Cover reveal for Amongst Our Weapons by Ben Aaronovitch

 

Amongst Our Weapons by Ben Aaronovitch (Gollancz) Out 7 May 2022

There is a world hidden underneath this great city. The London Silver Vaults – for well over a century, the largest collection of silver for sale in the world. It has more locks than the Bank of England and more cameras than a celebrity punch-up. Not somewhere you can murder someone and vanish without a trace – only that’s what happened. The disappearing act, the reports of a blinding flash of light and memory loss amongst the witnesses all make this a case for Detective Constable Peter Grant and the Special Assessment Unit. Alongside their boss DCI Thomas Nightingale, the SAU find themselves embroiled in a mystery that encompasses London’s tangled history, foreign lands and, most terrifying of all, the North! And Peter must solve this case soon because back home his partner Beverley is expecting twins any day now. But what he doesn’t know is that he’s about to encounter something – and somebody – that nobody ever expects…

The Piper's Dance By Maxim Jakubowski

 

I have a new novel being published and it might appear perplexing for some that the latest book by the erstwhile owner of the Murder One bookshop and current Chair of the Crime Writers' Association happens not to be a crime and mystery novel, even by a long stretch of the imagination.

Am I a traitor to the cause? An imposter? Should I apologise to all of you in the crime world?

Not really. Actually, I was always a spy in the world of crime. I confess: science fiction & fantasy was my first love. It brought my teenage years alive when I was growing up in Paris and hunting down back issues of FICTION, the French edition of THE MAGAZINE OF FANTASY & SCIENCE FICTION, and affordable US paperbacks featuring the works of Philip K. Dick, Philip Jose Farmer, Robert Sheckley and so many others of my then demi-gods of writing along the Quais of the Seine, in the then flourishing bouquiniste boxes, which have since sadly mostly disappeared or, if not, where books have made way for mostly prints and tourist paraphernalia. I'd avidly devoured Jules Verne's extraordinary tales from an early age and the way the imagination can be fired up by tales of planets, time-travel and galactic derring-do was verily the stuff of dreams for me. SF harboured a wonderful sense of wonder. As a voracious reader, and having been handed over my mother's adult library card, I hunted down the shelves of the Bibliothèque Municipale on Place Gambetta for more narratives of adventure and, naturally, also absorbed the Sherlock Holmes tales, Fantomas, Gaston Leroux and Agatha Christie as they were all available free from the public library. But my hard-unearned pocket money all went on books and magazines, and SF ones at that, which drove my father to despair, he who never read a book in his whole life.

I must admit, blushing delicately behind my keyboard and laptop screen that, at the time, crime fiction afforded me my earliest sexual emotions, as the crowding presence of the fairer sex and the recurring femmes fatales in the pages of Mickey Spillane, Jean Bruce, Gil Brewer and other pulpsters did alert me rather vigorously to the possibilities of sex, still something of a dangerous mystery for a bookworm of a teenager who didn't have a girlfriend for many years still to come! If SF had a drawback, it was that it was mostly sexless!

To compound my infamy, I even began my writing and publishing career by issuing an SF fanzine. It was called ESPACE and later evolved into NOCTURNE while alongside I became the Secretary of the British Science Fiction Association and began socialising with other writers in the field, many of which later went on to much acclaim, including Brian Aldiss, JG Ballard and Michael Moorcock. My first book, published in France when I was only sixteen was a collection of (terrible) SF stories!

Sadly I was also fast coming to the conclusion that as much as I loved SF&fantasy, I was not an ideas person and as a result not particularly suited to writing in the genre! Although now, amusingly, I appear to be getting two or three enquiries for details or interviews from French academics researching that period and my contribution to French SF on an annual basis; certainly more than I do about my life in crime!

To cut a long story short, I navigated the shores of speculative fiction until my mid-30s, editing, translating and writing. By then I had returned to the UK and eventually found a slot in the book publishing world which was willing to accommodate all my idiosyncratic tastes. When the opportunity arose to launch a new genre imprint, I recalled how so many American crime writers who were legendary in France had been utterly forgotten in the UK and the USA and, having done my research homework, launched the Black Box Thriller list which reissued writers like Jim Thompson, David Goodis, Cornell Woolrich, Marc Behm, Anthony Boucher, Horace McCoy, Charles Williams, W.R. Burnett, Fredric Brown, Jerome Charyn and many others. Working on the list opened my eyes and I finally fell in love in earnest with the crime and mystery genre with a vengeance. It became inevitable that after later running the Blue Murder and MaxCrimeimprints, I reintegrated the crime field in overdrive as not just an anthology editor but also as a writer. A couple of handfuls of novels ensued, many of a strong hardboiled nature, albeit -blame it on Mickey Spillane- with rather intense sexual elements which led to the next chapter in my writing life: erotic fiction, which after I departed full-time publishing and closed Murder One, offered me a financial life raft, when I was asked to pen (in collaboration with another writer whose name is sworn to secrecy) a series of ten novels to shadow the infamous FIFTY SHADES OF GREY phenomenon. These books sold in 31 countries and sold millions of copies. I am still immensely proud of the books which I believe combine genre fiction with literary tropes in the best possible way.

