Showing posts with label Ray Celestin. Show all posts
Showing posts with label Ray Celestin. Show all posts

Wednesday, 29 June 2022

2022 CWA Dagger Awards Announced

 

Ray Celestin, Janice Hallett and Mark Billingham awarded 2022 CWA Daggers.

The winners of the 2022 CWA Daggers, which honour the very best in the crime writing genre, have been announced.

Ray Celestin takes home two Daggers for his novel Sunset Swing. Celestin was awarded the CWA Gold Dagger for the crime novel of the year as well as the Historical Dagger.

Sunset Swing is the closing act of Celestin’s City Blues Quartet set in Los Angeles at the end of 1967. Judges praised the novel for its cast of original characters that mingle with historical figures on a big and ‘evocative canvas’.

Maxim Jakubowski, Chair of the Crime Writers’ Association, said: “This is a book bursting with heart, soul and spirit, at once all-encompassing and intimate, superbly paced and immaculately constructed. It’s a testimony to this book that Ray has scooped not just one, but two CWA Daggers.”

Past winners of the CWA Gold Dagger include John le Carré, Reginald Hill and Ruth Rendell.

The prestigious Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

The winner of the Ian Fleming Steel Dagger is MW Craven for Dead Ground. Awarded for best thriller, the Dagger is sponsored by Ian Fleming Publications Ltd, the Fleming family-owned company that looks after the James Bond literary brand.

MW Craven credited the CWA Debut Dagger competition in 2013 for opening the door to his career as an author. He went on to win the CWA Gold Dagger in 2019 for The Puppet Show.

Dead Ground was praised by the judges for its complex characters and deftly constructed plot: “Once again Craven proves himself the master in the art of writing suspense and action.”

The anticipated John Creasey (New Blood) Dagger highlights the best debut novels.

This year the accolade goes to Janice Hallet for The Appeal, which was a Sunday Times Crime Book of the Year, praised as a “dazzlingly clever cosy crime novel”.

The ALCS Gold Dagger for Non-Fiction goes to Julia Laite for The Disappearance of Lydia Harvey: A True Story of Sex, Crime and the Meaning of Justice, a poignant account of the short life of a New Zealand woman trafficked as part of the burgeoning sex trade at the start of the twentieth century.

This is the first year the Crime Fiction in Translation Dagger has been sponsored by the CWA Chair, Maxim Jakubowski, in honour of his wife Dolores Jakubowski, now suffering from Alzheimer’s, who was a translator and university lecturer, and a great friend to the crime-writing community. Maxim will sponsor the Dagger in her honour in perpetuity.

This year the Crime Fiction in Translation Dagger 2022, sponsored in honour of Dolores Jakubowski, goes to Simone Buchholz for Hotel Cartagena, a tense hostage drama set in a hotel in Hamburg.

The CWA Daggers are one of the few high-profile awards that honour the short story. Paul Magrs scoops the award for ‘Flesh of a Fancy Woman’, praised as “a wonderfully evocative mix of the Dickensian and the Ealing black and white films.”

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year it goes to Mark Billingham. After a career as an actor and stand-up comedian, Billingham published his first crime novel in 2001. He’s best known for his London-based detective Tom Thorne, which series was adapted by Sky TV starring David Morrissey. His latest book is Rabbit Hole.

This year the chair of the Dagger in the Library judges, Sue Wilkinson MBE, sadly died. At the event the CWA paid tribute to Sue for her passion for reading and her hard work, and thanked Ian Anstice for assuming the role of Acting Chair.

One of the anticipated highlights of the annual Daggers is the Debut Dagger competition, open only to uncontracted writers. The competition can lead to securing representation and a publishing contract – corporate and associate members of the CWA can access the shortlisted entries and often go on to make offers to the writers.

This year, the winner of the Debut Dagger 2022 sponsored by ProWritingAid is Anna Maloney, who has written for TV and works as a script consultant. Her novel, The 10:12, is about a train hijacking and the woman who leads a counter attack, and the aftermath.

