Showing posts with label Scottish. Show all posts
Showing posts with label Scottish. Show all posts

Wednesday, 14 October 2026

Crime Fiction at the London St Andrews Book Festival

Val McDermid, Louise Welsh, and Chris Brookmyre 

among crime writers to appear at London St Andrew’s Book Festival


Fiction fans will have their pick of genres, with talks and panel events from well-loved novelists, including: acclaimed crime writer Val McDermid who will join Geographer Royal for Scotland Jo Sharp to discuss This Door of Seas, their contribution to the acclaimed ‘Darkland Tales’ series; former sports writer Gordon Simpson, who will chat to Clark McGinn about his gripping new golf thriller Four Deadly Swings; award-winning Scottish novelist Jenni Fagan on her darkly imaginative new novel The Delusions; Traitors star and bestselling author Harriet Tyce, whose new thriller Witch Trial explores a sensational Edinburgh murder case; and award-winning crime writer Louise Welsh, discussing The Cut Up, to name a few.

The official website can be found here. You can also find the complete programme here.

The Festival is taking place between the 16th and 22nd November 2926.






Saturday, 13 September 2025

Bloody Scotland McIlvanney Winners announced

 


Bloody Scotland International Crime Festival kicked off wth the prize announements; A Day of The Dead parade led by an Effigy of Sir Ian Rankin and the big reveal of the mystery crime writer. 

The winner of the McIlvanney Prize was revealed – in the ballroom with a giant crystal glass –  to be Tariq Ashkanani with The Midnight King.  It was presented to him on stage on the opening night of the Bloody Scotland International Crime Writing Festival by the winner of the 2024 McIlvanney Prize, Chris Brookmyre. Tariq, a solicitor from Edinburgh, appeared as a support act for Ian Rankin in Crime in the Spotlight at the 2021 festival and went on to win the Bloody Debut Prize in 2022. The McIlvanney Prize win brings the process of nurturing authors at Bloody Scotland full circle.

The judges who included broadcaster, Nicola Meighan, journalist and writer Arusa Qureshi and crime reviewer Gordon McGhie said

“Tariq Ashkanani manages to create an atmosphere of dread while uniquely exploring the theme of nature vs nurture...When we speak about thrillers being page turners (this) should be used an example of how it should be done”

The winner of the 2025 Bloody Scotland Debut Prize was revealed to be David Goodman with A Reluctant Spy (Headline). Like Tariq he was previously selected for Crime in the Spotlight. He appeared as a support act for thriller writer Frank Gardner at Bloody Scotland last year. This year it is he who takes centre stage.  He also won the inaugural Theakston Old Peculier McDermid Debut Award in July. He lives in East Lothian with his family. 

The 2025 prize was judged by crime writer and Bloody Scotland founder, Alex Gray; broadcaster Bryan Burnett and Kenny Tweeddale from The Glencairn Glass. They said:

‘Everything about this feels authentic. In fact, the only thing that’s not believable is that this could be a debut novel.'

Kirsty Nicholson, Design and Marketing Manager at the awards sponsor Glencairn Crystal, said

‘A huge congratulations to Tariq Ashkanani on winning the McIlvanney Prize with his page-turning thriller The Midnight King, and to David Goodman on receiving the Debut Prize for his gripping first novel A Reluctant Spy.  Being a Scottish family company, we are proud to sponsor these distinguished annual awards with the Glencairn Glass, the official glass for whisky - both of which are deeply rooted in Scotland. It is an honour to help celebrate and shine a spotlight on such exceptional authors in the wonderful world of crime fiction.

The prize giving was followed by the inaugural Bloody Scotland Day of the Deid procession with actors and local pipeband in full make up led by the two winners and an effigy of Sir Ian Rankin. It concluded at the Albert Halls where the ‘mystery authors’ behind Evelyn Clarke’s, The Ending Writes Itself, (HQ, 7 April 2026) were finally revealed to be #1 Sunday Times bestselling author, V.E. Schwaband longtime friend and screenwriter Cat Clarke. V.E. Schwab is best known for The Invisible Life of Addie LaRue and Bury Our Bones. HarperCollins acquired rights in a nine publisher auction and will be publishing simultaneously in the US and Australia.

