Showing posts with label Graeme Macrae Burnet. Show all posts
Showing posts with label Graeme Macrae Burnet. Show all posts

Saturday, 16 August 2025

Shortlists for further Ned Kelly Awards announced

 

The Australian Crime Writers Association announced the shortlists for the 2025 Ned Kelly Awards for the Best International Crime Fiction, Best True Crime but also Best Crime Fiction.

Best International Crime Fiction Nominees

Return to Blood, by Michael Bennett (Simon & Schuster UK)

Leave the Girls Behind, by Jacqueline Bublitz (Allen & Unwin)

The Waiting, by Michael Connelly (Allen & Unwin)

A Case of Matricide, by Graeme Macrae Burnet (Text)

Moscow X, by David McCloskey (Swift Press)

Home Truths, by Charity Norman (Allen & Unwin)


Best True Crime Nominees

They’ll Never Hold Me, by Michael Adams (Affirm Press)

A Thousand Miles from Care, by Steve Johnson (William Collins)

The Kingpin and the Crooked Cop, by Neil Mercer (Allen & Unwin)\

Meadow’s Law, by Quentin McDermott (HarperCollins)

The Lasting Harm, by Lucia Osborne-Crowley (HarperCollins)


Best Crime Fiction Nominees

Shadow City, by Natalie Conner

Sanctuary, by Garry Disher

Unbury the Dead, by Fiona Hardy

The Creeper, by Margaret Hickey

Cold Truth, by Ashley Kalagian Blunt

Highway 13, by Fiona McFarlane

17 Years Later, by J.P. Pomare

Storm Child, by Michael Robotham


Thursday, 3 October 2024

Extract from A Case of Matricide by Graeme Macrae Burnet

Graeme Macrae Burnet is one of the UK’s brightest literary talents. His second novel, His Bloody Project, was shortlisted for the Booker Prize 2016, won the Saltire Society Fiction Book of the Year Award 2016, and was shortlisted for the LA Times Book Awards 2017. His fourth novel, Case Study, was longlisted for the Booker Prize 2022 and was included in the New York Times 100 Notable Books of 2022. His most recent book is A Case of Matricide.

One 

Hôtel Bertillon was situated in an inconspicuous, whitewashed building at the intersection of Rue de Mulhouse and Rue Henner. Aside from a modest sign on the wall above the entrance, there was little to alert passers-by to its existence, and even this sign was in such a state of neglect that it was more likely to deter than entice potential custom. The bill of tariffs taped to the inside of the glass panel by the door was yellowed and torn. The surrounding paintwork was blistered, and bare wood was visible where it had flaked away altogether. A quantity of dry leaves had accumulated in the corner of the vestibule. 

Inside, the establishment was no more appealing. The narrow foyer was dimly lit and smelled of stale carpet. The décor was tired. 

Georges Gorski rang the brass bell on the counter. A man emerged from the office, which was partitioned from the counter by a rectangular glass panel, so that it resembled a large aquarium. He was very small and neatly dressed in grey slacks and a shirt and tie beneath a V-neck sweater. Around his shoulders was a pair of reading glasses on a chain. He had the grey pallor of a man who rarely exposed himself to sunlight. He had mentioned his name on the telephone, but Gorski had forgotten it, an increasingly regular occurrence. 

Gorski held out his ID. ‘Monsieur Bertillon?’ he said, though he knew this was not correct. 

Oh no,’ replied the little man. ‘I am not Bertillon. Bertillon was my wife’s name. Well, my wife’s maiden name. The hotel belonged to her parents before ... before it, eh, passed to us.’ He paused, realising perhaps that Gorski was not in need of a history of the business. ‘My name is Henri Virieu.’ 

Yes,’ said Gorski, as if refreshing his memory, ‘Monsieur Virieu.’ 

There was a short silence. The man’s fingers fidgeted on the counter as if playing a toy piano. His hands were bony and flecked with liver spots. 

You’ll probably think me a dreadful busybody,’ he said. ‘It’s just that, well, I suppose it seemed the right thing to do. In case, in case of, you know—’ 

In case of what?’ said Gorski. He had taken a dislike to Virieu on the telephone. He was a man who opened his mouth without having first formulated what he wanted to say. His explanation for calling had consisted of a string of meaningless half-formed phrases and fatuous aphorisms. ‘Prudence is the mother of security, as they say,’ he had wittered. 