The Dagger for the Best Crime and Mystery Publisher, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, goes to Faber & Faber. The shortlist is selected by a representative group of leading book reviewers, booksellers, agents and journalists.

The CWA’s Red Herring, for services to crime writing and the CWA, was awarded posthumously in memory of Thalia Proctor, who died this year aged 51, and was highly regarded in publishing circles. Maxim said: “Thalia endeared herself to everyone and will be sadly missed.” Her family were present to collect the award.

The CWA Diamond Dagger, awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring each year and in 2022 it was awarded to CJ Sansom, author of the acclaimed Matthew Shardlake series set in Tudor times, as well as standalones such as alternative history Dominion.

On the night, the previous two winners of the Diamond Dagger, Martina Cole in 2021 and Martin Edwards in 2020, were also celebrated after the hiatus of the pandemic.

The winners were announced at a Gala Dinner at the Leonardo City Hotel on Cooper’s Row in London on Wednesday 29 June. The ceremony was compered by genre expert and author, Barry Forshaw, and bestselling author Victoria Selman. CWA Booksellers Champion and bestselling author Elly Griffiths was the after-dinner speaker.

Maxim said: “It’s always an honour to be part of the annual Dagger awards. This year feels extra special as it’s the first time we’ve gathered to celebrate the best in crime writing since 2019. I’d like to congratulate not only all the winners, but also all those shortlisted. It’s a terrific achievement.”

One of the UK’s most prominent societies, the CWA was founded in 1953 by John Creasey; the awards started in 1955 with its first award going to Winston Graham, best known for Poldark.

Dagger Winners 2022

CWA GOLD DAGGER

Sunset Swing by Ray Celestin (Macmillan; Mantle)

CWA IAN FLEMING STEEL DAGGER

Dead Ground by MW Craven (Little, Brown; Constable)

CWA JOHN CREASEY (NEW BLOOD) DAGGER

The Appeal by Janice Hallett (Profile Books; Viper Books)

CWA HISTORICAL DAGGER

Sunset Swing, by Ray Celestin (Pan Macmillan; Mantle)

CWA ALCS GOLD DAGGER FOR NON-FICTION

The Disappearance of Lydia Harvey: A True Story of Sex, Crime and the Meaning of Justice by Julia Laite (Profile Books)

CWA CRIME FICTION IN TRANSLATION DAGGER sponsored in honour of Dolores Jakubowski

Hotel Cartagena by Simone Buchholz and translated by Rachel Ward (Orenda Books)

CWA SHORT STORY DAGGER

‘Flesh of a Fancy Woman’ by Paul Magrs in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)

CWA DAGGER IN THE LIBRARY

Mark Billingham

CWA PUBLISHERS DAGGER

Faber & Faber

CWA DEBUT DAGGER sponsored by ProWritingAid

The 10:12 by Anna Maloney

THE CWA RED HERRING for services to crime writing and the CWA

In memory of Thalia Proctor










Friday, 13 May 2022

CWA Dagger Award Shortlists Announced


The 2022 shortlists for the prestigious Crime Writers’ Association (CWA) Dagger awards, which honour the very best in the crime-writing genre, have been announced.

Created in 1955, the world-famous CWA Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

The Gold Dagger, which recognises the crime novel of the year, sees debut author Jacqueline Bublitz on the shortlist of six. Before You Knew My Name was called “extraordinary” by the CWA judges. Also in contention are Abir Mukherjee, a previous winner of the CWA Historical Dagger for The Shadows of Men praised for its “intricate plotting”, and the bestselling ‘Southern noir’ crime writer, SA Cosby, for Razorblade Tears.

Razorblade Tears, a dynamic revenge thriller that “pulls at the heartstrings” also makes it onto the Ian Fleming Steel Dagger shortlist. Sponsored by Ian Fleming Publications Ltd, the Fleming family-owned company that looks after the James Bond literary brand, this award celebrates the thriller of the year. Cosby is up against past CWA Gold Dagger winner, MW Craven, who is in contention with Dead Ground, alongside established names including Laura Lippman and Linwood Barclay.

