Showing posts with label Thalia Proctor. Show all posts
Showing posts with label Thalia Proctor. Show all posts

Friday, 30 September 2022

Winners of the Fingerprint Awards 2022



S.A. COSBY, C.J. TUDOR & ABIGAIL DEAN 

AMONGST WINNERS OF THE 

INAUGURAL FINGERPRINT AWARDS

The Sanatorium by Sarah Pearse named Crime Book of the Year 2021

Blacktop Wasteland by S.A. Cosby named Thriller of the Year 2021

Laura Purcell’s The Shape of Darkness wins Historical Crime Book of the year 2021

Abigail Dean wins Debut Book of the Year 2021 for Girl A

The Burning Girls by C.J. Tudor is named Genre-busting Book of the Year 2021

The Girl Who Died by Ragnar Jónasson, narrated by Amanda Redman, wins Audiobook Book of the Year 2021

Industry Award of the Year 2021 is awarded to HarperCollins for their Girl A campaign

Lifetime Achievement Award is posthumously awarded to Thalia Proctor

S A Cosby Photograph credit Camilo Queipo.

The winners of the inaugural Fingerprint Awards, celebrating international crime and thriller writing, were announced by actor and author Paul Clayton last night, Thursday 29th September, at Capital Crime, in the shadow of the iconic Battersea Power Station. 

The winners of six out of eight categories were voted for online by crime and thriller fans: Crime Book of the Year 2021; Thriller of the Year 2021; Historical Crime Book of the Year 2021; Debut Book of the Year 2021; Genre-busting Book of the Year 2021 and Audio Book of the Year 2021. 

Ragnar Jonasson & Amanda Redman Photograph credit Camilo Queipo.

Notable winners included Blacktop Wasteland by S.A Cosby for Thriller of the Year 2021; Girl A by Abigail Dean for Debut Book of the Year 2021 and The Girl Who Died by Ragnar Jónasson, narrated by Amanda Redman, for Audiobook Book of the Year 2021.

The winners of the Industry Award of the Year and the Lifetime Achievement Award were chosen solely by the Capital Crime Advisory Board. The Industry Award of the Year was won by HarperCollins for Girl A by Abigail Dean and the Lifetime Achievement Award was posthumously awarded to editor Thalia Proctor. 

Capital Crime Festival Director Lizzie Curle said: “We were honoured to kick off the inaugural Fingerprint Awards with Paul Clayton at the helm. We are grateful for all the support we have received from publishers, authors, and most importantly, the readers, who make these awards possible.”

The Fingerprint Award Winners 


Crime Book of the Year 2021

The Sanatorium by Sarah Pearse (Transworld)

Thriller Book of the Year 2021

Blacktop Wasteland by S.A. Cosby (Headline)

Historical Crime Book of the Year - 2021

Shape of Darkness by Laura Purcell (Bloomsbury)

Debut Book of the Year 2021

Girl A by Abigail Dean (HarperCollins)

Genre-Busting Book of the Year 2021

The Burning Girl by C.J. Tudor (Penguin)

Audiobook of the Year 2021

The Girl Who Died by Ragnar Jonasson & Amanda Redman (Penguin)

Industry Award the year 2021

HarperCollins for Girl A

Lifetime Achievement Award (Posthumous)

Thalia Proctor


Photographs credit Camilo Queipo.


Wednesday, 29 June 2022

2022 CWA Dagger Awards Announced

 

Ray Celestin, Janice Hallett and Mark Billingham awarded 2022 CWA Daggers.

The winners of the 2022 CWA Daggers, which honour the very best in the crime writing genre, have been announced.

Ray Celestin takes home two Daggers for his novel Sunset Swing. Celestin was awarded the CWA Gold Dagger for the crime novel of the year as well as the Historical Dagger.

Sunset Swing is the closing act of Celestin’s City Blues Quartet set in Los Angeles at the end of 1967. Judges praised the novel for its cast of original characters that mingle with historical figures on a big and ‘evocative canvas’.

Maxim Jakubowski, Chair of the Crime Writers’ Association, said: “This is a book bursting with heart, soul and spirit, at once all-encompassing and intimate, superbly paced and immaculately constructed. It’s a testimony to this book that Ray has scooped not just one, but two CWA Daggers.

Past winners of the CWA Gold Dagger include John le Carré, Reginald Hill and Ruth Rendell.

