea for The Dancer more or less pushed its way into my head. We had spend a weekend in the countryside and I was driving home in the evening, my whole family asleep in the car. I switched on the radio and a Rolling Stones song came on, and a vision suddenly came to me of a young man dancing ballet steps to this song. Forty-five kilometres later, by the time I parked the car outside our home, I had almost the whole story – and the first thing I did was to write down the outline of it. For me it was unheard of that the whole way through I knew what I was going to be writing next, virtually to its end. I’ve often thought that it must be wonderful if every story came unforced and fully packaged like that.

When I had the idea, I saw immediately that it would not take place in the present day. This was a great feeling, as I had been wondering for a while about how interesting it would be to write a tale that takes place before the era of computers and mobile phones. It was demanding but also a pleasure to get to grips with a book that features none of these gadgets. The other aspect I relished was setting the story at just that time, in 1983, when I was in my teens and knew the centre of Reykjavík intimately. So it was a joy to be able to take my thoughts back to those years and remember the locations and all the shops that no longer exist.

Ylfa, my detective, is taking her first steps as a police officer. At that time, this was an overwhelmingly male workplace and one that could be challenging for female officers. While Ylfa may come across as being fragile, she also has an inner resilience and can become a formidable adversary. She’s determined and refuses to allow herself to be pushed around – although this isn’t the case in her turbulent home life. She and her fiancé have a year-old daughter. He’s tired of Ylfa devoting so much time to her job so moves out, taking the child with him, and it’s difficult for Ylfa to get to see her.

Ylfa’s superior officer is Valdimar who is not far off retirement age and has a wealth of experience behind him. He’s a respected figure within the police force. As Valdimar took shape along with the story, I immediately felt fond of him. He’s all heart and has a deep-seated sense of justice, but nobody wants to be anywhere nearby when he’s roused to anger. Valdimar is old-school, and has quirks such as a loathing of food that has been heated up in a microwave – a technology that was just starting to appear at that time. The relationship between Ylfa and Valdimar is one of respect and fondness, and he fights her corner when the going is tough at the station and also at home. He becomes something of a father figure for Ylfa.

It was highly challenging and frequently emotionally demanding to write the story of Tony, who is The Dancer of the title. We get to know him when he’s around twenty years old, although we also see glimpses of his sick mother starting to teach him to dance from the age of three. His whole life is infused with insane child-rearing strategies, violence and abuse. My hope while writing The Dancer was that readers would form a close enough connection with his horrific circumstances to realise what happens as he begins to lead a life of his own, with what can only be described as no hope whatever of finding a place of his own in society.

To begin with, the novel had a conventional format, mainly taking place from the points of view of Valdimar and Ylfa. When I came to write the Tony the Dancer’s own scenes, it quickly became clear that to do his tragedy justice, I’d have to spend more of the narrative inside his head. That served also to make the story more graphically brutal as the reader is presented directly with what Tony sees.

The Dancer is the book that caused me the most gut-wrenching anxiety, and I had practically convinced myself that I was putting an end to my writing career. I was certain that the responses would be dreadful, and there would be no way back from this. I was completely aware that readers would find the story disturbing but I was mainly concerned that they would see it as unbelievable. It came as a huge relief when the story was a bestseller and was selected as the best crime story of the year by audiobook producer Storytel, which today is Iceland’s largest publisher. Now The Dancer is published in the UK and the reviews have been overwhelmingly positive. I’m delighted with the reception it has received, and this is what provides the tailwind you need to keep writing – and I’m grateful to Corylus Books and my translator Quentin Bates for their faith in me.

The next story in the trilogy The Puppetmaster has already appeared in Iceland. In The Dancer we got to see Ylfa coping with her family problems, and this continues in The Puppetmaster as we get to see more unfold. She and Valdimar are presented with a new case, which centres around a boys’ home in rural Hvalfjörður where people are disappearing one by one. Their investigation uncovers a murder case dating back a decade, something that was never solved when siblings were found tied beneath a buoy in Reykjavík harbour. The story addresses how children who failed to fit into the system were treated, sent to these correctional homes, often with horrific consequences. It also takes on the longstanding Icelandic problems of nepotism and favouritism that have resulted in a great deal of corruption in the country’s public life.