The anticipated John Creasey (New Blood) Dagger is awarded to the best debut novel of the year. Among the rising stars is Janice Hallett, shortlisted with her debut The Appeal, which was a Sunday Times Crime Book of the Year, praised as a “dazzlingly clever cosy crime novel”. Also on the shortlist is How to Kidnap the Rich by Rahul Raina, described by The Times as a “joyous love/hate letter to contemporary Delhi.”

Booker Prize winner John Banville is a heavyweight contender on the Historical Dagger shortlist. The prizewinning novelist and literary polymath is in the running for April in Spain. Banville is up against Ray Celestin whose novel set in 1960s Los Angeles, Sunset Swing, is also up for the Gold Dagger.

The Crime Fiction in Translation Dagger sees the award-winning Finnish author Antti Tuomainen make the shortlist with The Rabbit Factor translated by David Hackston. It follows the quirky story of a statistical mathematician, who finds himself mixed up with shady businessmen. He’s up against the high-profile Bullet Train by Kōtarō Isaka, translated by Sam Malissa, which is set to hit cinemas starring Brad Pitt and Sandra Bullock.

Maxim Jakubowski, Chair of the Crime Writers’ Association, said: “So many good titles and authors appeared on our long lists, but in a year of such overall excellence, to reach the shortlist is a terrific achievement. Congratulations to all the nominees, writers both established and new, publishers large and small; a diversity of quality demonstrating the independence of our judges.”

The CWA Daggers are one of the few high-profile awards that honour the short story. This year sees the bestselling Norwegian juggernaut Jo Nesbø on the shortlist with his story “London” from his first book of short stories, The Jealousy Man. Novelists Caroline England and Bryony Pearce are other names on the list.

The ALCS Gold Dagger for Non-Fiction shortlist includes the “absorbing” account of a trafficked New Zealand woman in The Disappearance of Lydia Harvey by Julia Laite. Also, Empire of Pain by Patrick Radden Keefe makes the list with his account of the Sackler family, who exploited America’s pain industry, fuelling the opioid epidemic. Judges praised it as a “tribute to investigative journalism”.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year sees firm favourites from the genre on the shortlist: Cath Staincliffe, Edward Marston, Lin Anderson, Mark Billingham and Susan Hill.

The Best Crime and Mystery Publisher of the Year Dagger, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, sees publishing goliath HarperCollins on the list with its imprint Harper Fiction, as well as independent publisher Titan Books, part of the Titan Entertainment Group, which began life in the Forbidden Planet store in London.

The Daggers also celebrate unpublished authors with its annual competition for aspiring crime novelists. The competition to find the best new voices in the genre has been going for over 20 years. The winner will receive £500 as well as the attention of leading agents and top editors; over two dozen past winners and shortlisted Debut Dagger authors have been signed to date.


The CWA Diamond Dagger, awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring each year and in 2022 it was awarded to CJ Sansom.

The CWA Dagger shortlists were announced on 13 May at a reception hosted at CrimeFest.

The Dagger awards ceremony will be held at he Leonardo City hotel in London on 29 June, coinciding with National Crime Reading Month, which takes place throughout June. Tickets are available now from the CWA.

The Shortlists in Full:

GOLD DAGGER

Before You Knew My Name by Jacqueline Bublitz (Little, Brown; Sphere)

Sunset Swing by Ray Celestin (Pan Macmillan; Mantle)

Razorblade Tears by SA Cosby (Headline Publishing Group; Headline)

The Unwilling by John Hart (Bonnier Books UK Ltd; Zaffre)

The Shadows of Men by Abir Mukherjee (Penguin Random House; Harvill Secker)

The Trawlerman by William Shaw (Quercus; Riverrun)


IAN FLEMING STEEL DAGGER

Find You First by Linwood Barclay (HarperCollins; HQ)

The Pact by Sharon Bolton (Orion)

The Devil’s Advocate by Steve Cavanagh (Orion)

Razorblade Tears by SA Cosby (Headline Publishing Group)