Ineffectual. He was an ineffectual little man, and meeting him in person only confirmed the impression. 

Rather than answering Gorski’s question, Virieu lowered his voice and, with a furtive glance along the passage, invited him into the office. ‘There we can converse undisturbed,’ he said, as if he was a member of the DST.* He raised the flap on the counter and ushered Gorski into his sanctum. 

Everything was neatly arranged. Behind the desk were shelves of box files, each one clearly inscribed with the year. On the desk was a copy of L’Alsace, open at the page with the crossword, which was half-completed. There was a glass cabinet displaying a number of small trophies. 

From my chess career,’ said Virieu, seeing Gorski glance towards them. He unlocked the cabinet and handed one to Gorski. It declared him champion of Haut-Rhin. It was thirty years old. ‘I still play of course, but the mind, well, the mind isn’t what it used to be. One finds oneself besieged by the young. Do you play at all? Perhaps we could have a game sometime.’      

_____________________ 

* Direction de la Surveillance du Territoire, the French internal security service – translator’s note 

Gorski shook his head. 

A cat was asleep on the chair in front of the desk. Virieu tickled it behind the ear and murmured some soft sounds, before shooing it onto the floor. ‘Our oldest employee,’ he said, with a little laugh. 

Gorski smiled thinly and took the cat’s seat. The glass wall afforded a panoramic view of the foyer. Virieu sat down behind the desk, then immediately leapt to his feet. 

Perhaps you would do me the honour, monsieur, of sharing a glass with me.’ From a filing cabinet he produced a bottle of schnapps. Gorski corrected his mode of address but did not decline the drink, which Virieu had in any case already poured. 

He resumed his seat. 

Your very good health, Chief Inspector,’ he said, with an ingratiating emphasis on his title. 

He knocked back his drink. Gorski did the same. Virieu refilled the glasses. It was half past nine in the morning. 

A Case of Matricide by Graeme Macrae Burnet (Saraband) Out now

Chief Inspector Gorski returns … In the unremarkable French town of Saint-Louis, a mysterious stranger stalks the streets; an elderly woman believes her son is planning to do away with her; a prominent manufacturer drops dead. Between visits to the town’s hostelries, Chief Inspector Georges Gorski ponders the connections, if any, between these events, while all the time grappling with his own domestic and existential demons.  Graeme Macrae Burnet once again pierces the respectable bourgeois façade of small-town life in this, the concluding part of his trilogy of Gorski novels. He injects a wry humour into the tiniest of details and delves into the darkest recesses of his characters’ minds, but above all provides an entertaining, profound and moving read. 

More information about his books and writing can be found on his website. You can find Graeme Macrae Burnet on Facebook. You can also follow him on X @GmacraeBurnet and on Instagram @graememacraeburnet.






Friday, 8 July 2022

2022 Ned Kelly Awards shortlist

 

The Australian Crime Writers Association (ACWA) have announced the shortlist for the 2022 Ned Kelly Awards.

The shortlisted titles in each category are:

Best Debut Crime Fiction

Sweet Jimmy by Bryan Brown, (Allen & Unwin)

Shadow Over Edmund Street by Suzanne Frankham, (Journey to Words Publishing)

Cutters End by Margaret Hickey, (Penguin)

Banjawarn by Josh Kemp, (UWA Publishing)


Best True Crime

The Mother Wound by Amani Haydar, (Macmillan)

Larrimah by Caroline Graham & Kylie Stevenson, (Allen & Unwin)

Banquet: The Untold Story of Adelaide’s Family Murders by Debi Marshall, (Vintage)

A Witness of Fact by Drew Rooke, (Scribe)

Best International Crime Fiction

Case Study by Graeme Macrae Burnet (Text)

The Heron’s Cry by Ann Cleeves, (Macmillan)

The Maid by Nita Prose, (HarperCollins)

Cry Wolf by Hans Rosenfeldt, (HarperCollins)

Best Crime Fiction

The Enemy Within by Tim Ayliffe, (Simon & Schuster)

The Others by Mark Brandi, (Hachette)

You Had it Coming by B M Carroll, (Profile Books)

The Chase by Candice Fox, (Bantam)

Kill Your Brother by Jack Heath, (Allen & Unwin)

The Family Doctor by Debra Oswald, (Allen & Unwin)

The Deep by Kyle Perry, (Michael Joseph).