Highlights on Saturday included Mick Herron (author behind TV series Slow Horses), broadcasters Steph McGovern, Jeremy Vine and The Reverend Richard Coles, bestselling writer Kate Atkinson, actor Richard Armitage and superstar of American crime fiction Kathy Reichs. The day concluded with a Bloody Scotland take on Crime Family Fortunes and the sold-out Karaoke at the Coo where famous authors took to the mic.


Thursday, 3 October 2024

Extract from A Case of Matricide by Graeme Macrae Burnet

Graeme Macrae Burnet is one of the UK’s brightest literary talents. His second novel, His Bloody Project, was shortlisted for the Booker Prize 2016, won the Saltire Society Fiction Book of the Year Award 2016, and was shortlisted for the LA Times Book Awards 2017. His fourth novel, Case Study, was longlisted for the Booker Prize 2022 and was included in the New York Times 100 Notable Books of 2022. His most recent book is A Case of Matricide.

One 

Hôtel Bertillon was situated in an inconspicuous, whitewashed building at the intersection of Rue de Mulhouse and Rue Henner. Aside from a modest sign on the wall above the entrance, there was little to alert passers-by to its existence, and even this sign was in such a state of neglect that it was more likely to deter than entice potential custom. The bill of tariffs taped to the inside of the glass panel by the door was yellowed and torn. The surrounding paintwork was blistered, and bare wood was visible where it had flaked away altogether. A quantity of dry leaves had accumulated in the corner of the vestibule. 

Inside, the establishment was no more appealing. The narrow foyer was dimly lit and smelled of stale carpet. The décor was tired. 

Georges Gorski rang the brass bell on the counter. A man emerged from the office, which was partitioned from the counter by a rectangular glass panel, so that it resembled a large aquarium. He was very small and neatly dressed in grey slacks and a shirt and tie beneath a V-neck sweater. Around his shoulders was a pair of reading glasses on a chain. He had the grey pallor of a man who rarely exposed himself to sunlight. He had mentioned his name on the telephone, but Gorski had forgotten it, an increasingly regular occurrence. 

Gorski held out his ID. ‘Monsieur Bertillon?’ he said, though he knew this was not correct. 

‘Oh no,’ replied the little man. ‘I am not Bertillon. Bertillon was my wife’s name. Well, my wife’s maiden name. The hotel belonged to her parents before ... before it, eh, passed to us.’ He paused, realising perhaps that Gorski was not in need of a history of the business. ‘My name is Henri Virieu.’ 

‘Yes,’ said Gorski, as if refreshing his memory, ‘Monsieur Virieu.’ 

There was a short silence. The man’s fingers fidgeted on the counter as if playing a toy piano. His hands were bony and flecked with liver spots. 

‘You’ll probably think me a dreadful busybody,’ he said. ‘It’s just that, well, I suppose it seemed the right thing to do. In case, in case of, you know—’ 

‘In case of what?’ said Gorski. He had taken a dislike to Virieu on the telephone. He was a man who opened his mouth without having first formulated what he wanted to say. His explanation for calling had consisted of a string of meaningless half-formed phrases and fatuous aphorisms. ‘Prudence is the mother of security, as they say,’ he had wittered. 

Ineffectual. He was an ineffectual little man, and meeting him in person only confirmed the impression. 

Rather than answering Gorski’s question, Virieu lowered his voice and, with a furtive glance along the passage, invited him into the office. ‘There we can converse undisturbed,’ he said, as if he was a member of the DST.* He raised the flap on the counter and ushered Gorski into his sanctum. 

Everything was neatly arranged. Behind the desk were shelves of box files, each one clearly inscribed with the year. On the desk was a copy of L’Alsace, open at the page with the crossword, which was half-completed. There was a glass cabinet displaying a number of small trophies. 

‘From my chess career,’ said Virieu, seeing Gorski glance towards them. He unlocked the cabinet and handed one to Gorski. It declared him champion of Haut-Rhin. It was thirty years old. ‘I still play of course, but the mind, well, the mind isn’t what it used to be. One finds oneself besieged by the young. Do you play at all? Perhaps we could have a game sometime.’      