Dead Ground by MW Craven (Little, Brown; Constable)

Dream Girl by Laura Lippman (Faber)

JOHN CREASEY (NEW BLOOD) DAGGER

Welcome to Cooper by Tariq Ashkanani (Thomas & Mercer)

Repentance by Eloísa Díaz (Orion Publishing Group; Weidenfeld & Nicolson)

The Mash House by Alan Gillespie (Unbound; Unbound Digital)

The Appeal by Janice Hallett (Profile Books; Viper Books)

Where Ravens Roost by Karin Nordin (HarperCollins; HQ)

How to Kidnap the Rich by Rahul Raina (Little, Brown)

Waking the Tiger by Mark Wightman (Hobeck Books)


HISTORICAL DAGGER

April in Spain by John Banville (Faber)

Sunset Swing  by Ray Celestin (Pan Macmillan; Mantle)

Crow Court by Andy Charman (Unbound)

Not One of Us by Alis Hawkins (Canelo)

Edge of the Grave by Robbie Morrison (Pan Macmillan; Macmillan)

A Corruption of Blood by Ambrose Parry (Canongate Books)

CRIME FICTION IN TRANSLATION DAGGER

Hotel Cartagena by Simone Buchholz translated by Rachel Ward (Orenda Books)

Bullet Train by Kōtarō Isaka translated by Sam Malissa (Penguin Random House; Harvill Secker)

Oxygen by Sacha Naspini translated by Clarissa Botsford (Europa Editions UK Ltd; Europa Editions)

People Like Them by Samira Sedira translated by Lara Vergnaud (Bloomsbury Publishing; Raven Books)

The Rabbit Factor by Antti Tuomainen translated by David Hackston (Orenda Books)

SHORT STORY DAGGER

‘Blindsided’ by Caroline England in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)

‘London’ in The Jealousy Man and other stories by Jo Nesbⱷ edited by Robert Ferguson (Penguin Random House; Harvill Secker)

‘With the Others’ by TM Logan in Afraid of the Shadows edited by Miranda Jewess (Criminal Minds)

‘Flesh of a Fancy Woman’ by Paul Magrs in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)

‘Changeling’ by Bryony Pearce in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)

‘When I Grow Up’ by Robert Scragg in Afraid of the Shadows edited by Miranda Jewess (Criminal Minds)

ALCS GOLD DAGGER FOR NON-FICTION

The Devil You Know: Stories of Human Cruelty and Compassion by Dr Gwen Adshead & Eileen Horne (Faber)

The Dublin Railway Murder by Thomas Morris (Penguin Random House; Harvill Secker)

The Unusual Suspect by Ben Machell (Canongate Books)

The Disappearance of Lydia Harvey: A true story of sex, crime and the meaning of justice, by Julia Laite (Profile Books)

Empire of Pain by Patrick Radden Keefe (Pan Macmillan; Picador)

The Irish Assassins: Conspiracy, Revenge and the Murders that Stunned an Empire by Julie Kavanagh (Atlantic Books; Grove Press UK)

DAGGER IN THE LIBRARY

Cath Staincliffe

Edward Marston

Lin Anderson

Mark Billingham

Susan Hill

PUBLISHERS’ DAGGER

Faber & Faber

HarperCollins; Harper Fiction

Penguin Random House; Michael Joseph

Pushkin Press; Pushkin Vertigo

Titan Books

Profile Books; Viper

DEBUT DAGGER Sponsored by ProWritingAid

Henry’s Bomb by Kevin Bartlett

Holloway Castle by Laura Ashton Hill

The 10:12 by Anna Maloney

The Dead of Egypt by David Smith

The Dieppe Letters by Liz Rachel Walker


CWA Daggers – The Categories

GOLD DAGGER

This award is for the best crime novel by an author of any nationality. It was originally created in 1955, under the name of the Crossed Red Herrings Award. It was renamed the Gold Dagger in 1960.

