Author Rebecca Alexander writes historical crime fiction as well as fantasy novels. A Shroud of Leaves is the second book to feature Archaeologist Sage Westfield. Here she suggests some brilliant historical crime novels.
Writing crime novels has recently become harder. In the twenty-first century CCTV cameras watch every high street and business. DNA, blood spatter, fibre and hair analysis have become great forensic tools to solve murders. Before the 1990s these technologies were in their infancy. Few people carried a mobile phone, even less a camera everywhere they went. Crime investigations were based on interviews, careful observation of the scene of crime and the accumulation of evidence. Setting a crime mystery in the pre-DNA days makes the investigation more difficult to solve, but relies on talking to real suspects. When I started writing about an archaeologist who solves a crime in 1580 in A Baby’s Bones, I had even less sources to rely on as all the suspects were long dead. In the sequel, A Shroud of Leaves, Sage Westfield has a direct comparison between modern forensic methods in investigating a contemporary crime, and the limited evidence available in 1992 and 1913.
I’m not alone in setting crime novels in the pre-technological past. I can suggest a few brilliant reads for more crime novels set in history:
SJ Parris’s Giordano Bruno series of books (Conspiracy from 2017 is the latest) are set around the 1580s. The books are full of treasonable or heretical plots and horrible murders, and a host of spies and double agents form Bruno’s circle. Bruno, an ex-priest and on the run from the Inquisition, uses his knowledge of people to solve the crimes. Everyone has secrets, everyone is a suspect.
Antonia Hodgson’s The Devil in the Marshalsea gives us an unusual investigator. In 1727 Tom Hawkins is imprisoned for a debt of ten pounds. Tom fights to be released if he can solve a murder committed inside the chaotic, squalid prison. Well researched, the book shows a society devastated by financial collapse, gambling, exploitation and amorality. Tom, the central character, is our eyes and ears and the prison is as strange and terrifying a place for him as it seems to us. Almost every character is a rogue, including Tom, yet many are likeable, making a living as best they can. This is not a cosy, period drama, this is fast and dramatic with great characters as he solves the crime.
Kate Summerscale’s, The Suspicions of Mr Whicheror The Murder at Road HillHouse is a Victorian murder based on a true story. Summerscale evokes the difficulties of weaving together testimony from family members and servants. No-one dare tell the whole truth, the reader is left as frustrated as Detective Whicher by the divisions of class and education. She never lets us forget the three year old victim, his throat cut, in the servants’ privy.
Alias Grace by Margaret Atwood is also based on a true crime, this time from Canada in 1843. The story of sixteen year old Irish maid Grace Marks, who was convicted of killing her employer (and by implication, his mistress), Alias Grace explores her internal world through the efforts of an early American psychiatrist. Dr Simon Jordan is beguiled by Grace as he is repelled by her crime and the violence of her abusive captivity. The reader is left to weigh the evidence as it’s exposed, much like at the trial, in a mess of half-truths, lies and inexpert evidence.
Graeme Macrae Burnet’s His Bloody Project is a ‘found history’, with witness statements from all parts of the examination (each with their prejudices and lies) including those of the prime suspect’s father, the prison doctor and his own journal. The seventeen-year-old Roderick Macrae is from the remotest part of the west coast of Scotland and is accused of three violent deaths. He is also suspected of ‘moral imbecility’ or madness, and the novel is written so convincingly as a family history it seems real. It asks questions about the effects of brutality and emotional neglect throughout, as well as exploring the murders themselves. Like Alias Grace, it asks questions about the effects of brutality and emotional neglect, as well as exploring Roddy’s relationship with the victims.
From police surgeons photographing the eyes of Jack the Ripper’s victims in 1888 to modern DNA phenotype profiles that can ‘read’ DNA to produce a portrait, scientists have been pushing technology forward to solve crime using evidence rather than flawed witness statements. As a writer, I love those unreliable witnesses and misleading statements. Sage Westfield will keep investigating historical crimes through archaeology because like a lot of us, she is deeply curious about human motivations – even if they end in murder.
A Shroud of Leaves by Rebecca Alexander (£8.99, Titan Books) Out Now
"The victim had been buried in a carved hollow in the grass and shrouded in fallen leaves..." Archaeologist Sage Westfield has her first forensics case: investigating the murder of a teenage girl. Hidden by holly leaves, the girl's body has been discovered on the grounds of a stately home, where another teenage girl went missing twenty years ago - but her body was never found. The police suspect the reclusive owner, Alistair Chorleigh, who was questioned but never charged. But when Sage investigates a nearby burial mound - and uncovers rumours of an ancient curse - she discovers the story of another mysterious disappearance over a hundred years ago. Sage will need both her modern forensics skills and her archaeological knowledge to unearth the devastating truth.
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