The prestigious Crime Writers’ Association (CWA) Daggers are the oldest awards in the genre and have been synonymous with quality crime writing for over half a century.

The winner of the Ian Fleming Steel Dagger is MW Craven for Dead Ground. Awarded for best thriller, the Dagger is sponsored by Ian Fleming Publications Ltd, the Fleming family-owned company that looks after the James Bond literary brand.

MW Craven credited the CWA Debut Dagger competition in 2013 for opening the door to his career as an author. He went on to win the CWA Gold Dagger in 2019 for The Puppet Show.

Dead Ground was praised by the judges for its complex characters and deftly constructed plot: “Once again Craven proves himself the master in the art of writing suspense and action.

The anticipated John Creasey (New Blood) Dagger highlights the best debut novels.

This year the accolade goes to Janice Hallet for The Appeal, which was a Sunday Times Crime Book of the Year, praised as a “dazzlingly clever cosy crime novel”.

The ALCS Gold Dagger for Non-Fiction goes to Julia Laite for The Disappearance of Lydia Harvey: A True Story of Sex, Crime and the Meaning of Justice, a poignant account of the short life of a New Zealand woman trafficked as part of the burgeoning sex trade at the start of the twentieth century.

This is the first year the Crime Fiction in Translation Dagger has been sponsored by the CWA Chair, Maxim Jakubowski, in honour of his wife Dolores Jakubowski, now suffering from Alzheimer’s, who was a translator and university lecturer, and a great friend to the crime-writing community. Maxim will sponsor the Dagger in her honour in perpetuity.

This year the Crime Fiction in Translation Dagger 2022, sponsored in honour of Dolores Jakubowski, goes to Simone Buchholz for Hotel Cartagena, a tense hostage drama set in a hotel in Hamburg.

The CWA Daggers are one of the few high-profile awards that honour the short story. Paul Magrs scoops the award for ‘Flesh of a Fancy Woman’, praised as “a wonderfully evocative mix of the Dickensian and the Ealing black and white films.

The Dagger in the Library is voted on exclusively by librarians, chosen for the author’s body of work and support of libraries. This year it goes to Mark Billingham. After a career as an actor and stand-up comedian, Billingham published his first crime novel in 2001. He’s best known for his London-based detective Tom Thorne, which series was adapted by Sky TV starring David Morrissey. His latest book is Rabbit Hole.

This year the chair of the Dagger in the Library judges, Sue Wilkinson MBE, sadly died. At the event the CWA paid tribute to Sue for her passion for reading and her hard work, and thanked Ian Anstice for assuming the role of Acting Chair.

One of the anticipated highlights of the annual Daggers is the Debut Dagger competition, open only to uncontracted writers. The competition can lead to securing representation and a publishing contract – corporate and associate members of the CWA can access the shortlisted entries and often go on to make offers to the writers.

This year, the winner of the Debut Dagger 2022 sponsored by ProWritingAid is Anna Maloney, who has written for TV and works as a script consultant. Her novel, The 10:12, is about a train hijacking and the woman who leads a counter attack, and the aftermath.

The Dagger for the Best Crime and Mystery Publisher, which celebrates publishers and imprints demonstrating excellence and diversity in crime writing, goes to Faber & Faber. The shortlist is selected by a representative group of leading book reviewers, booksellers, agents and journalists.

The CWA’s Red Herring, for services to crime writing and the CWA, was awarded posthumously in memory of Thalia Proctor, who died this year aged 51, and was highly regarded in publishing circles. Maxim said: “Thalia endeared herself to everyone and will be sadly missed.” Her family were present to collect the award.

The CWA Diamond Dagger, awarded to an author whose crime-writing career has been marked by sustained excellence, is announced in early spring each year and in 2022 it was awarded to CJ Sansom, author of the acclaimed Matthew Shardlake series set in Tudor times, as well as standalones such as alternative history Dominion.

On the night, the previous two winners of the Diamond Dagger, Martina Cole in 2021 and Martin Edwards in 2020, were also celebrated after the hiatus of the pandemic.

The winners were announced at a Gala Dinner at the Leonardo City Hotel on Cooper’s Row in London on Wednesday 29 June. The ceremony was compered by genre expert and author, Barry Forshaw, and bestselling author Victoria Selman. CWA Booksellers Champion and bestselling author Elly Griffiths was the after-dinner speaker.