The Dancer by Óskar Guðmundsson, translated from Icelandic by Quentin Bates (Corylus Books) Out Now

Life was never going to be a bed of roses… Tony is a young man who has always been on the losing side in life. He was brought up by his troubled, alcoholic mother who had a past of her own as a talented ballerina, until a life-changing accident brought her dreams to a sudden end. As her own ambitions for fame and success were crushed, she used cruel and brutal methods to project them onto her young son – with devastating consequences. There’s no doubt that a body found on Reykjavík’s Öskjuhlíð hillside has been there for a long time. The case is handed to veteran detective Valdimar, supported by Ylfa, who is taking her tentative first steps as a police officer with the city’s CID while coping with her own family difficulties. It’s not long before it’s clear a vicious killer is on the loose - and very little about the case is what it appears to be at first glance.

The Dancer was originally published in 2023 as a Storytel Original Series 

ISBN: 978-1-7392989-5-1

Price £9.99

eBook pub date: 5th January 2024

Paperback pub date: 1st February 2024

https://corylusbooks.com/

Twitter: @CorylusB @oskargudmunds @graskeggur

https://www.facebook.com/CorylusBooks


Quentin Bates has personal and professional roots in Iceland that go very deep. He is an author of series of nine crime novels and novellas featuring the Reykjavik detective Gunnhildur (Gunna) Gísladóttir. In addition to his own fiction, he has translated many works of Iceland’s coolest writers into English, including books by Lilja Sigurðardóttir, Guðlaugur Arason, Einar Kárason, Óskar Guðmundsson, Sólveig Pálsdóttir, Jónína Leosdottir and Ragnar Jónasson. Quentin was instrumental in launching Iceland Noir in 2013, the crime fiction festival in Reykjavik.


Friday, 12 January 2024

MWA 2024 Grand Master and Ellery Queen Award Recipients

 Mystery Writers of America (MWA) announced the recipients of its special awards.  

Katherine Hall Page and R.L. Stine as the 2024 Grand Masters 

Michaela Hamilton of Kensington Publishing will receive the Ellery Queen Award. 

Awards will be given at the 78th Annual Edgar Awards Ceremony, which will be held May 1, 2024, at the Marriott Marquis Times Square in New York City.

Mystery Writers of America is delighted to announce the recipients of our 2024 special awards. Our Grand Masters, Katherine Hall Page and R.L. Stine, have given so much to our genre—not just through their writing, but also through their generosity to other writers, their hard-working professionalism, and their boundless enthusiasm for the written word,” said MWA Executive Vice President Donna Andrews.

MWA’s Grand Master Award represents the pinnacle of achievement in mystery writing and was established to acknowledge important contributions to this genre, as well as for a body of work that is both significant and of consistent high quality. 

On being notified of the honor, Katherine Hall Page said, “I joined MWA in 1989, over a third of a century ago. In so doing I immediately felt a part of a supportive community and formed deep, long lasting friendships. And membership has also bestowed a link to MWA’s extraordinary past, beginning in 1945. The first Grand Master was Agatha Christie in 1955. I am stunned to be standing in her—and all the other’s—shoes. Thank you MWA for the thrill of a lifetime.

Page wrote her first mystery, The Body in the Belfry, while living in France for year during her husband’s sabbatical from MIT. It was the 1991 Agatha Award winner for Best First Mystery Novel. The 15th in the series, The Body in the Snowdrift, won the 2006 Agatha Award for Best Mystery Novel. Page was also awarded the 2001 Agatha for Best Short Story for “The Would-Be Widower” in the Malice Domestic X collection and received three more Agatha nominations, including one for her series cookbook, Have Faith in Your Kitchen, in the nonfiction category, making her the first author to be nominated or win in four different Agatha categories. She was an Edgar nominee for her juvenile mystery, Christie & Company Down East.  The Body in the Lighthouse (2003) was one of three nominees for The Simon & Schuster Mary Higgins Clark Award. The Body in the Boudoir was a finalist in the 2013 Maine Literary Awards. Page received the 2016 Lifetime Achievement Award from Malice Domestic and Crime Master for her work from the Maine Writers and Publishers Alliance. The Body in the Web is out now from William Morrow in hardcover, paperback, large print, E-book, and audio editions. 