Established in 1995, the Ned Kelly Awards are Australia’s oldest, most prestigious awards honouring crime fiction and true crime writing. ACWA reported that in 2022 ‘it was particularly pleasing to see authors breaking away from some of the more common crime tropes, with a large variety of characters, settings and social diversity in this year’s entries’.

The association expects to announce the winners in approximately one month.


Monday, 23 August 2021

Ilkley Literature Festival

 

The Ilkley Book Festival have announced their programme. The festival is due to take place between 1st and 17th October 2021. The full programme can be read here. This year they will be producing a hybrid event of over 70 events with it beaning a mixture digital events, 'live” in person interviews, talks and panels. 

Booking opens Tuesday 31 August at 10:00am. 

The crime fiction events are -

Cold War Spies - Tim Tate and Trevor Barnes – (Saturday 2nd October at 3:00pm)

Award-winning documentary filmmaker, investigative journalist and best-selling author Tim Tate is joined by crime novelist Trevor Barnes to discuss some of the most gripping true stories of Cold War history. From a supposed Polish secret service agent passing Soviet secrets to the West, to the Portland Spy Ring where KGB ‘illegals’ operated under false identities stolen from the dead. Tate’s The Spy Who Was Left Out in the Cold draws on a wealth of previously unpublished primary sources to tell the dramatic true story of Michal Goleniewski, the best spy the West ever lost. Barnes’ Dead Doubles explores a case that justified the West’s paranoia about infiltration and treachery.

Graeme MacRae Burnet: Case Study (Saturday 2nd October at 4:00pm)

London, 1965. An unworldly young woman believes that a charismatic psychotherapist, Collins Braithwaite, has driven her sister to suicide. Intent on confirming her suspicions, she assumes a false identity and presents herself to him as a client, recording her experiences in a series of notebooks. In Case Study, Booker Prize-shortlisted novelist Graeme Macrae Burnet presents these notebooks interspersed with his own biographical research into Collins Braithwaite. The result is a dazzling meditation on the nature of sanity, identity and truth itself. Interview by The Telegraph book critic Jake Kerridge.

Imran Mahmood & Jenn Ashworth: Lying Eyes – (Sunday 3rd October at 1:00pm)

Join novelists Jenn Ashworth and Imran Mahmood as they discuss the role of unreliable narrators in fiction. Ashworth’s Ghosted explores a deeply affecting and unconventional love story, shot through with anger, black humour and grief. Mahmood’s I Know What I Saw is a thriller that centres on a now-homeless former banker who witnessed an impossible murder, and how the consequences of the crime force him to confront his vexed past and the unreliability of his memory. Interview by The Telegraph book critic Jake Kerridge.


Tuesday, 20 August 2019

Crime in the Spotlight at Bloody Scotland

SCOTLAND REVEALS THEIR ‘CRIME IN THE SPOTLIGHT’ WRITERS WHO WILL BE APPEARING ON STAGE WITH SOME OF THE BIGGEST NAMES AT THE 2019 FESTIVAL
Bloody Scotland will again be supporting new writers by pairing established authors with ‘support’ acts just starting out on their crime writing career.

Graeme Macrae Burnet, author of His Bloody Project was famously ‘In the Spotlight’ as a support act for Ian Rankin before it was shortlisted for the Man Booker and the initiative has been praised on Open Book, BBC Radio 4 for being innovative and breaking the boundaries of traditional book festivals.

Authors ‘In the Spotlight’ this year include Judith O’Reilly, a former producer for Newsnight and Channel 4 News who is paired with David Baldacci straight from leading the torchlight procession; Jackie McLean, who volunteered at Bloody Scotland now makes her way on to the main stage herself with Chris Brookmyre and Michael Robotham; Gordon Kerr, who as Head of Marketing at Waterstones selected Alexander McCall Smith as Book of the Month and will now share the stage with the much loved international star and Noelle Holten, better known to everyone in the crime fiction world as the power blogger Crime Book Junkie, who will be on stage with the even more powerful Ian Rankin and First Minister, Nicola Sturgeon.