IAN FLEMING STEEL DAGGER

Eligible books in this category are thrillers set in any period and include, but are not limited to, spy fiction, psychological thrillers and action/adventure stories.

JOHN CREASEY (NEW BLOOD) DAGGER

This award is for the best crime novel by a first-time author of any nationality.

CRIME FICTION IN TRANSLATION

This award is for a crime novel not originally written in English and which has been translated into English for UK publication.

ALCS GOLD DAGGER FOR NON-FICTION

This award is for any non-fiction work on a crime-related theme by an author of any nationality.

HISTORICAL DAGGER

This award is for the best historical crime novel, set in any period up to 50 years prior to the year in which the award will be made.

CWA SHORT STORY DAGGER

This award is for any crime short story first published in the UK in English in a publication that pays for contributions, or broadcast in the UK in return for payment.

DAGGER IN THE LIBRARY

The Dagger in the Library is a prize for a body of work by an established crime writer who has long been popular with borrowers from libraries, and who has supported libraries and their users.

DEBUT DAGGER sponsored by ProWritingAid

A competition for the opening of a crime novel and synopsis, chosen by judges.

PUBLISHERS’ DAGGER

This prestigious Dagger is awarded annually to the Best Crime and Mystery Publisher of the Year.

DIAMOND DAGGER

Awarded every year to an author whose crime-writing career has been marked by sustained excellence, and who has made a significant contribution to the genre. Votes from CWA members go forward to be deliberated on by an independent panel.









Saturday, 23 April 2022

The CWA 2022 Dagger Long Lists


The CWA Dagger Long lists have been announced this evening at the CWA Gala Dinner which took place during the annual CWA Conference.

The Dagger in the Library

Ben Aaronovitch

Lin Anderson

Mark Billingham

Susan Hill

Edward Marston

Kate Rhodes

Cath Staincliffe

Rebecca Tope

Sara Sheridan

The Dagger for the Best Crime & Mystery Publisher 

Faber & Faber 

Harper Fiction 

Mantle 

Michael Joseph 

Point Blank 

Pushkin Vertigo 

Quercus 

Raven Books 

Thomas & Mercer 

Titan Books 

Viper

The CWA Short Story Dagger

The Clifton Vampire by T E Kinsey

With the Others by T M Logan 

When I Grow Up by Robert Scragg

New Tricks by Matt Wesolowski

All from ‘Afraid of the Shadows’ 

London by Jo Nesbø 

From ‘The Jealousy Man and Other Stories’

The Way Of All Flesh by Raven Dane

Blindsided by Caroline England

The Victim by Awais Khan 

Flesh of a Fancy Woman by Paul Magrs 

:Changeling by Bryony Pearce

All from ‘Criminal Pursuits: Crime Through Time’

The Crime Fiction in Translation Dagger

Girls Who Lie by Eva Björg Ægisdóttir (trans Victoria Cribb)

Hotel Cartagena by Simone Buchholz (trans Rachel Ward) 

Riccardino by Andrea Camilleri, (trans Stephen Sartarelli) 

Seat 7a by Sebastian Fitzek (trans Steve Anderson)

Bullet Train by Kōtarō Isaka (trans Sam Malissa): 

Heatwave by Victor Jestin (trans Sam Taylor) 

Oxygen by Sacha Naspini (trans Clarissa Botsford)

People Like Them by Samira Sedira (trans Lara Vergnaud) 

The Rabbit Factor by Antti Tuomainen, (trans David Hackston) 

The Scorpion's Head by Hilde Vandermeeren (trans Laura Watkinson)

The ALCS Gold Dagger for Non-Fiction

The Devil You Know by Gwen Adshead & Eileen Horne:

