The Return of Inspector Ghote

“The Inspector Ghote books … are quite exquisite, gentle novels that should find their place on any list of good crime fiction” – Alexander McCall Smith

I was delighted to hear from Publisher Kate-Lyall Grant that the late [Harry] HRF Keating’s acclaimed Inspector Ghote mysteries were returning from Canongate’s Severn House Imprint, which is a sister to the rapidly expanding Black Thorn division.

The last time I chatted with the late Harry Keating was over a decade ago, at a Crime Writers Association function where Andrew Taylor was awarded the Diamond Dagger for his contribution to the Crime Fiction Genre. Of particular delight was capturing [on photograph] fellow Diamond Dagger Authors, many of whom like Harry have sadly now passed away.

My report, and recollections of that time remain archived at Jeff Pierce’s RAP SHEET and can be accessed HERE

This [long overdue] re-issue made me smile, as over a flute of Champagne I told Harry Keating that evening how fond my father had been of his Indian Detective, Inspector Ghote. When he was homesick as a young psychiatrist in early 1960’s London, he would read Keating’s books as they reminded him of India. I never had the temerity to shatter my father’s illusion that at that time, the author had never set foot in India. I recall Harry Keating beaming at my anecdote, and my thanks to the author on behalf of my father, for the pleasure those wonderful books provided him, an escape of sorts from that rain and cold of London.

Today, tales of Indian Detectives, and exotic mysteries set there are celebrated with the work of Vaseem Khan and the MWA Edgar Nominated and CWA Dagger awarded Abir Mukherjee as well as many other writers with roots to that Asian Subcontinent that HRF Keating wrote about, with such affection.

Many paid their respects to Harry Keating when he passed away in 2011, of which fellow scribe Mike Ripley’s farewell [to whom he once referred Inspector Ghote as “the Maigret of Mumbai”] is memorable.

Ripley’s recollections can be read HERE from The Guardian while an excellent eulogy and reflection on his friendship with the creator of Inspector Ghote entitled “When Harry Met Ripley” with photographs can be accessed HERE.

Keating’s Inspector Ghote mysteries were recognised by the Crime Writer’s Association, in 1964 in the novel ‘The Perfect Murder’ [the first appearance of the Indian Detective] and in 1980 with ‘The Murder of the Maharajah’ both awarded Gold Daggers. The film team at Merchant-Ivory Production’s filmed ‘The Perfect Murder’ in 1998 to acclaim. It featured actors Stellan Skarsgård, Naseeruddin Shah, Ratna Pathak, Madhur Jaffrey, Amjad Khan, Annu Kapoor, Archana Puran Singh, Dalip Tahil, Dinshaw Daji, Johnny Walker, Mohan Agashe, Salim Ghouse and Directed by Zafar Hai. Produced by Ismail Merchant. With Music by Richard Robbins

It can be viewed online HERE

More information about the adventures [and miss-adventures] of Inspector Ghote can be accessed HERE

And now, thanks to Severn House, a new generation can wade though these vividly realised mysteries, so following my usual digressions; Kate Lyall-Grant gets to the point –

Dogged, determined Inspector Ghote of the Bombay Police Crime Branch has been delighting readers since his first outing in the 1960s, and Severn House is thrilled to announce that – starting February 4 – we’ll be republishing 21 of his adventures in digital, many for the first time.

The creation of multi-award-winning author H.R.F. Keating – who in his lifetime held many prestigious roles, including following in the footsteps of Agatha Christie to become President of the Detection Club – Inspector Ghote will delight readers of traditional mysteries that combine both interesting settings and well-drawn characters. Enjoy Alexander McCall Smith’s No. 1 Ladies’ Detective Agency books, Abir Mukherjee’s Sam Wyndham series set in Raj-era India and Vaseem Khan’s Baby Ganesh Detective Agency novels? We think you’ll love the sometimes shy and uncertain, sometimes bumbling Inspector Ghote too.

We’re launching the series with two contrasting reads: a series prequel, A SMALL CASE FOR INSPECTOR GHOTE? – Keating’s last novel before his death in 2011 – and INSPECTOR GHOTE’S GOOD CRUSADE, an early instalment from the 1960s. Paired together, the books provide fascinating insight into the evolution of Keating’s style over his writing career – as well as both being cracking reads.