The full list includes authors published by Scottish and English independents, large London conglomerates and some self-published authors with a mix of male and female crime writers. One of last years authors ‘in the spotlight’, Claire Askew who last year took to the stage with Ann Cleeves and Louise Penny has this year been shortlisted for both the debut and the main McIlvanney Prize. The finalists will be revealed on 6 September.
List of Authors –
Judith O’Reilly (Northumberland) with David Baldacci, Friday 20th, 8.30pm (Killing State, Head of Zeus)
Geraldine Hogan (Ireland) with Dr David Wilson, Saturday 21st, 10am (Silent Night, Bookouture)
Jackie McLean (Glasgow) Chris Brookmyre & Michael Robotham, Sat 21st, 11.45am (Shadows, Thunderpoint)
Gordon Kerr (East Kilbride & Dorset) with Alexander McCall Smith, Sat 21st 1.30pm (The Partisan Heart, Muswell Press)
Fiona Erskine (Edinburgh & Teeside) with Denise Mina & Louise Welsh, Sat 21st 3.15pm (The Chemical Detective, Oneworld)
Daniel James (Newcastle) with Richard Osman, Sat 21st 5pm (The Unauthorised Biography of Ezra Maas, Dead Ink Books)
Noelle Holten (Birmingham) with Ian Rankin & Nicola Sturgeon, Sat 21st, 8pm (Dead Inside, Harper Collins)
Anne Pettigrew (Greenock) with Professor Angela Gallop, Sun 22nd, 11am (Not the Life Imagined, Ringwood)
Neil Lancaster (Highlands) with Lin Anderson & Alex Gray, Sun 22nd, 12.45pm (Going Dark, Self Pub)
Douglas Watt (Edinburgh) with Ambrose Parry and Nicci French, Sun 22nd, 2.30pm (The Unnatural Death of a Jacobite, Luath)
Anna Sayburn Lane (London) with Yrsa Sigurdardottir & Sally Magnusson, Sun 22nd, 4pm (Unlawful Things, Self)
Christine Laurenson (Shetland) with Stuart MacBride & Mark Billingham, Sun 22nd 5.30pm (Dark Business, Self)

Sunday, 18 August 2019

St Hilda's Crime Fiction Weekend Part 3

(L-R Andrew Taylor, Natasha Cooper & Sarah Hilary) ©Ayo Onatade
After a brief introduction the first full day at St Hilda’s saw Andrew Taylor talking about Josephine Tey. The title of the paper being A Gathering of StrangersThe Crime Fiction of Josephine Tey.  Josephine Tey is one of the two authors that have influenced Andrew Taylor the other being Patricia Highsmith so it was quite apt that Sarah Hilary who was the second author taking part in the first session gave a paper on Patricia Highsmith.   Andrew Taylor spoke about Josephine Tey’s first novel The Man in The Queue. Interesting to note that crime writer Catherine Aird has a family connection to Josephine Tey.  Andrew Taylor suggested that if you were going to start reading Josephine Tey then he would suggest that you either start with Brat Farraror The Franchise Affair.  Sarah Hilary’s paper was entitled Uncomfortably Naked: Patricia Highsmith’s Talent for Perversion.  As Sarah explained Highsmith is a particular hero of hers.

After a brief coffee break the second session in the morning saw Nicholas Utechinn who is
Nicholas Utechinn ©Ayo Onatade
the historian for the Sherlock Holmes Society of London talk about why Sherlock Holmes was a gamechanger and an historical perspective of Sherlock Holmes and his creator Arthur Conan Doyle.  The title of his paper was‘I Suppose I am The Only One in the World’ – Sherlock Holmes  Challenges.   Holmes of course was seen as the first “forensic detective”.  He was well known for the way in which forensics played a part in his deductions. We were also informed that Sidney Paget drew over 300 drawings for the Sherlock Holmes short stories and that the Strand Magazine loved the Sherlock Holmes stories when they were first published. They way in which Holmes solved his case showed why he was the supreme gamechanger.  Nicholas Utechinn expressed the view that whilst he did not mind the parodies that were written about Holmes he was not keen on Sherlock Holmes pastiches.  There are also around 423 active Sherlock Holmes societies around the world and the first Sherlock Holmes film was shown in 1903 but it only lasted around 11 seconds. The title of the film was Sherlock Holmes Was Baffled.  An interesting titbit of information is that Nicholas Utechinn is distantly related to Basil Rathbone who played Sherlock Holmes in 14 Hollywood films between 1939 to 1946 as well as in a radio series.