R.L. Stine is one of the best-selling children’s authors in history. Goosebumps, which recently celebrated its 30th anniversary, has more than 400 million books in print in 32 languages. An all-new New York Times bestselling Goosebumps series, House of Shivers, debuted in September 2023, with two more books to be published in 2024.

The Goosebumps series made Stine a worldwide publishing celebrity (and Jeopardy answer). His other popular children’s book series include Fear Street, (recently revived as a feature film trilogy), The Garbage Pail Kids, Mostly Ghostly, The Nightmare Room, and Rotten School. Other titles include It's The First Day of School Forever, A Midsummer Night's Scream, Young Scrooge, Stinetinglers, and three picture books, with Marc Brown—The Little Shop of Monsters, Mary McScary, and Why Did the Monster Cross the Road (2023).

On learning of the honor, Stine said, “Tony Hillerman. Elmore Leonard. Mickey Spillane. Ruth Rendell: Those were the MWA Grand Masters when I first started attending the Edgar Awards over 30 years ago. If you had told me then I’d be on that list someday, would I have believed you? I don’t think so. I’m surprised and truly honored.” 

The Ellery Queen Award was established in 1983 to honor “outstanding writing teams and outstanding people in the mystery-publishing industry.” This year the Board chose to honor Michaela Hamilton, executive editor at Kensington and editor in chief of Citadel, which she joined after a 25-year career in publishing. Her importance in the discovery of new writers and emphasis on publishing traditional mysteries, thrillers, and suspense novels cannot be underestimated. 

On learning she would receive the Ellery Queen Award, Hamilton said, “As a lifelong mystery fan, as well as a longtime supporter of MWA, I couldn’t be more tickled by this amazing recognition. When I think about previous recipients of the Ellery Queen Award, I feel quite humble. I’m just a bookworm who was lucky enough to spend the last 50-plus years working with authors I adore on books I love. Long live suspense fiction!” 

Hamilton acquires and edits commercial fiction and nonfiction including thrillers, true crime, and cozy mysteries. She has worked with authors including John Gilstrap, Gregg Olsen, M. William Phelps, Caitlin Rother, Barbara Allan, John Lutz, Lynn Cahoon, Nancy Coco, Rick Reed, and Leo J. Maloney. Her lifelong love of suspense fiction began in childhood, when she skipped the Nancy Drew mystery series in favor of Mickey Spillane’s Mike Hammer novels, which she read clandestinely after finding her father’s copies in the bathroom. She likes her thrillers violent, her cozies amusing, and her beer well chilled. 

Previous Ellery Queen Award winners include The Strand Magazine, Juliet Grames, Reagan Arthur, Kelley Ragland, Linda Landrigan, Neil Nyren, Charles Ardai, and Janet Hutchings. 

Michaela Hamilton has worked with dozens of new and seasoned writers over the decades,” Andrews said, “not only making Kensington a powerhouse in the mystery and thriller field, but also giving genre lovers hundreds of books—and thousands of hours of reading pleasure.


Thursday, 11 January 2024

Cover reveal for All The Colours of The Dark by Chris Whitaker

 All The Colours of the Dark by Chris Whitaker (Orion Publishing)

A missing persons mystery, a serial killer thriller, and an epic love story - with a unique twist on each. Late one summer, the town of Monta Clare is shattered by the abduction of local teenager Joseph 'Patch' Macauley. Nobody more so than Saint Brown, who is broken by her best friend's disappearance. Soon, she will eat, sleep, breathe, only to find him. But when she does: it will break her heart. Patch lies in a pitch-black room - all alone - for days or maybe weeks. Until he feels a hand in his. Her name is Grace and, though they cannot see each other, she takes him from the darkness and paints their world with her words. In this hopeless place, they fall in love. But when he escapes: there is no sign she ever even existed. To find her again, Patch charts an epic search across the country. And, to set him free, Saint will shadow his journey: on a darker path to hunt down the man who took them. Even if finding the truth means losing each other forever.

The video for the cover reveal can be found below.