Maxim said: “It’s always an honour to be part of the annual Dagger awards. This year feels extra special as it’s the first time we’ve gathered to celebrate the best in crime writing since 2019. I’d like to congratulate not only all the winners, but also all those shortlisted. It’s a terrific achievement.

One of the UK’s most prominent societies, the CWA was founded in 1953 by John Creasey; the awards started in 1955 with its first award going to Winston Graham, best known for Poldark.

Dagger Winners 2022

CWA GOLD DAGGER

Sunset Swing by Ray Celestin (Macmillan; Mantle)

CWA IAN FLEMING STEEL DAGGER

Dead Ground by MW Craven (Little, Brown; Constable)

CWA JOHN CREASEY (NEW BLOOD) DAGGER

The Appeal by Janice Hallett (Profile Books; Viper Books)

CWA HISTORICAL DAGGER

Sunset Swing, by Ray Celestin (Pan Macmillan; Mantle)

CWA ALCS GOLD DAGGER FOR NON-FICTION

The Disappearance of Lydia Harvey: A True Story of Sex, Crime and the Meaning of Justice by Julia Laite (Profile Books)

CWA CRIME FICTION IN TRANSLATION DAGGER sponsored in honour of Dolores Jakubowski

Hotel Cartagena by Simone Buchholz and translated by Rachel Ward (Orenda Books)

CWA SHORT STORY DAGGER

Flesh of a Fancy Woman’ by Paul Magrs in Criminal Pursuits: Crime Through Time edited by Samantha Lee Howe (Telos Publishing)

CWA DAGGER IN THE LIBRARY

Mark Billingham

CWA PUBLISHERS DAGGER

Faber & Faber

CWA DEBUT DAGGER sponsored by ProWritingAid

The 10:12 by Anna Maloney

THE CWA RED HERRING for services to crime writing and the CWA

In memory of Thalia Proctor










Saturday, 14 May 2022

Winners of 2022 CRIMEFEST Awards Announced

 

CRIMEFEST, one of Europe’s leading crime writing conventions, has announced the winners of its annual awards.

Now in its 15th year, the awards honour the best crime books released in 2021 in the UK.

The genre is the most popular in the UK. Nielsen BookData’s Books & Consumers survey data shows crime fiction sales in the UK across all formats stood at 54m in 2021; a 7% rise on pre-pandemic levels.

The winner of the anticipated Specsavers Debut Crime Novel Award, and £1,000 prize monies, is David Heska Wanbli Weiden for Winter Counts published by Simon & Schuster.

Named by the New York Time as one of “the most critically acclaimed young novelists working now,”Winter Counts was called a “once-in-a-generation thriller” by the Los Angeles Times. Weiden is the first Native American author to win an Anthony Award and the Thriller Award. Set on the Rosebud Indian Reservation, Winter Counts is an examination of the broken criminal justice system on reservations, and a meditation on Native identity.

A further £1,000 prize is awarded to Richard Osman and actor Lesley Manville, reader of Osman’s The Man Who Died Twice. It’s the second year the pair has scooped the Audible Sounds of Crime Award, sponsored by Audible and voted by Audible UK listeners, after winning in 2021 for his phenomenal debut smash-hit, The Thursday Murder Club.

All category winners will receive a Bristol Blue Glass commemorative award.

The eDunnit Award for the best e-book goes to Abigail Dean for Girl A. Born in Manchester, and a former bookseller for Waterstones, Dean now works as a lawyer for Google. Her astonishing debut novel about siblings who flee abusive parents received widespread acclaim as a story of redemption, horror and love. It was a Sunday Times and New York Times global best seller.

Winner of the H.R.F Keating Award for best biographical or critical book on crime fiction is Patricia Highsmith: Her Diaries and Notebooks, edited by Anna von Planta, which was published for the centenary of Highsmith’s birth in 2021. It was praised by the New York Times as offering “the most complete picture ever published” of the canonical author.

The Last Laugh Award goes to Mick Herron’s Slough House. The Jackson Lamb series of dysfunctional British intelligence agents has recently been adapted by Apple TV starring Oscar-winner Gary Oldman.

Best Crime Novel for Children, aged 8-12, goes to M.G. Leonard’s birdwatching detective, Twitch. The internationally bestselling author tells a mystery adventure about friendship, bravery and birds, and Twitch is a celebration of the natural world.

Best Crime Novel for Young Adults, aged 12-16, is awarded to


Angeline Boulley for Firekeeper’s Daughter. The novel was praised by the Guardian as, “an interrogation of racist misogyny and a swift-paced, compelling thriller.”