In A SMALL CASE FOR INSPECTOR GHOTE?, H.R.F. Keating returns to the beginning of Ghote’s career, taking readers on a journey back to Ghote’s first official case as an inspector – which starts with the horrible discovery of a head in his office rubbish bin.

H.R.F. Keating’s wife, the actor Sheila Keating, says of the book:

“After seven Harriet Martens books, Harry decided he had no more to say about his ‘Hard Detective’, but was itching to get back to his beloved Inspector Ghote. The trouble was that he had put all his India research into the black bin as an acknowledgement that he was abandoning India. Then it occurred to him that all he needed to do was to re-read his own books to recapture all those facts which had been in the research files. This he did before embarking on a new series which would start with the very beginning of Ghote’s time as an Inspector.”

A SMALL CASE was the second in the new series, but turned out to be Harry writing at his very best. Not only a vivid picture of life working for the prestigious and eclectic Crime Branch, but also Ghote’s home life with Protima, his characterful wife, and very new baby son, Ved, artfully woven into a fast-moving story, as well as a picture of that other India – the slums of Bombay. Sadly, by now in his eighties with heart problems, this was to be the last book he wrote but a truly splendid rounding off of a spectacular career.”

In INSPECTOR GHOTE’S GOOD CRUSADE, the good-hearted inspector investigates the murder of an American millionaire and philanthropist, but finds himself at the mercy of a selection of unsavoury, unreliable – and just plain annoying – witnesses, who all seem determined to lead him astray.

Sheila Keating writes:

“THE PERFECT MURDER, in which Ghote first appeared, was intended to be a one-off – India being just one more of the off-beat settings of his earlier crime novels – but when it won the Crime Writer’s Gold Dagger award and furthermore found an American publisher, which the previous novels had not, it became obvious that there would have to be a follow-up. Harry was delighted because he had begun to fall in love with India. 

Although he had already done an immense amount of research, he realized there was a lot more to do. While he continued amassing Indian facts, he wrote another standalone title, but after that he was ready to plunge back into India with INSPECTOR GHOTE’S GOOD CRUSADE. On this, his second outing, the Inspector is established as the endearing, put-upon character who became a favourite with crime book readers.”

The editorial team at Severn House are excited to share these gems of detective fiction with you, so you can find out for yourself why Booklist thought Keating was “an immensely talented author” and Ghote “wonderfully witty”; why Publishers Weekly described Ghote as “a most appealing sleuth”; and why the late, great P.D. James thought Ghote was “an enchanting and engaging character”.

eBook schedule: Mark your diaries, and mark them well in ink and on screen.

Feb 2020:

A SMALL CASE FOR INSPECTOR GHOTE?

INSPECTOR GHOTE’S GOOD CRUSADE

Mar 2020:     

INSPECTOR GHOTE CAUGHT IN MESHES

INSPECTOR GHOTE HUNTS THE PEACOCK

Apr 2020:     

INSPECTOR GHOTE PLAYS A JOKER

INSPECTOR GHOTE GOES BY TRAIN

May 2020:    

BATS FLY UP FOR INSPECTOR GHOTE

FILMI, FILMI, INSPECTOR GHOTE

Jun 2020:     

INSPECTOR GHOTE DRAWS A LINE

GO WEST, INSPECTOR GHOTE

Jul 2020:      

THE SHERIFF OF BOMBAY

THE BODY IN THE BILLIARD ROOM

Aug 2020:    

DEAD ON TIME

INSPECTOR GHOTE, HIS LIFE AND CRIMES

Sept 2020:

THE ICIEST SIN

CHEATING DEATH

Oct 2020:     

DOING WRONG

ASKING QUESTIONS

Nov 2020:    

BRIBERY, CORRUPTION ALSO

BREAKING AND ENTERING

Dec 2020:    

INSPECTOR GHOTE’S FIRST CASE

Paperback schedule:

Severn House is also publishing selected titles in high-quality trade paperback editions. Expected to launch in April 2020, with a publishing schedule of one title per month, the initial four books chosen are A SMALL CASE FOR INSPECTOR GHOTE?; INSPECTOR GHOTE’S GOOD CRUSADE; FILMI, FILMI, INSPECTOR GHOTE; and DOING WRONG.

It is great to see Inspector Ghote back.