Strand Magazine Critics Awards Winners

Quarterly crime-fiction and mystery magazine The Strand announced the winners of the annual Strand Magazine Critics Awards. Recognizing excellence in the field of mystery fiction and publishing, The Strand Critics Awards are judged by an ever-changing group of book critics and journalists. This year’s judges included those from The Boston Globe, National Public Radio, The Washington Post, USA TODAY, and The Associated Press. 

Strand Magazine Critics Award Best Novel Winner

Secret Identity by Alex Segura (Flatiron Books)

Nominees:

Anywhere You Run by Wanda M. Morris (William Morrow)

Back to the Garden by Laurie R. King (Bantam)

Desert Star by Michael Connelly (Little Brown)

Her Last Affair by John Searles (Mariner Books)

A World of Curiosities by Louise Penny (Minotaur)


Strand Magazine Critics Award Best Debut Winner

A Flicker in the Dark by Stacy Willingham (Minotaur)

Nominees:

Jackal by Erin E. Adams (Bantam)

Before You Knew My Name by Jacqueline Bublitz (Atria/Emily Bestler)

Don’t Know Tough by Eli Cranor (Soho)

Shutter by Ramona Emerson (Soho)


Strand Magazine Critics Award Best Mystery Audiobook winner

The Maid by Nita Prose (Random House Audio)

Nominees

Desert Star by Michael Connelly (Little, Brown and Company)

My Darkest Prayer by S A Cosby (Macmillan Audio)

The Paris Apartment by Lisa Foley (HarperAudio)

The Twist of a Knife by Anthony Horowitz (HarperAudio)

The Bullet That Missed: Thursday Murder Club by Richard Osman (Penguin Audio)

The White Lady by Jacqueline Winspear (Harper Audio)


Strand Publisher of the Year Award 

Dan Smetanka


Strand Lifetime Achievement Awards: 


James Lee Burke and Lee Child 

Congratulations to all!

Friday, 5 January 2024

Forthcoming Books from Profile Books and Viper

January 2024

Helle & Death is by Oskar Jensen. A snowstorm. A country house. Old friends reunited It's going to be murder. Torben Helle - art historian, Danish expat and owner of several excellent Scandinavian jumpers - has been dragged to a remote snowbound Northumbrian mansion for a ten-year reunion with old university friends. Things start to go sideways when their host, a reclusive and irritating tech entrepreneur, makes some shocking revelations at the dinner table. And when these are followed by an apparent suicide, the group faces a test of their wits... and their trust. Snowed in and cut off, surrounded by enigmatic housekeepers and off-duty police inspectors, not to mention a peculiar last will and testament, suspicion and sarcasm quickly turn to panic. As the temperature drops and the tension mounts, Torben decides to draw upon all the tricks of Golden Age detectives past in order to solve the mystery: how much money would it take to turn one of his old friends into a murderer? But he'd better be quick, or someone else might end up dead.

February 2024

On the beautiful and windswept island of Tresco, two worlds live side by side. The wealthy visitors come by helicopter to stay at their lavish time-share properties. The estate staff travel by boat, and work all hours to keep them happy, to keep the money flowing in. But while the blue skies and savage waves make the island seem a wild paradise, under the surface the inhabitants are concealing more than they dare reveal. The truths about their marriages, their love affairs, and what they do in the darkness while their neighbours are sleeping. As black clouds come rolling in and a storm hits the island, truths and rumours begin to tumble out, wreaking terrible damage. In the midst of the tempest, two women are attacked and one goes missing. The secrets of this fragile community can no longer be hidden if it hopes to survive. The islanders must finally reveal what they did in the storm, no matter the cost. What We Did in the Storm is by Tina Baker.

April 2024

The Underhistory is by Kaaron Warren. People come to visit my home and I love to show them around. It's not the original house of course. That was destroyed the day my entire family died. But I don't think their ghosts know the difference. Pera Sinclair was nine the day the pilot intentionally crashed his plane into her family's grand home, killing everyone inside. She was the girl who survived the tragedy, a sympathetic oddity, growing stranger by the day. Over the decades she rebuilt the huge and rambling building on the original site, recreating what she had lost, each room telling a piece of the story of her life and that of the many people who died there, both before and after the disaster. Her sister, murdered a hundred miles away. The soldier, broken by war. Death follows Pera, and she welcomes it in as an old friend. And while she doesn't believe in ghosts, she's not above telling a ghost story or two to those who come to visit Sinclair House. As Pera shows a young family around her home on the last haunted house tour of the season, an unexpected group of men arrive. One she recognises, but the others are strangers. But she knows their type all too well. Dangerous men, who will hurt the family without a second thought, and who will keep an old woman alive only so long as she is useful. But as she begins to show them around her home and reveal its secrets, the dangerous men will learn that she is far from helpless. After all, death seems to follow her wherever she goes...