This year also sees the introduction of the Thalia Proctor Memorial Award for Best Adapted TV Crime Drama. The award is named in honour of Thalia, a CrimeFest team member and a much-loved figure in the world of crime fiction, and who sadly died earlier this year.

The award is decided entirely by public vote from a longlist of the 43 TV programmes broadcast on British TV in the last year, based on a crime book. Ann Cleeves won the inaugural gong for Shetland, beating a strong shortlist that featured Antony Horowitz for Alex Rider, M.C. Beaton for Agatha Raisin and James Runcie for Grantchester.

Adrian Muller, Co-host of CRIMEFEST, said: The crime genre has dominated the book charts and our TV screens, keeping many of us company, particularly in the last two challenging years. The genre never fails to offer escapism and entertainment, as well as often exploring big issues and emotions. As a genre that also often makes sense of a chaotic world, it’s helped many people and is something we need today more than ever. We’re proud to celebrate the best the genre offers.

CRIMEFEST had to postpone its 2020 and 2021 conventions, due to Covid restrictions. Hosted in Bristol, it is one of the biggest crime fiction events in Europe, and one of the most popular dates in the international crime fiction calendar, with circa 60 panel events and 150 authors over four days.

Leading British crime fiction reviewers and reviewers of fiction for children and young adults, alongside the members of the School Library Association (SLA) form the CRIMEFEST judging panels, aside from Audible Sounds of Crime Award in which Audible listeners establish the shortlist and the winning title.

Co-host of CRIMEFEST, Donna Moore, added: “We are proud to be one of the few genre awards that recognise e-books and audiobooks, humour, children and Young Adult crime fiction novels. We aim to be the most inclusive of awards to reflect the values of our convention, and the incredible diversity and reach of the genre which dominates the cultural landscape.

CRIMEFEST was created following the hugely successful one-off visit to Bristol in 2006 of the American Left Coast Crime convention. It was established in 2008. It follows the egalitarian format of most US conventions, making it open to all commercially published authors and readers alike.


2022 CrimeFest Award Winners

SPECSAVERS DEBUT CRIME NOVEL AWARD

Winter Count by David Heska Wanbli Weiden (Simon & Schuster)

AUDIBLE SOUNDS OF CRIME AWARD

The Man Who Died Twice by Richard Osman read by Lesley Manville (Penguin Random House Audio)

eDUNNIT AWARD

Girl A by Abigail Dean, (HarperCollins)

H.R.F. KEATING AWARD

Patricia Highsmith: Her Diaries and Notebooks edited by Anna von Planta (Weidenfeld & Nicolson)

LAST LAUGH AWARD

Slough House by Mick Herron (Baskerville, John Murray Press)

BEST CRIME FICTION NOVEL FOR CHILDREN

Twitch by M.G. Leonard (Walker Books)

BEST CRIME FICTION NOVEL FOR YOUNG ADULTS

Firekeeper's Daughter by Angeline Boulley (Rock the Boat)

THALIA PROCTOR MEMORIAL AWARD FOR BEST ADAPTED TV CRIME DRAMA

Shetland (season 6), based on the books by Ann Cleeves. Produced by Silverprint Pictures, part of ITV Studios; shown on BBC1.



Friday, 27 October 2017

CWA 2017 Dagger Awards


On Thursday 26th October the 2017 Crime Writers Dagger Awards were given out at the Grange City Hotel London.  The evening started with a drinks reception before the dinner. It was a lovely chance to get to say hello and catch up with so many friends and crime writers who were in attendance.
Belinda Bauer &Abir Mukherjee

Christine Poulson &Ayo Onatade
Current Chair of the CWA Martin Edwards kicked off the evening by welcoming everyone to the event after dinner.  This was followed by a very witty and entertaining after dinner speech by Robert Thorogood who is best known as being the author of the Death in Paradise series. 

Before the formal awards were given out Barry Forshaw was awarded the Red Herring award, which is normally given to someone whose contributions to the work of the CWA, are of special merit and should be celebrated and recognised.   Huge congratulations go to Barry Forshaw for the Red Herrings Award.

The following Dagger Awards were awarded –

Diamond Dagger to Anne Cleeves

Dagger in the Library to Mari Hannah

In their acceptance speeches both Anne Cleeves and Mari Hannah extolled the virtues of local libraries and urged people to support them.