_____________________ 

* Direction de la Surveillance du Territoire, the French internal security service – translator’s note 

Gorski shook his head. 

A cat was asleep on the chair in front of the desk. Virieu tickled it behind the ear and murmured some soft sounds, before shooing it onto the floor. ‘Our oldest employee,’ he said, with a little laugh. 

Gorski smiled thinly and took the cat’s seat. The glass wall afforded a panoramic view of the foyer. Virieu sat down behind the desk, then immediately leapt to his feet. 

‘Perhaps you would do me the honour, monsieur, of sharing a glass with me.’ From a filing cabinet he produced a bottle of schnapps. Gorski corrected his mode of address but did not decline the drink, which Virieu had in any case already poured. 

He resumed his seat. 

‘Your very good health, Chief Inspector,’ he said, with an ingratiating emphasis on his title. 

He knocked back his drink. Gorski did the same. Virieu refilled the glasses. It was half past nine in the morning. 

A Case of Matricide by Graeme Macrae Burnet (Saraband) Out now

Chief Inspector Gorski returns … In the unremarkable French town of Saint-Louis, a mysterious stranger stalks the streets; an elderly woman believes her son is planning to do away with her; a prominent manufacturer drops dead. Between visits to the town’s hostelries, Chief Inspector Georges Gorski ponders the connections, if any, between these events, while all the time grappling with his own domestic and existential demons.  Graeme Macrae Burnet once again pierces the respectable bourgeois façade of small-town life in this, the concluding part of his trilogy of Gorski novels. He injects a wry humour into the tiniest of details and delves into the darkest recesses of his characters’ minds, but above all provides an entertaining, profound and moving read. 

More information about his books and writing can be found on his website. You can find Graeme Macrae Burnet on Facebook. You can also follow him on X @GmacraeBurnet and on Instagram @graememacraeburnet.






Thursday, 23 February 2023

Ten good questions by Alex Gray


Whenever I am talking to students of creative writing about researching a novel, I ask them to consider the following. Rather than poring over the internet or even reading lots of books, both practical ways in themselves, try going out to find experts on the subject that you want to research armed with ten good questions. My own experience tells me that I might come home afterwards with twenty answers and several great stories.

One novel that stands out to illustrate this is the fourth in my Lorimer series. I wanted to begin my story with a body being pulled out of the river Clyde, only I could not envisage just how this was carried out. A friend suggested that I seek the help of the Humane Society officer, George Parsonage MBE, and so I was introduced to him and visited his home in Glasgow Green. There, I not only saw photographs of the very process that I had in mind but heard many tales of rescues and others of fishing dead bodies from the depths of the river and made a good friend. George was a fascinating character, so much so that he agreed to be himself in the story and the book was entitled The Riverman, a nickname that George had been given. The authenticity of the setting brought the book to the attention of major publishers as well as composer, Ken Walton, who used some words from it for his choral symphony Colours of the Clyde. And all because I had gone out to seek a real person in my research! George and I have been friends to this day.

Before the advent of mobile phones, I would go out armed with a notebook and camera, photographing places and jotting down my first impressions. Being out and about in, for example, the city of Glasgow also gives one the added benefit of sensory information. I might hear sirens in the distance, the roar of traffic, sounds of local dialect, smells from street food markets and all sorts of things. My very first novel, Never Somewhere Else, is set in Glasgow’s art world and I will be forever grateful that I managed to take photographs of Glasgow School of Art and set down my detailed observations of its former glories. Who could have guessed that this gem in Charles Rennie Mackintosh’s crown would suffer two horrific fires decades later? 

My dear friend, the late Alanna Knight, had a mantra; walk the paths and touch the stones, she would say, and it was sound advice that I follow to this very day. Going out to talk to experts in their field and seeing what really happens in their world is invaluable source material. I have been fortunate to enjoy a good relationship with the police ever since I first wrote to Sir John Orr back in the 1990’s, asking for help to research a crime novel. Coming from a position of not knowing anything about police procedure and being invited into police stations then divisional headquarters was a fascinating start for this wannabe crime novelist.