After Nicholas Utechinn, Scottish author Graeme Macrae Burnet spoke about ‘The Small World of Simenon’.  As Graeme talked about Simenon he explained that as he was doing his research he read around 90 of his books.  Simenon.  Simenon of course was a prolific author and published around 500 novels and numerous short works. Graeme informed the audience that the first Simenon book that he read was Belle, which was not in fact a Maigret book.  In Belle, Spencer Ashby, a teacher, is charged with the murder of Belle, the daughter of a friend of his wife's wife, whom the couple has been sheltering for a month and who is strangled in his room.  Did he or did he not commit the crime?   In Belle we see the world through the eyes of Spencer Ashby and the debilitating effect that accusation of murder has on him.    French reviewers have called Graeme himself “Le Simenon écossais”. Both papers saw us listening to two authors explaining in their own ways not only the importance of their work but also the reasons why their work is so important within the genre and why they are in fact game changers. 

After lunch saw the papers take on a more non-fictional slant.  First, Scottish author Lin
Lin Anderson - ©Ayo Onatade
Anderson spoke about Forensic Fact and Fiction and the way in which she incorporates fact into her novels and her interest in forensic science. Her interest in forensic science led her to take a Diploma in Forensic Science.  At the time that she did the course she did it along side another author Alex Gray and they were the only two authors on the course. Lin Anderson and Alex Gray are the joint founders of Bloody Scotland. She also explained how her character Rhona MacLeod came into being.    One of the points raised by Lin was the fact that people go back to series because of the characters that they want to know more about.  

Professor Niamh Nic Daeid who spoke after Lin Anderson explained the complexities of forensic and real crime scenes. She also gave a
Professor Niamh Nic Daeid ©Ayo Onatade
fascinating talk on the history of forensic science (which started over 150 years ago) and the changes that were/ have been taking place.  One of the other issues that got mentioned was the way in which crime books and television programmes (better known as the “CSI effect”) have complicated trials as some people tend to believe what they have seen on television (e.g. when watching CSI) or read in a crime novel. It was explained that DNA is not found in all cases and that there have been times when counsel have had to state at the start of a trial the fact that there is no DNA! The other problem that tended to arise in trials where there is DNA is the fact that the expert witnesses are not always asked the correct questions so as to elicit the answers that are needed to explain the DNA properly.  CSI Investigators also need to learn how to communicate properly. One view that was also expressed was the fact that with the rise of forensic science it had invariably lead to the “death” of the amateur investigator.  

An exciting piece of news that was revealed was the fact that Val McDermid has been heavily involved in a new crime drama called Traces which is due to be shown on UKTV Alibi Channel in November. Traces is set in a forensic laboratory and has just finished filming. 

Mick Herron - ©Ayo Onatade
The second set of papers given in the afternoon saw Mick Herron talking about the late great Reginald Hill and his books including those written under various pseudonyms with a paper entitled ‘From Cluedo to Ludo – The Changing Games of Reginald Hill’ As Mick Herron explained, Reginald Hill did not play by the rules when it came to his writing.  Furthermore, Reginald Hill was always excited not only by other crime writers but also “serious” writers.  When thinking about Reginald Hill’s books and the way in which they were written included a lot of social history covering the last quarter of the 20thCentury. 

Will Dean (who was the last speaker of the day) spoke about Peter Høeg’s novel Miss Similla’s Feeling For Snowwhich was first published in 1993 in the United Kingdom.  A sense of place is very important for Will Dean (which is one of the reason’s why he likes Miss Similla’s Feeling for Snow) as a sense of place anchors him to the story and he eloquently expressed what it was like living with snow and ice for months on end in the remote Swedish forest where he currently lives.  For him it is cheaper to fly to
Will Dean - ©Ayo Onatade
Spain for a meal than for him to eat out locally. 

Will believes that Peter Høeg’s book not only bends and stretches the boundaries of the genre but also deals with Denmark’s post-colonial legacy.  A similar author that does this is Abir Mukherjee with his Sam Wyndham and Banerjee series set in the Raj era of India.

According to Will Dean, Peter Høeg’s agreed the ending did not work very well and Henning Mankell agreed that the one book that he would have loved to have written Miss Similla’s Feeling For Snowexcept for the ending.

The first full day at St Hilda’s is always full of wonderful papers, insightful questions and is one of the reasons why I keep on returning year after year to the crime weekend. 