Sophie Goodfellow & William Ryan
Debut Dagger sponsored by Orion Publishing Group
For the opening of a crime novel from a writer with no publishing contract (presented Leigh Russell)
Strange Fire by Sherry Rankin (Winner)
The Reincarnation of Himmat Gupte by Neeraj Shah
Lost Boys by Spike Dawkins
Red Haven by Mette McLeod
Broken by Victoria Slotover

Ayo Onatade &Thalia Proctor
The CWA Short Story Dagger (Presented by Ayo Onatade)
The Assassination by Leye Adenle in Sunshine Noir Edited by AnnaMaria Alfieri & Michael Stanley (White Sun Books)
Murder and its Motives by Martin Edwards Edited by Martin Edwards in Motives for Murder (Sphere)
The Super Recogniser of Vik by Michael Ridpath Edited by Martin Edwards in Motives for Murder (Sphere)
What You Were Fighting For by James Sallis Edited by Patrick Millikin in The Highway Kind (Mulholland Books)
The Trials of Margaret by LC Tyler in Motives for Murder Edited by Martin Edwards (Sphere) (Winner)
Snakeskin by Ovidia Yu in Sunshine Noir Edited by AnnaMaria Alfieri & Michael Stanley (White Sun Books)

Ayo Onatade & Ali Karim
The CWA International Dagger (Presented by Janet Laurence)
A Cold Death by Antonio Manzini, (4th Estate) Tr Antony Shugaar
A Fine Line by Gianrico Carofiglio, (Bitter Lemon Press)  Tr Howard Curtis
Blood Wedding by Pierre Lemaître, (MacLehose Press) Tr Frank Wynne
Climate of Fear by Fred Vargas, (Harvill Secker) Tr Siân Reynolds
The Dying Detective by Leif G W Persson, (Doubleday) Tr Neil Smith (Winner)
The Legacy of the Bones by Delores Redondo, (HarperCollins) Tr Nick Casiter & Lorenza Garcia

Leye Adenle & Ayo Onatade

The CWA Endeavour Historical Dagger (presented by Jon Coates)
The Devil’s Feast by M. J. Carter (Fig Tree)
The Ashes of Berlin by Luke McCallin (No Exit Press)
The Long Drop by Denise Mina (Harvill Secker)
A Rising Man by Abir Mukherjee (Harvill Secker) (Winner)
By Gaslight by Steven Price (Point Blank)
The City in Darkness by Michael Russell (Constable)

Sophie Goodfellow &Ayo Onatade
The John Creasey (New Blood) Dagger (Presented by Maxim Jakubowski)
The Pictures by Guy Bolton (Point Blank)
Ragdoll by Daniel Cole (Trapeze)
Distress Signals by Catherine Ryan Howard (Corvus)
Sirens by Joseph Knox (Doubleday)
Good Me, Bad Me by Ali Land (Michael Joseph)
Tall Oaks by Chris Whitaker (Twenty 7) (Winner)
Joseph Knox’s novel Siren was also highly commended.

AnnaMaria Alfieri & Leye Adenle
CWA Ian Fleming Steel Dagger (presented by Corrine Turner)
You Will Know Me by Megan Abbott (Picador)
The Killing Game by J S Carol (Bookouture)
We Go Around in the Night and Are Consumed by Fire by Jules Grant (Myriad Editions)
Redemption Road by John Hart (Hodder & Stoughton)
Spook Street by Mick Herron (John Murray) (Winner)
The Constant Soldier by William Ryan (Mantle)

Wayne Brookes & Ayo Onatade
The CWA Gold Dagger (Presented by Richard Reynolds)
The Beautiful Dead by Belinda Bauer (Bantam Press)
Dead Man’s Blues by Ray Celestin (Mantle)
The Dry by Jane Harper (Little, Brown) Winner
Spook Street by Mick Herron (John Murray)
A Rising Man by Abir Mukherjee (Harvill Secker)
The Girl in Green by Derek B. Miller (Faber & Faber)

Congratulations to all the winners and nominated authors.

Martin Edwards

Robert Thorogood & Ayo Onatade

Ayo Onatade & Anne Cleeves

Anne Cleeves & Leye Adenle

L-R Mari Hannah, Mick Herron, Chris Whittaker & L C Tyler

Abir Mukherjee & Mari Hannah

Ayo Onatade & Barry Forshaw
Ayo Onatade & L C Tyler

 © All pictures Ayo Onatade 2017