June 2024

It's always the husband... Isn't it? Astrid Webb is missing. The police have found her car crashed near the woods, the driver's door open, the seat spotted with blood. But there's no sign of Astrid herself. Her husband Bryan is sure that she's alive - after all, this isn't the first time she's vanished, only to reappear without explanation. As the days pass, Bryan starts to look like a suspect in his wife's disappearance, perhaps in her murder. But Bryan isn't telling the police the whole truth. Not about Astrid's stalker, their broken-in back door, or the threatening messages. Then a woman's body is found in the woods. By staying silent, is Bryan protecting Astrid, or protecting himself? The Wreckage of Us is by Dan Malakin. 







Thursday, 4 January 2024

Alice McIlroy on Writers exploring AI and the threat of technology: why it is too important to leave public conversations to Tech Giants.

With the ongoing debate about AI influence on human life, now, I would argue, is when we need writers and artists to engage with the conversation around AI – through art – more than ever. It is too important a conversation to leave to those with a vested commercial interest in its advancement.

The role of artists and writers has always been to hold a mirror up to society, hasn’t it? To ask difficult questions and open debate, to navigate what it means to be human, to help us see our shared humanity, perhaps even probe issues around responsibility and morality. I believe human creative endeavour enables progress – progress in our humanity, something unchecked technological advancement threatens to endanger.

 Here are three thought-provoking 2023 books exploring moral dilemmas around AI and the threat of technology that are not to be missed:

MORE PERFECT by Temi Oh: In this futuristic novel and epic love story set in a technological age, the protagonist Moremi’s sister believes “technology will only entrench inequality deeper in our society,” unless we address issues of race and gender first. Moremi and her two sisters all respond differently to the adoption of the Pulse (an implant connecting the brain to the Panopticon network). Moremi initially embraces her Pulse, but it ultimately exacerbates her sense of isolation.

THE LIST by Yomi Adegoke: It is a nuanced exploration of online toxicity and the central character Ola's moral dilemma. Ola, who has made her name breaking #MeToo stories, wakes to discover her fiancé has been named online in a list of abusive men. The novel reflects on the difference between our online and offline personas, and the perils of being unable to distinguish real life from our digital selves.  

IN THE BLINK OF AN EYE by Jo Callaghan: In her debut, Callaghan seamlessly blends a police procedural novel with elements of speculative fiction. DCS Kat Frank is sceptical when she is chosen to lead a pilot programme that has her paired with AIDE Lock on a missing persons case (AIDE being an Artificially Intelligent Detective Entity). The book asks the question whether, when the case becomes personal, the combination of Kat’s human instinct and the logic of Lock’s algorithms can prove to be a successful partnership.

All three novels ask pressing questions about the threat of technology. Adegoke’s encourages us to conceptualise a more nuanced manner of engagement in an often polarising digital world, while Oh’s perhaps warns about a technology which purports to connect people, but, in fact, compounds isolation, separation and historic inequality. Both Adegoke and Callaghan’s debuts explore contentious dilemmas in modern society (online toxicity in the former, and AI taking human jobs in the latter) with the distance of fiction enabling greater capacity for debate. Whereas the moral dilemma that Callaghan explores is AI taking over human jobs, my debut The Glass Woman considers AI taking over the human mind, and its impact on perception and identity.

In The Glass Woman, the protagonist Iris, a female neuroscientist, trials a pioneering AI brain implant and must fight to reconstruct her identity. It explores the nature of humanity amid technological advancement and uncertainty. It is a quest for Iris to discover who she is before it is too late. A cautionary tale, it posits AI as a manifestation of human desire for transcending our own limitations, and the peril that invokes. The novel asks: what will be lost if we allow technological progress at all costs?