The evening started with a drinks reception (this time on the lawn) which was then followed by dinner. As part of the evening entertainment at the P.D. James dinner a special mystery whodunit entitled The Game Changer, which had been written by Natasha Cooper (the Chair of the weekend this year) was performed in the dining room by a number of the speakers.  It was down to everyone else to see if they could deduce who the murderer was! Yes I do know the answer and no I am not telling just in case it is performed again elsewhere. 

Longstanding attendees of course know the drill and we all once again ended up in the SCR after dinner for the rest of the night until sleep called.




Wednesday, 10 July 2019

The Problem with DNA – 5 historical crime reads

Author Rebecca Alexander writes historical crime fiction as well as fantasy novels.  A Shroud of Leaves is the second book to feature Archaeologist Sage Westfield.  Here she suggests some brilliant historical crime novels.

 Writing crime novels has recently become harder. In the twenty-first century CCTV cameras watch every high street and business. DNA, blood spatter, fibre and hair analysis have become great forensic tools to solve murders.  Before the 1990s these technologies were in their infancy. Few people carried a mobile phone, even less a camera everywhere they went. Crime investigations were based on interviews, careful observation of the scene of crime and the accumulation of evidence. Setting a crime mystery in the pre-DNA days makes the investigation more difficult to solve, but relies on talking to real suspects. When I started writing about an archaeologist who solves a crime in 1580 in A Baby’s Bones, I had even less sources to rely on as all the suspects were long dead. In the sequel, A Shroud of Leaves, Sage Westfield has a direct comparison between modern forensic methods in investigating a contemporary crime, and the limited evidence available in 1992 and 1913.

 I’m not alone in setting crime novels in the pre-technological past. I can suggest a few brilliant reads for more crime novels set in history:

 SJ Parris’s Giordano Bruno series of books (Conspiracy from 2017 is the latest) are set around the 1580s. The books are full of treasonable or heretical plots and horrible murders, and a host of spies and double agents form Bruno’s circle. Bruno, an ex-priest and on the run from the Inquisition, uses his knowledge of people to solve the crimes. Everyone has secrets, everyone is a suspect. 

Antonia Hodgson’s The Devil in the Marshalsea gives us an unusual investigator. In 1727 Tom Hawkins is imprisoned for a debt of ten pounds. Tom fights to be released if he can solve a murder committed inside the chaotic, squalid prison. Well researched, the book shows a society devastated by financial collapse, gambling, exploitation and amorality. Tom, the central character, is our eyes and ears and the prison is as strange and terrifying a place for him as it seems to us. Almost every character is a rogue, including Tom, yet many are likeable, making a living as best they can. This is not a cosy, period drama, this is fast and dramatic with great characters as he solves the crime.

Kate Summerscale’s, The Suspicions of Mr Whicheror The Murder at Road HillHouse is a Victorian murder based on a true story. Summerscale evokes the difficulties of weaving together testimony from family members and servants. No-one dare tell the whole truth, the reader is left as frustrated as Detective Whicher by the divisions of class and education. She never lets us forget the three year old victim, his throat cut, in the servants’ privy.

Alias Grace by Margaret Atwood is also based on a true crime, this time from Canada in 1843.  The story of sixteen year old Irish maid Grace Marks, who was convicted of killing her employer (and by implication, his mistress), Alias Grace explores her internal world through the efforts of an early American psychiatrist. Dr Simon Jordan is beguiled by Grace as he is repelled by her crime and the violence of her abusive captivity. The reader is left to weigh the evidence as it’s exposed, much like at the trial, in a mess of half-truths, lies and inexpert evidence.

Graeme Macrae Burnet’s His Bloody Project is a ‘found history’, with witness statements from all parts of the examination (each with their prejudices and lies) including those of the prime suspect’s father, the prison doctor and his own journal. The seventeen-year-old Roderick Macrae is from the remotest part of the west coast of Scotland and is accused of three violent deaths. He is also suspected of ‘moral imbecility’ or madness, and the novel is written so convincingly as a family history it seems real. It asks questions about the effects of brutality and emotional neglect throughout, as well as exploring the murders themselves. Like Alias Grace, it asks questions about the effects of brutality and emotional neglect, as well as exploring Roddy’s relationship with the victims.