My latest novel, Questions For a Dead Man, took me to Tulliallan, the police training college, thanks to the co-operation of senior officers in Police Scotland. I was invited to attend on the day of the cadets’ passing out parade, but before that I was given a talk on so many aspects of the training plus advice on how my character, Daniel Kohi, might proceed in his career. I watched my own video clips many times but actually being there and watching the parade, listening to the chief constable address the new recruits, was pure gold for this crime writer. Much of what we write is fiction, of course, but having research like this adds so much authenticity to a story and readers are forever saying how much they enjoyed the setting of different books, surely a testament to my methods. 

It is no mistake that ideas will spring from encounters with other people on visits like this. I can recall several times when a plot centred on a tiny thing that I found as I was looking for material. Not just ten answers and some good stories, but sometimes the very hinge upon which a plot might turn! Best of all, I now count several experts amongst my good friends, a lasting legacy that is even more satisfying.


Questions for a Dead Man by Alex Gray, (Sphere, £16.99) - the 20th book in the Lorimer series.

When a prominent MSP goes missing, DSI William Lorimer wastes no time in investigating. Robert Truesdale was fronting the controversial campaign to legalise drugs in Scotland, and his enemies were numerous. With every passing day, the chances of finding him alive grow slimmer. Then the worst happens. A car bomb explodes in a nearby village, and the blackened body pulled from the wreckage appears to be Truesdale's. Yet there are details that don't add up and soon Lorimer is questioning whether the victim was all he claimed to be. Lorimer calls on the assistance of his friend, PC Daniel Kohi, who has infiltrated a local gang as part of a police initiative to crack down on drug-related crime in Glasgow. As their investigation draws them into the dark heart of Glasgow's criminal underworld, Lorimer and Kohi discover that danger is everywhere and nobody is as they seem.

More information about Alex Gray and her books can be found on her website. You can also follow her on Twitter @Alexincrimeland.



Tuesday, 11 August 2020

In The Spotlight: Sara Sheridan

Name:- Sara Sheridan

Job:- Author and activist

Website:- http://www.sarasheridan.com

Twitter @sarasheridan

Introduction:-
Sara Sheridan is a Scottish writer over over 20 books which the include cosy crime Mirabelle Bevan noir series. The first book n the Mirabelle Bevan series is Brighton Belle (2012) subsequently followed by London Calling (2012), England Expects (2014), British Bulldog (2015), Operation Goodwood (2016), Russian Roulette(2017) and Indian Summer (2019). The most recent book is Highland Fling (2020). In 2017 she wrote the companion guide to the ITV series, Victoria and in 2019 she also wrote the companion guide to Andrew Davies’s adaptation of Jane Austen’s final, unfinished novel, Sanditon.

Current book?
Literally finished last night: Tough Jews by Rich Cohen, which is non-fiction about 1940s Jewish gangsters in New York. 

Favourite book
This is like picking a favourite kid. I mean HOW? I’m going to reply by saying books that resonate with me are Eva Ibbotson’s adult fiction, Lorna Moon’s brilliant short stories, The Green Mile by Ann Enright, The Yellow Wallpaper by Charlotte Perkins Gilman.

Which two characters would you invite to dinner and why?
If you mean fictional characters: - Jane Marple because she is my lifelong favourite character (even though someone might get murdered while she was visiting cos that happens a lot) and Johnathan Strange because of the magic. 

How do you relax?
I’m not very good at relaxing but I deep breathe several times a day and that helps me to pace myself. I also love walking and swimming. Plus if things get really stressful I knit. (I know – I’m a granny, basically)

What book do you wish you had written and why? Oh gosh – well you wanted 2 of my favourite historical novels and why and these tie in with this question so….
Water Music by TC Boyle, which is about Mungo Park’s doomed trips down the Niger in the late 1700s/early 1800s – absolutely the best historical novel I ever read. I seethe with jealousy over the way Boyle captures the rambunctious late Georgian era. 

Next – Poor Things by Alasdair Gray, which I love for its wit. Alasdair was a very funny man and this book set in Victorian Glasgow is a riot. 