I’ll leave the last word to his colleague and friend, writer, bibliophile and literary 

commentator, the Talented Mr Mike Ripley –

It may seem that Harry was defying the old maxim that you should write about what you know and he cheerfully admits that “it was all going quite nicely without having to face the actuality,” but then one morning the actuality came calling. It was at the breakfast table with the morning post (those were the days!) that Harry opened a letter from Air India, which basically said: You’ve been writing about India, now come and see it and offered him a ticket, thankfully [also a] return one, on one of their flights to Bombay, as it was then. It was an offer Harry, in all conscience, could not afford to refuse.

The Ghote books were known and read in India but still, the prospect of confronting the “actuality” of a world he had created in the safety of Notting Hill several thousand miles away, must have been daunting if not nerve-wracking. Harry spent the entire Air India flight there calming his nerves and rehearsing an appropriate speech for that dramatic moment when he landed and stepped for the first time on to Indian soil. It went, as he recalls, “Something along the lines of ‘One small step for Inspector Ghote …’” but in reality the speech was never delivered. As the Air India jet landed and Harry stepped on to the tarmac of Bombay airport, his first historic words were: “My God, it’s hot!”

Photos © Ali Karim, Merchant-Ivory Productions & Severn House Publishing

Text © Ali Karim, Mike Ripley, Sheila Keating & Kate Lyall-Grant

The legacy of Harry Keating also lives on as Sheila announces the annual HRF Keating Award at the Bristol Crimefest Convention, annually.

The Story of Classic Crime in 100 Books – Only a Hundred?

We all like lists, partly because we like a good argument. Any attempt to pick the “hundred best” books, whether in the crime genre or anywhere else, is bound to prompt controversy. But this hasn’t deterred critics over the years - Julian Symons and Harry Keating, both doyens of crime reviewing in the second half of the last century, both had a go. With my new genre study for the British Library, The Story of Classic Crime in 100 Books, however, I wasn’t trying to list “the best” books; I set out to do something rather different.

Actually, this book isn’t focused on a list – it’s about telling a story, of how crime fiction developed between the end of the Victorian era and 1950. I’ve picked titles that help to illustrate a variety of themes as that story unfolds. Of course, there are plenty of predictable choices, ranging from The Hound of the Baskervilles to Strangers on a Train. But I like to think that there are plenty of choices that will come as a surprise, perhaps in the same way that a pleasing plot twist in a mystery may catch even an alert reader unawares. I’ve included plenty of personal favourites, such as Roy Horniman’s Israel Rank, but again, this isn’t an attempt simply to list my own top hundred most-loved crime novels. I wanted to focus more on a diverse and appealing range of entries.

In the book’s introduction, I say that some of my choices are unashamedly idiosyncratic, and having the chance to come up with some unlikely titles was an important part of the appeal for me of writing the book. It serves, as the title suggests, as a companion to the British Library’s popular Crime Classics series, but again I’ve tried to defy expectations by selecting only a limited number of the books that have appeared so far in the series. I didn’t want simply to repeat what I’d said about books and authors in my introductions to books in the series. Nor did I want to rehash all that I said in my last book about the genre, The Golden Age of Murder. I wanted to offer readers value by trying to give them something fresh.

But, as with The Golden Age of Murder, if to a lesser extent, I used the techniques of a novelist in telling the story of classic crime, and that meant that – as writers do when they tell a story long enough to fill a book – I kept revising my ideas as I worked on the manuscript. One hundred books written over a time span of half a century isn’t really as large a number as it may seem! Some of the choices that featured in my original synopsis had to give way to other books that seemed, as time went on, better to reflect different aspects of the story. As a rough estimate, I’d say I changed about a quarter of the selections over the time (rather more than twelve months) that I was writing the book.

So some of the titles you’d expect to see in a “best of” list are probably conspicuous by their absence. Some, I hope and expect, you may never have heard of, even if you’re a real aficionado. For me, that’s a good thing, because I believe that part of the pleasure of reading a book like this lies in making fresh discoveries. (Just as I did long ago, after reading Symons’ wonderful history of the genre,) Of course, one hundred titles isn’t nearly enough – so in all, I finished up by mentioning another six hundred in addition to those discussed in depth. If this book tempts you to search out some obscure but fascinating books (and given the number of titles to choose from, there are lots of possibilities!), I’ll be delighted. Happy hunting!

The Story of Classic Crime in 100 Books is published in the UK on 7 July by the British Library, and in the US on 1 August by Poisoned Pen Press.  

More information about the author can be found on his website.  You can also follow him on Twitter @medwardbooks