By the time I'd exhausted every sexual setting, position and mood, I felt I was now free to write whatever I now wished, without concerning myself with commerciality, size of advance or market position, and I think it was natural that I gravitated back to my first love: fantasy and SF, although somehow as my scientific imagination had shrunk rather than grown in the intervening years, more of the former, a genre which allows the imagination unconstrained liberty. EKATERINA AND THE NIGHT (2011) was a love story within a thriller canvas but also featured a mysterious killer with seemingly fantastic powers and maybe even the gift of immortality. Then came THE LOUISIANA REPUBLIC (2018) which took a further detour on the road away from crime fiction; although it features a disillusioned New York private eye seeking for a little sister on a behalf of her shady family, it is set in a world reverting to chaos and anarchy as a result of the Internet being wiped out overnight, and parts of America having seceded from the Union, resulting in a violent road movie of a book taking the main characters to New Orleans where magic still works. Lee Child kindly praised the novel, calling it a dystopia.

Which brings me to THE PIPER'S DANCE in which I fear there is no longer even the sliver of a crime and mystery element. I don't wish to offer spoilers, but suffice to say that it begins with the famed Pied Piper, luring the children of Hamelin, in medieval times, away from their town. My premise is what actually happened to them? Well, it's no secret -it's in the blurbs and back cover copy- that they survive to modern times and two of them, Tristan and Katerina, flee the clutches of the Piper, who has many sinister traits in common with the Devil himself. I wrote it as a dark love story, and would describe the book as a hardboiled fantasy, with a nod to my crime fiction tastes. There is death, there is horror, there are tears, body exchanges and even mermaids! It's the book that I wanted to write and damn categories. I hope some of you will be curious enough to look out for it and enjoy it. And, who knows, what with my pedigree, maybe my next novel will see my returning wholesale to a life of crime?

The Piper's Dance by Maxim Jakubowski (Telos Publishing) Out 22 July 2021

When two immortal children of Hamelin, Tristan and Katerina, escape from the questionable clutches of their master and gaoler, the Pied Piper, they leave behind the mysterious island that has been their home and their prison for centuries. Forced to use what limited talents they have, Tristan and Katerina obtain new identities, and begin to make a tentative life for themselves in Paris. Within this new world the young lovers find a semblance of happiness until the day the Piper comes calling, ripping apart their entwined destiny.

Devil or pawn, who is the Piper? Can Tristan and Katerina truly escape the destiny forged for them? Or is the journey they take controlled by an even higher power?

Journeying to The Dark Tower

I was delighted to accept an invitation to a press screening of the film adaptation of Stephen King’s The Dark Tower hosted at Sony Pictures Europe’s London Offices.

I was unsure what to expect as the reviews [from the US] have been disappointing, which surprised me due to the strength of the two leads Matthew McConaughey and Idris Elba, as well as the base narrative from Stephen King.

Firstly, the film retains the flavour [rather than a pure adaptation] of King’s opening to his sequence of fantasy novels featuring The Gunslinger. It mixes the ‘there are worlds other than these’ tagline with an urgent cinematic ‘take’ of these books; so-much-so that the running time flies by in a hail of bullets and action like a John Woo production, but one with a supernatural undercurrent to the proceedings.

The special effects are impressive, as is the action and urgency of the tale when a young boy named Jake Chambers is still recovering from the death of his Fireman Father and finds himself plagued with nightmares and visions. His Mother and Step-Father as well as his school are disturbed by the boy’s behaviour.

The visions emanate from another dimension of sorts, and relate to the eponymous Tower, as well as The Man in Black [Matthew McConaughey] and the Gunslinger [Idris Elba]. No one believes Jake, that is until the link between the dimensions is established as well as the significance of The Tower – and then the inter-dimensional war commences.