The Jigsaw Murders by Jeremy Craddock

What Lies Buried by Kerry Daynes

The Good Girls by Sonia Faleiro

We Are Bellingcat by Eliot Higgins

The Irish Assassins by Julie Kavanagh

Empire of Pain by Patrick Radden Keefe

The Disappearance of Lydia Harvey by Julia Laite

The Unusual Suspect by Ben Machell

The Dublin Railway Murder by Thomas Morris

The Seven Ages of Death by Richard Shepherd


The CWA Historical Dagger

April in Spain by John Banville

City of Vengeance by DV Bishop

Sunset Swing by Ray Celestin

Crow Court by Andy Charman

Not One Of Us by Alis Hawkins

The Drowned City by KJ Maitland

Where God Does Not Walk by Luke McCallin

Edge of the Grave by Robbie Morrison

A Corruption of Blood by Ambrose Parry

Blackout by Simon Scarrow

The Royal Secret by Andrew Taylor

The Cannonball Tree Mystery by Ovidia Yu

The CWA John Creasey (New Blood) Dagger

Welcome to Cooper by Tariq Ashkanani

Sixteen Horses by Greg Buchanan

Repentance by Eloísa Díaz

Hunted by Antony Dunford

The Mash House by Alan Gillespie

Raft of Stars by Andrew J Graff

The Appeal by Janice Hallett

Falling by TJ Newman

Where Ravens Roost by Karin Nordin

The Stoning by Peter Papathanasiou

How to Kidnap the Rich by Rahul Raina

The Death of Kirti Kadakia by Meeti Shroff-Shah

The Source by Sarah Sultoon

Waking the Tiger by Mark Wightman

The Ian Fleming Steel Dagger

A Man Named Doll by Jonathan Ames

Find You First by Linwood Barclay 

Exit by Belinda Bauer

The Pact by Sharon Bolton

The Devil’s Advocate by Steve Cavanagh 

Sunset Swing by Ray Celestin

Razorblade Tears by S A Cosby

Dead Ground by M W Craven

The Plot by Jean Hanff Korelitz

Dream Girl by Laura Lippman

Rizzio by Denise Mina 

The Lonely Ones by Håkan Nesser

The CWA Gold Dagger

Next of Kin by Kia Abdullah

The Christmas Murder Game by Alexandra Benedict: 

Rabbit Hole by Mark Billingham: 

City of Vengeance by DV Bishop: 

Before You Knew My Name by Jacqueline Bublitz

Sunset Swing by Ray Celestin: Sunset Swing 

Razorblade Tears by SA Cosby

The Last Thing to Burn by Will Dean 

The House Uptown by Melissa Ginsburg

The Unwilling by John Hart

A Slow Fire Burning by Paula Hawkins

Lightseekers by Femi Kayode

I Know What I Saw by Imran Mahmood:

The Shadows of Men by Abir Mukherjee

The Killing Hills by Chris Offutt 

The Stoning by Peter Papathanasiou: 

The Trawlerman by William Shaw

Daughters of Night by Laura Shepherd-Robinson: 

A Beginner's Guide to Murder by Rosalind Stopps

Brazilian Psycho by Joe Thomas 

A video presentation of the announcement can also be seen below.



Saturday, 18 December 2021

My favourite reads of 2021

At last I have finally managed to write up my favourite reads this year. If you have listened to any of the book events that I have taken part in this year or even vaguely paid attention to any of my tweets then you will of course not be surprised by the books on my list.

I have put them in alphabetical order but feel bound to say that for me the one book that I will quite easily say was my very favourite was of course S A Cosby's Razorblade Tears. I have been talking about it constantly throughout the year. 

Sunset Swing by Ray Celestin (Pan Macmillan). Los Angeles. Christmas, 1967. A city on fire as a killer strikes . . . A young nurse, Kerry Gaudet, travels to the City of Angels desperate to find her missing brother, fearing that something terrible has happened to him: a serial killer is terrorising the city, picking victims at random, and Kerry has precious few leads. Ida Young, recently retired Private Investigator, is dragged into helping the police when a young woman is discovered murdered in her motel room. Ida has never met the victim but her name has been found at the crime scene and the LAPD wants to know why . . . Meanwhile mob fixer Dante Sanfelippo has put his life savings into purchasing a winery in Napa Valley but first he must do one final favour for the Mob before leaving town: find a bail jumper before the bond money falls due, and time is fast running out. Ida's friend, Louis Armstrong, flies into the city just as her investigations uncover mysterious clues to the killer's identity. And Dante must tread a dangerous path to pay his dues, a path which will throw him headlong into a terrifying conspiracy and a secret that the conspirators will do anything to protect . . . Completing his American crime quartet, Ray Celestin's Sunset Swing is a stunning novel of conspiracy, murder and madness, an unforgettable portrait of a city on the edge.