From police surgeons photographing the eyes of Jack the Ripper’s victims in 1888 to modern DNA phenotype profiles that can ‘read’ DNA to produce a portrait, scientists have been pushing technology forward to solve crime using evidence rather than flawed witness statements. As a writer, I love those unreliable witnesses and misleading statements. Sage Westfield will keep investigating historical crimes through archaeology because like a lot of us, she is deeply curious about human motivations – even if they end in murder.

A Shroud of Leaves by Rebecca Alexander (£8.99, Titan Books) Out Now
"The victim had been buried in a carved hollow in the grass and shrouded in fallen leaves..." Archaeologist Sage Westfield has her first forensics case: investigating the murder of a teenage girl. Hidden by holly leaves, the girl's body has been discovered on the grounds of a stately home, where another teenage girl went missing twenty years ago - but her body was never found. The police suspect the reclusive owner, Alistair Chorleigh, who was questioned but never charged. But when Sage investigates a nearby burial mound - and uncovers rumours of an ancient curse - she discovers the story of another mysterious disappearance over a hundred years ago. Sage will need both her modern forensics skills and her archaeological knowledge to unearth the devastating truth.

Wednesday, 5 June 2019

In the Spotlight - Graeme Macrae Burnet

Name: Graeme Macrae Burnet
Job: Author
Twitter: @GMacraeBurnet 

Introduction
Graeme Macrae Burnet is a Scottish author. His first novel The Disappearance of Adèle Bedeauearned him the Scottish Book Trust New Writer Award in 2013, and his second novel His Bloody Project was shortlisted for the 2016 Man Booker Prize.  His third novel, The Accident on the A35 is a sequel to The Disappearance of Adèle Bedeau.  In 2017 he was named Author of the Year by the Sunday Herald Culture Awards.  He is currently writing his fourth book.
 
Current book
I’m re-reading Dracula, and a biography of Bram Stoker by Barbara Belford. I usually have a novel and a non-fiction book on the go at the same time.

Favourite book– 
Crime and Punishment by Fyodor Dostoevsky

Which two characters would you invite to dinner and why? 
Raskolnikov, (Crime and Punishment) because all the best dinner parties are unpredictable, and Madame Maigret, because I think she could do with night off the cooking.

How do you relax? 
1. Cycling 2. Cooking 3. The pub

What book do you wish you had written and why?
I’m sometimes lost in admiration for other authors’ books, but I never wish I’d written them. A good book is stamped with its author’s DNA.

What would you say to your younger self if you were just starting out as a writer.
Stop torturing yourself. It’s what I still say to myself, but I never listen.

How would you describe your series character?
I’m not really writing a series, but Georges Gorski features in my two Saint-Louis books and will feature in one more. He’s modest, decent and not very tall. He should probably take holiday, but he wouldn’t know what to do with himself.

The Accident on the A35 by Graeme Macrae Burnet (Published by Saraband) 
There does not appear to be anything remarkable about the fatal car crash on the A35. But one question dogs Inspector Georges Gorski: where has the victim, an outwardly austere lawyer, been on the night of his death?  The troubled Gorski finds himself drawn into a mystery that takes him behind the respectable veneer of the sleepy French backwater of Saint-Louis.

Information about 2019 St Hilda's College Crime Fiction Weekend and how to book tickets can be found here.

Friday, 25 January 2019

2019 St Hilda's College Crime Fiction Weekend

We are pleased to announce that the 2019 St Hilda's College Crime Fiction Weekend 16/17/18 August is now open for booking.

Our theme this year is 'Gamechangers: writers who have transformed the genre' and our already splendid line-up of authors and their subjects includes:
Graeme Macrae Burnet (Georges Simenon)
Prof Niamh Nic Daeid (Forensics)
Will Dean (Scandi Noir)
Mary Paulson-Ellis (Kate Atkinson)
Nicci French (Suspense Thrillers)
Mick Herron (Reginald Hill)
Sarah Hilary (Patricia Highsmith)
Val McDermid (New Wave Feminists)
Andrew Taylor (Josephine Tey)

We are delighted to confirm that Natasha Cooper will chair and that our Guest of Honour will be Denise Mina.

More authors and programme details to come!

Booking details can be found here.

As regular supporters of the Conference we warmly invite you to take advantage of the early booking offer, otherwise confined to Alumnae

You will see that, as last year, accommodation is separately, and directly, bookable through the Conference Office. This means that the most efficient booking method will be online. If, however, you require a hard copy booking form please contact Triona Adams at triona.adams@st-hildas.ox.ac.uk