At a time when the debate around AI has become so polarised, it is perhaps more vital than ever that writers and artists continue to engage with it through stories. The importance of storytellers using age-old methods to conceive possible worlds and outcomes, opening up the debate to everyone – not just the masters of technology – is now more pressing than ever.

What makes human writers unique is our identity – and what we want as readers is, arguably, authenticity – but AI creates an algorithmic echo chamber. What will be lost if we allow AI, and the bias inherent in machine learning, to replace human creativity? Perhaps what is at stake if we don’t engage in these conversations now is our identity – not just as individuals – but as a society, and it is our shared collective humanity which will ultimately suffer as a consequence.

The Glass Woman by Alice McIlroy

Black Mirror meets Before I Go to Sleep by way of Severance.

If you could delete all the hurt and pain from your life... would you? Even if you weren't sure what would be left?

Pioneering scientist Iris Henderson awakes in a hospital bed with no memories. She is told that she is the first test-subject for an experimental therapy, placing a piece of AI technology into her brain. She is also told that she volunteered for it. But without her memories, Iris doesn't know what the therapy is or why she would ever choose it.

Everyone warns her to leave it alone, but Iris doesn't know who to trust. As she scratches beneath the surface of her seemingly happy marriage and successful career, a catastrophic chain of events is set in motion, and secrets will be revealed that have the capacity to destroy her whole life.

 ......

Alice McIlroy’s writing has been longlisted for the Stylist Prize for Feminist Fiction and Grindstone International Novel Prize. Her debut novel, The Glass Woman, was published on 2nd January 2024 by Datura/Angry Robot Books. It can be ordered here.

She can be found on Twitter @alice_mcilroy and Instagram @alicemcilroy_author.

Faith Martin on her journey to writing a classic whodunnit.

Sometimes, writing the book that you always wanted to write isn’t that straightforward.

I was about fourteen when I discovered the crime novels of our wonderful Golden Age authors. Children’s books had lost their appeal and I wanted something more challenging which also entertained me – and in the traditional whodunnit I quickly found my life-long reading obsession.

This literature had it all as far as I was concerned.   Baffling murders, clues, red herrings and memorable characters, all wrapped up in a bygone age that I knew nothing about, but which seemed to me to be filled with charm, atmosphere, elegance and witty humour.

So when I first decided to try my hand at writing a novel of my own, my choice of what kind of book to write should have been obvious, no?

Well…. no.

When I was eighteen my parents were involved in an horrific car accident, and I made the decision to stay at home and become a full-time carer.  This meant that I had the time to write, but also left me feeling ill-equipped to do so.  I would read the ‘about-the-author-blurb’ in the books I was reading, and it seemed to me that nearly all of the writers I admired had been to university and taken degrees (usually in English Literature.)

But I had only my own desire to write and years of reading other author’s works to guide me, and I instinctively felt that trying to write something as complicated as a densely plotted ‘proper whodunnit’ was beyond me. 

So instead I decided to write modern romances which - being the early 1990’s – tended to be about rich and glamorous people, in exotic settings, getting up to no good.   My thinking was, if it turned out that I had no talent and no chance of getting published, at least I’d have a whale of a time and enjoy the process of writing if nothing else!  As I did.  And with the help of a literary agent and after plenty of practise, my first novel, ‘Stolen Fire’ was published in 1993 under the pen name of Maxine Barry.

And after some years producing these, I felt confident enough to try something new. 

So now I was going to write a classic whodunnit, yes? 

Er…. No.

I still wasn’t sure I could measure up to my heroes.   Instead, I decided on staying contemporary and writing police procedural stories about a female detective who lived on a narrowboat and worked out of Thames Valley HQ, by the name of DI Hillary Greene.  These I wrote under the new pen name of Faith Martin.

Yet again I had no high hopes that any publisher would find them good enough, but Robert Hale took them on, and over the next ten years or so produced over 15 in this series.  These originally came out in hardback and were mainly purchased by libraries, and like many authors, I wasn’t well-known, nor was I troubling any bestseller lists.  And after 25 years of anonymity, I never expected things to change. 