Razorblade Tears by S A Cosby (Headline Publishing) A black father. A white father. Two Murdered sons. A quest for vengeance. Ike Randolph left jail fifteen years ago, with not so much as a speeding ticket since. But a Black man with cops at the door knows to be afraid. Ike is devastated to learn his son Isiah has been murdered, along with Isiah's white husband, Derek. Though he never fully accepted his son, Ike is broken by his death. Derek's father Buddy Lee was as ashamed of Derek being gay as Derek was of his father's criminal past. But Buddy Lee - with seedy contacts deep in the underworld - needs to know who killed his only child. Desperate to do better by them in death than they did in life, two hardened ex-cons must confront their own prejudices about their sons - and each other - as they rain down vengeance upon those who hurt their boys. A provocative revenge thriller and an achingly tender story of redemption, this novel is a ferocious portrait of grief; for those loved and lost, and for mistakes than can never truly be undone.

The Last Thing to Burn by Will Dean (Hodder & Stoughton) He is her husband. She is his captive. Her husband calls her Jane. That is not her name. She lives in a small farm cottage, surrounded by vast, open fields. Everywhere she looks, there is space. But she is trapped. No one knows how she got to the UK: no one knows she is there. Visitors rarely come to the farm; if they do, she is never seen. Her husband records her every movement during the day. If he doesn't like what he sees, she is punished. For a long time, escape seemed impossible. But now, something has changed. She has a reason to live and a reason to fight. Now, she is watching him, and waiting ...

Bullet Train by Kotaro Isaka (trans. Sam Malissa) (Vintage Press). Five killers are on a bullet train from Tokyo competing for a suitcase full of money. Who will make it to the last station? An original and propulsive thriller from a Japanese bestseller. Satoshi looks like an innocent schoolboy but he is really a viciously cunning psychopath. Kimura's young son is in a coma thanks to him, and Kimura has tracked him onto the bullet train heading from Tokyo to Morioka to exact his revenge. But Kimura soon discovers that they are not the only dangerous passengers onboard. Nanao, the self-proclaimed 'unluckiest assassin in the world', and the deadly partnership of Tangerine and Lemon are also travelling to Morioka. A suitcase full of money leads others to show their hands. Why are they all on the same train, and who will get off alive at the last station?

True Crime Story by Joseph Knox (Transworld Publishers) What happens to those girls who go missing? What happens to the Zoe Nolans of the world? In the early hours of Saturday 17 December 2011, Zoe Nolan, a nineteen-year-old Manchester University student, walked out of a party taking place in the shared accommodation where she had been living for three months. She was never seen again. Seven years after her disappearance, struggling writer Evelyn Mitchell finds herself drawn into the mystery. Through interviews with Zoe's closest friends and family, she begins piecing together what really happened in 2011. But where some versions of events overlap, aligning perfectly with one another, others stand in stark contrast, giving rise to troubling inconsistencies. Shaken by revelations of Zoe's secret life, and stalked by a figure from the shadows, Evelyn turns to crime writer Joseph Knox to help make sense of a case where everyone has something to hide. Zoe Nolan may be missing presumed dead, but her story is only just beginning.

Dream Girl by Laura Lippman (Faber & Faber) How can a woman who never existed come back to haunt you? Gerry Anderson has been having trouble sleeping. He's unwell - bed-bound - and has only his night nurse and his personal assistant for company. But what's really troubling him are the phone calls. Phone calls from a woman claiming to be the 'real' Aubrey. But that can't be. Aubrey's just a character Gerry made up in a book, years ago. Can Gerry see past the ever-blurring lines of fact and fiction and figure out who is threatening him, or has his long-overdue moment of reckoning finally arrived?