Now this is tricky cos neither of those are historical crime. I mean – I don’t consider Christie historical crime cos she wrote contemporary crime – it’s just that time passed. This is further complicated because the two genres tell their stories in different ways. So if I’m picking 2 historical crime books ie crime stories written in a past era by a writer not living in that era, it would be:

Name of the Rose by Umberto Eco. The medieval fascinates me and there is an inescapable tension to this book that I LOVE. 
Fingersmith by Sarah Waters which is clever but still manages to engage the heart. I also enjoy Waters’s female characters a lot – they feel real.

What would you say to your younger self if you were just starting out as a writer.
I’d say keep going! I never meant to be a writer so I think the younger me would reply ‘what are you talking about?’ I was always an enthusiastic reader, and then I had to take some time off work and decided to write a novel (really so I could say I was doing something….) It sold 3 weeks after I sent off the first draft and went into the top 50 when it was published and that was that. 

How would you describe your series character?
Mirabelle is an evolving character – we first meet her in the early 1950s when she is grieving and in post-war traumatic shock. Today we’d recognise her as being mildly depressed. The whole country was, pretty much. Over the series, she cheers up (in fact, the series in a way is that story, about how Britain cheered up after WWII). She’s resourceful, moral, clear-sighted and sexy. She also dresses very well. Nothing like me. 

Highland Fling by Sara Sheridan.
Scottish Highlands, 1958, Britain is awash in Cold War anxiety as Mirabelle Bevan heads for the Highlands on a holiday to visit Superintendent Alan McGregor's family. More glamorous than she expected, the Robertsons welcome her with open arms and an array of cocktails, but she has scarcely arrived when the body of an American fashion buyer turns up brutally murdered, plunging the local village into disarray and sending shockwaves around the close, Highland community. Mirabelle can't resist investigating, but what she finds lays the limitations of her feelings for McGregor bare and calls into question the loyalties of all those around her from the Robertson's housekeeper Mrs Gillies to the family of the dead woman. What started as a relaxing break in scenic surroundings soon spirals into a week fraught with danger. As the press descend on the Robertson's Highland estate, it rapidly becomes clear that things are not as black and as they first appeared and Mirabelle can't count on anyone . . .

Saturday, 31 August 2019

Celtic Noir Crime Writing Festival

Celtic Noir Crime Writing Festival
Presented by the Centre for Irish and Scottish Studies (CISS), Dunedin Writers & Readers Festival, Dunedin Public Libraries, and Dunedin UNESCO City of Literature, and proudly sponsored by the University Book Shop.


Saturday 12 October 

10:00am
Organiser of Plotting a Thriller with Liam McIlvanney (workshop)
Dunedin City Library

13:00
Fiona Kidman in conversation with Majella Cullinane
Dunedin City Library

14:30
Adrian McKinty on writing the High Concept Thriller
Dunedin City Library

16:00
Cops and Horrors with Vanda Symon and Liz Nugent

18:30
Val McDermid in conversation with Adrian McKinty
Dunedin City Library


Sunday 13 October

10:00am
Liz Nugent Masterclass
Dunedin City Library

14:00
Celtic Noir panel: Featuring Val McDermid, Liz Nugent and Adrian McKinty
Dunedin City Library

Information about buying tickets can be found here.

Saturday, 24 March 2018

In Memoriam




22 February 1956 – 23 March 2018

© Shotsmag.co.uk 
On Friday 23rd March 2018 the crime writing community were notified of the sad death of Scottish crime writer Philip Kerr by his wife novelist Jane Thynne via Twitter.

Philip Kerr was best known for his Bernie Gunther novels with the first one in the series March Violets being published in 1989. March Violets introduced readers to his sardonic, tough talking former soldier who fought in World War I on the Turkish Front and also an ex-cop. Gunther went on to work as a private eye in the pre World War II. The series blended fact and fiction and set mostly in Berlin, as Gunther carried out investigations against the backdrop of the rise of the Nazis, whose reach he is always trying to escape.