But then the Hillary Greene series was published as ebooks by Joffe Books, and suddenly Hillary Greene was finding a wider audience.   And it seemed that readers liked her!

Thus emboldened, I decided to dab a tentative toe into ‘historical’ crime and produced the Ryder & Loveday books, published by Harper Collins, which were set in the 1960’s.  And again, they were well received.

Thus, after nearly 30 years of writing, I finally plucked up the nerve to write something that I had always wanted to write – a classic-style country house whodunnit, set in the golden age of the 1920’s and featuring a traditional locked room mystery.  And created a duo of amateur sleuths to solve the case.

Since I began this process during the doom and gloom days of the lockdowns, I was determined to make it light, entertaining and humorous, and MURDER BY CANDLELIGHT was the result.   Published in January next year, it tells the story of an old lady found dead in her bed, with all the doors and windows locked.  Clues and suspects abound – including the family ghost!  And it’s up to the lazy but amiable Arbie Swift, author of ‘The Gentlemen’s Guide to Ghost-Hunting’ and local vicar’s daughter Val, to sort out the red-herrings from the real clues and uncover the killer.

I only hope my readers are happy with the result.  But for all DI Hillary Greene fans, don’t worry. I’ve just finished writing her latest case also!


Murder by Candlelight by Faith Martin (HarperCollins Publisher)

One suspicious death. Two amateur sleuths. And an utterly impossible crime. The Cotswolds, 1924. At the Old Forge in the quiet village of Maybury-in-the-Marsh a cry of anguish rings out: lady of the house Amy Phelps has been discovered dead. But with all the windows and doors to her room locked from inside, how – and by whom – was she killed? Arbuthnot ‘Arbie’ Swift finds himself in the unlikely position of detective. The celebrated author of The Gentleman’s Guide to Ghost-Hunting is staying at the Old Forge to investigate a suspected spectre, but now the more pressing matter of Amy’s murder falls to him too. With old friend Val, he soon uncovers a sorry tale of altered wills, secret love affairs and tragic losses – and plenty of motives for murder. When events take another sinister turn, Arbie must find the killer, fast. And to do so will mean cracking a most perfectly plotted crime…

More information about the author and her books can be found on her website. You can also find her on X @FaithMartin_Nov and on Facebook.

Murder by Candlelight by Faith Martin will publish in hardback on 4th January 2024 (£16.99).

Wednesday, 3 January 2024

Left Coast Crime 2025: Rocky Mountain High Jinks

 


Left Coast Crime is thrilled to announce our Special Guests for Left Coast Crime 2025: Guests of Honor Manuel Ramos and Sara Paretsky, Fan Guest of Honor Grace Koshida, and Toastmaster John Copenhaver.



Registration is now open for LCC 2025 in Denver, Colorado, March 13-16, 2025. Left Coast Crime registration includes a Welcome Reception, two special Breakfasts, the Awards Banquet, and admission to all panels and interviews. The early registration fee of $299 extends through April 15, 2024, the close of LCC 2024: Seattle Shakedown.

 More Information and Online Registration: https://leftcoastcrime.org/2025/

Tuesday, 2 January 2024

A Dance to the Music of Crime: The Artful Oath to Murder

 From the classical adventures of Sherlock Holmes and Lord Peter Wimsey to the killer tunes of the Fun Lovin’ Crime Writers, music and performance have played a central role in some of our best-loved stories.

Join us as the curtain rises on our 31st St Hilda’s Crime Fiction Weekend with a host of award-winning authors who will put the poise into poison, explore the harm in harmony, and unfailingly strike the right note.

Guest of Honour: Elly Griffiths

Elly Griffiths is best known for her award-winning Dr Ruth Galloway series and for The Brighton Mystery series, the latest of these being The Great Deceiver. Her standalone The Stranger Diaries won an Edgar Award. She has been shortlisted six times for the Theakstons Crime Novel of the Year, and was awarded the CWA’s coveted Dagger in the Library in 2016.

9-11 Aug in Oxford & online


Our speakers:

Kia Abdullah

Mark Billingham

Rev. Richard Coles

Harriet Evans

Doug Johnstone

Erin Kelly

Jake Lamar

Saima Mir

Lucie Whitehouse

David Whittle

Book your tickets for this exciting event here!