Edge of the Grave by Robbie Morrison (Pan Macmillian) is a dark historical crime novel set in Glasgow, 1932. A city still recovering from the Great War; split by religious division and swarming with razor gangs. When Charles Geddes, son-in-law of one of the city's wealthiest shipbuilders, is found floating in the River Clyde with his throat cut, his beautiful widow Isla Lockhart asks for Inspector James Dreghorn to lead the murder case. Dreghorn has a troubled history with the powerful Lockhart family that stretches back to before the First World War and is reluctant to become involved. But facing pressure from his superiors, he has no choice in the matter. The investigation takes him and his partner 'Bonnie' Archie McDaid from the flying fists and flashing blades of the Glasgow underworld to the backstabbing upper echelons of government and big business in order to find out who wanted Charles Geddes dead and why. As the case deepens, the pair will put their lives on the line in the pursuit of a sadistic killer who is ready to strike again . . .

Black Drop by Leonora Nattrass (Profile Books) This is the confession of Laurence Jago. Clerk. Gentleman. Reluctant spy. July 1794, and the streets of London are filled with rumours of revolution. Political radical Thomas Hardy is to go on trial for treason, the war against the French is not going in Britain's favour, and negotiations with the independent American colonies are on a knife edge. Laurence Jago - clerk to the Foreign Office - is ever more reliant on the Black Drop to ease his nightmares. A highly sensitive letter has been leaked to the press, which may lead to the destruction of the British Army, and Laurence is a suspect. Then he discovers the body of a fellow clerk, supposedly a suicide. Blame for the leak is shifted to the dead man, but even as the body is taken to the anatomists, Laurence is certain both of his friend's innocence, and that he was murdered. But after years of hiding his own secrets from his powerful employers, and at a time when even the slightest hint of treason can lead to the gallows, how can Laurence find the true culprit without incriminating himself?

Turf Wars by Olivier Norek (Trans. Nick Caistor) (Quercus Publishing) The summary execution of three dealers - one murdered in full view of a police surveillance team - is the signal for hell to be unleashed in France's most notorious suburb. Now there's a new kingpin in charge, using his ruthless teenage enforcer to assert an iron grip on his territory. And the local mayor, no stranger to the criminal underworld, is willing to make a pact with the devil if it will secure her a third term. Enter Capitaine Coste and his team, ready to break the rules to prevent the drugs squad from throwing an elderly stash-minder to the lions as bait. But when the blue touchpaper is lit on the estates, it will be all they can do to save their own skins from the inferno.

Winter Counts by David Heska Wanbil Weiden (Simon & Schuster) If you have a problem, if no one else can help, there's one person you can turn to. Virgil Wounded Horse is the local enforcer on the Rosebud Native American Reservation in South Dakota. When justice is denied by the American legal system or the tribal council, Virgil is hired to deliver his own punishment, the kind that's hard to forget. But when heroin makes its way onto the reservation and finds Virgil's nephew, his vigilantism suddenly becomes personal. He enlists the help of his ex-girlfriend and sets out to learn where the drugs are coming from, and how to make them stop. They follow a lead to Denver and find that drug cartels are rapidly expanding and forming new and terrifying alliances. And back on the reservation, a new tribal council initiative raises uncomfortable questions about money and power. As Virgil starts to link the pieces together, he must face his own demons and reclaim his Native identity. He realises that being a Native American in the twenty-first century comes at an incredible cost.

The incredibly worthy mentions that I also throughly enjoyed this year include The Nameless One by John Connolly, Daughters of the Night by Laura Shepherd-Robinson, The Oxford Brotherhood by Guillermo Martinez, The Rabbit Factor by Antti Tuomainen, The Dark Hours by Michael Connelly The Royal Secret by Andrew Taylor, Dolphin Junction by Mick Herron, Rizzio by Denise Mina and Harlem Shuffle by Colson Whitehead.

I also read some really good non-fictions books and I shall post them separately.