Alternating between current day New York and the Wasteland, diehard Stephen King readers [if eagle eyed] will notice subtle references to this writer’s work interspersed throughout the film; which at times is breathless as well as stimulating.

The climax is satisfying and leaves the dimensional door ajar for future adventures; and despite what others have said, The Dark Tower remains an exciting and invigorating film from a fevered imagination.

I thanked Kerry Hood and Nick Sayers of Hodder and Stoughton [Stephen King’s long standing British Publishers] for the invitation to visit The Dark Tower as well as having a good chat with Phillipa Pride [King’s UK Editor] and of Book Doctor.

The film opens in cinemas in the UK on Friday 18^th August; and remember Shots Magazine have copies of The Dark Tower in Paperback available Here

With writer Matt Thorne

Charlaine Harris on BOBO WINTHROP -- 419

Charlaine Harris writes exclusively for Shotsblog about Bobo Winthrop whom we first meet in her Lily Bard Series but who has come into his own in her Midnight Series..

Between 1996 and 2001, I wrote the Lily Bard books. The protagonist is a housecleaner with a terrible past and a talent for karate. She’s dark, she’s direct, she likes to be in control, and she was very hard to write.

Eeeek – 1996-2001! Just saying that makes me feel very, very old. Since Lily was so dark and grim, I had to create a great foil for her; someone who would stand out in sharp contrast, a man who would carry a torch for her and admire her strength. He needn’t be her forever guy, since that would require different qualities. But he had to show that Lily was desirable.

Bobo Winthrop was everyone who’d ever awed me when I was in high school. Except nicer. As it transpired, he was a character who resonated. Everyone loved Bobo. He was involved in Lily’s life in two ways: Lily and Bobo were in the same karate class, and Lily cleaned the Winthrop home.

Despite their being from two different worlds, Bobo admired Lily’s karate skill, her bodybuilding determination, and her character. Despite being in his teens, rich-kid Bobo developed a huge crush on the totally unsuitable Lily.

Bobo was maybe a little dismayed that Lily also cleaned his family’s house and had to endure his snappy, unpleasant mother. (He would have been even more dismayed if he’d understood how much she knew about his personal life simply because she cleaned his room.)

When we meet him, Bobo is a golden boy. He’s the homecoming king, the athlete, the rich kid who gets the pretty girl . . . until he’s not. His world comes crashing down with the revelation of his grandfather’s racist political ambitions. It becomes a minor issue that Bobo doesn’t stand a chance with Lily, who is way too much woman for a teenager. Bobo has to face the destruction of his universe, and he must grow up almost overnight.

As I was building the world of Midnight, I knew the pawnshop needed a proprietor, and I suddenly realized I could finally write about Bobo again. He’s aged, of course, and he’s had a hard, hard time. But he’s also mellowed, and he no longer expects the world to be at his feet. He has an immense capacity for love, and a huge appreciation of the fact that in Midnight, he has the time to enjoy live and appreciate what comes his way. I actually like Bobo even more now.

I hope you will, too.

------

Charlaine Harris is the author of the bestselling Sookie Stackhouse series (also known as the Southern Vampire Mysteries) which led to the HBO Golden Globe Award winning television series True Blood.  She is also the author of the Aurora Teagarden Series, the Lily Bard (Shakespeare) series and the Harper Connelly series.  She has also written a number of standalone novels and shorts stories as well as being the co-editor of 4 anthologies and the sole editor of one. She has won an Agatha Award for Best Novel and an Anthony Award for Best Paperback Original.  She has also been nominated for a Locus Award for Best Fantasy Novel and a Dilys Award. She has dominated the New York Times bestseller list since 2008. 

Midnight Crossing, the first book in the Midnight Series was published on 7^th May 2014.  Day Shift the second book in the series is due to be published on 7^th May 2015.

More information about Charlaine Harris and her work can be found on her website.

DAY SHIFT is a powerful stand-alone story from Charlaine Harris set in the same town as MIDNIGHT CROSSROAD.

Midnight, Texas is a sleepy town that’s easy to miss, and the residents love it that way. The idyllic, unnerving lull comes crashing to an end when the town’s abandoned old hotel is bought by a new owner with grand plans to reinvigorate the entire town. It’s just what the town of Midnight needs, but not all the residents are happy with the news.

But little do the residents know that a storm of people is descending on Midnight. When the town’s newest resident becomes embroiled in a deadly investigation, an army of police, lawyers and journalists all arrive, and suddenly the hotel and its new owner are the least of the town’s worries.