In March Violets Bernhard Gunther is a private eye, specializing in missing persons. And in Hitler's Berlin, he's never short of work... Winter 1936. A man and his wife shot dead in their bed. The woman's father, a millionaire industrialist, wants justice - and the priceless diamonds that disappeared along with his daughter's life.  As Bernie follows the trail into the very heart of Nazi Germany, he's forced to confront a horrifying conspiracy.

March Violets was followed by The Pale Criminal which was published in 1990 and A German Requiem in 1991. The first three novels later became known as The Berlin Trilogy and were published as such in 2012. 

In 1992 his standalone novel A Philosophical Investigation was published.  Set in London 2013: a world in which serial murder has reached epidemic proportions.


Tested positively by the government as one disposed to criminal violence, a serial killer breaks into the computer to erase his name, where he discovers a list of others so accused and hits on the horrifying idea: what if he were to become a killer of serial killers? A Philosophical Investigation was well received on publication with the narrative unfolding from a dual perspective. The killer's being told in first person and the detective's is told in third.
 
This was followed in 1993 with Dead Meat and Gridiron in 1995,  The Shot in 1999, Dark Matter (2002), Hitler’s Peace (2012) amongst others.  The most recent standalone being The Most Frightening Story Ever Told in 2016.

He returned to the Bernie Gunther novels after a 15 year gap with The One From the Other in 2006.  This was followed by A Quiet Flame (2008), If the Dead Rise Not (2009), Field Grey (2010), Prague Fatale (2011), A Man Without Breath (2013), The Lady from Zagreb (2015), The Other Side of Silence (2016) and Prussian Blue in 2017. His novel If The Dead Not Rise won the Crime Writers Association Ellis Peters Historical Award in 2009 as well as the Premio RBA de Novela Negra. It also won the Barry Award for Best British Novel.  The novels Field Grey, The Lady of Zaregb and Prussian Blue were all shortlisted for an Edgar Award for Best Novel in 2012, 2016 and 2018 respectively. 
© Shotsmag.co.uk (Philip Kerr & Jane Wood)



The latest book in the Bernie Gunther series Greeks Bearing Gifts is due to be published in April this year.  In Greeks Bearing Gifts, it is Munich, 1956. Bernie Gunther has a new name, a chip on his shoulder, and a dead-end career when an old friend arrives to repay a debt and encourages “Christoph Ganz” to take a job as a claims adjuster in a major German insurance company with a client in Athens, Greece.  Under the cover of his new identity, Bernie begins to investigate a claim by Siegfried Witzel, a brutish former Wehrmacht soldier who served in Greece during the war. Witzel’s claimed losses are large , and, even worse, they may be the stolen spoils of Greek Jews deported to Auschwitz. But when Bernie tries to confront Witzel, he finds that someone else has gotten to him first, leaving a corpse in his place.  Enter Lieutenant Leventis, who recognises in this case the highly grotesque style of a killer he investigated during the height of the war. Back then, a young Leventis suspected an S.S. officer whose connection to the German government made him untouchable. He’s kept that man’s name in his memory all these years, waiting for his second chance at justice…  Working together, Leventis and Bernie hope to put their cases–new and old–to bed. But there’s a much more sinister truth to acknowledge: A killer has returned to Athens…one who may have never left.

© Shotsmag.co.uk  (Janet Ellis, Philip Kerr & Mike Ripley)
Between 2014 and 2015 three books in the Scott Manson thriller series were also written. The first in the series January Window (2014) introduced readers to Scott Manson a team coach for a London football club and all-round fixer. This was followed by Hand of God and False Nine both in 2015.
   
He was also wrote children’s novels using the name P B Kerr as well as a number of non-fiction books under his own name.
Over the years Shots have reviewed a number of his books including The Other Side of Silence, Hand of God, The Lady of Zaregb, A Man Without Breath, Prague Fatale and Field Grey. 

According to his publishers Quercus, Philip finished a fourteenth Bernie Gunther novel Metropolis, which will be published in the UK and US next year
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A 2011 interview on the Shots website can be found here. The Guardian have also reported on his death.

His passing is a great loss to so many; his family, authors and readers.  He will be solely missed.