Showing posts with label Secret Service. Show all posts
Showing posts with label Secret Service. Show all posts

Wednesday, 1 April 2026

Ian Fleming announcement: Charlie Higson Returns with King Zero

 

Ian Fleming are excited to announce King Zero, a blockbuster new adult James Bond novel from multi-million copy bestselling Young Bond creator, Charlie Higson. It will be published in the UK on 24th September 2026 by Penguin Michael Joseph.

Beginning with the murder of an agent in Saudi Arabia by a weapon never before seen by the Secret Service and spanning the globe in an epic race against time to avert global catastrophe, the novel brings the literary Bond squarely into the twenty-first century, where the old world that made him is crumbling and a terrifying new order emerges while a dangerous villain – the most distinctive since Goldfinger – moves in the shadows. Higson explores themes of power, technology, and international tensions over resources in an extraordinarily timely story.

Having warmed up with my Young Bond series, and the short story, On His Majesty’s Secret Service, I’m beyond excited to be writing my first full blown adult Bond adventure. 20 years after first writing “The name’s Bond, James Bond,” it still sends shivers down my spine every time I type it. I’m having a blast with this new novel, which is absolutely set in the modern world, and I hope will sit comfortably on the airport bookshelves alongside other contemporary thrillers. It embraces the worlds of both the literary Bond and the cinematic Bond, and my bad guy has all the elements we expect from a classic Bond villain, with a twist that’s not been done before.” – Charlie Higson

We are delighted to be working with Penguin Michael Joseph on the publication of King Zero. Charlie Higson’s return to James Bond follows his outstanding success with On His Majesty’s Secret Service, commissioned for the King’s Coronation, and we are delighted to be working with Charlie again, bringing the next chapter of Bond to fans.” – Amanda Douglas, Managing Director of Ian Fleming Publications Ltd.

There’s no character in all of fiction quite like James Bond, and since Ian Fleming’s passing no-one has captured him quite so distinctively as Charlie Higson. We were swept away by Charlie’s vision for Bond which will delight old fans and new, and we can’t wait to make this the coolest, classiest publication of the year.” – Joel Richardson, Publisher at Michael Joseph


Tuesday, 4 June 2024

Oliver Harris on Secrets and Spies

My new novel, The Shame Archive, began with a handful of questions. Do MI5 or MI6 have recordings of people in compromising situations? If so, how is it stored? And what would happen if it all leaked? The roots of this curiosity lay in an abiding interest in a less talked about side of intelligence, that of psychological operations. Plenty has been written about agent running, but the idea of a dirty tricks department remains somewhat taboo. Though not on the internet’s more esoteric fringes.

A decade ago, trying to research MI6, I’d regularly come across odd but detailed blogs by someone calling themselves ‘Nick’ who alleged that he was sexually abused by a group of men in the 1970s and 1980s, taken to parties where he was handed over to high-profile figures from politics, the military and intelligence services. ‘Nick’ included just enough detail to sound authentic, but the posts seemed over the top. Indeed, perhaps reflecting my own paranoia, I became suspicious that this was precisely the idea: a convenient MI6-crafted decoy to distract those Googling the dark side of intelligence work.

I didn’t think much of them again until, a few years later, I went online and saw that the claims had been picked up by a journalist, and subsequently the police who launched an investigation. This was in the wake of Savile, when accusations of abuse and cover-up had a new credibility. The operation garnered significant media attention but was later criticized for its handling and the lack of evidence. In 2016, the Metropolitan Police publicly apologized to those falsely accused and closed the investigation without bringing any charges.

‘Nick’ was discredited, and himself charged with perverting the course of justice, but the rationale put forward for an establishment cover-up intrigued me. The claim was that by suppressing these secrets, MI5 and MI6 could place pressure on individuals of interest to them. The threat of blackmail has certainly been part of tradecraft more broadly. In Northern Ireland, where all gloves were off, British security services were closely involved with the Gemini Health Studios on Antrim Road, a brothel in which cameras were used to record people and then force them to spy on the IRA. Much darker speculation surrounds the Kincora boys’ home in East Belfast, where several individuals with Loyalist ties were eventually arrested for systematic child abuse. A Historical Institutional Abuse Inquiry criticised MI5 officers for consistently obstructing police investigations, and for the destruction of MI5 files relating to the home. MI5 successfully persuaded the government not to set up a full public inquiry, leaving the theory that they were in some way exploiting the perpetrators believable.

But for evidence of the amount of personal secrets that must be washing around in intelligence service archives it’s not necessary to look further than the vetting process for their own staff. Until 1991 there was a ban on gay men and women serving in MI6 or anywhere else in the Diplomatic Service. The likes of double-agents Guy Burgess and Anthony Blunt had cemented an association between homosexuality and spying for the Soviet Union, and anyone harbouring a secret personal life was deemed vulnerable to blackmail. It is inevitable, therefore, that MI6 kept a close eye on the private lives of many Foreign Office employees. There was a similar situation at the BBC who, with the help of MI5, kept extensive records on their staff’s political and sexual orientation. And if this is what we do to our own, what might we do to our enemies? We don’t hesitate to attribute the art of kompromat to Russia, but how often is it practised by those tasked with protecting Western interests?

The final news story that inspired my novel was that of Jeffrey Epstein, who systematically plied influential men with young girls on his private island, and whose sudden death in custody before he could throw any light on it all prompted speculation about why he had done so. Was Epstein running a honey-trap operation, compromising prominent global political figures to suit intelligence interests? William Burns, director of the CIA, held three meetings with Epstein in 2014 while he was deputy secretary of state. Epstein himself was likely involved in the arms trade in the 1980s, which could have led him to work for numerous governments. Whatever the truth, the question remains: why was he amassing this knowledge of others’ transgressions?

The Shame Archive was a way of exploring the idea of blackmail as an intelligence tool. The idea of these secret videos leaking seemed a much more devastating threat to the establishment than the various recent disclosures of financial documents exposing their offshore accounts. And if this archive of shame did make its way into the public domain, how would the military and intelligence services respond? The idea of a very new type of national emergency seemed more plausible than ever, as conflict moves increasingly online. NATO now runs cyber defence HQs in Mons and Talinn. In 2015, the British Army established 77th Brigade, a hybrid unit with specialist skills to combat new forms of information warfare. The rise of AI makes it very possible that our next security crisis is a digital one, and the subsequent battle takes place in our own minds, in the space between trust and prurience, belief and doubt.

The Shame Archive by Oliver Harris (Little Brown Publishing) Out Now

How does a secret service confront its past, when its secrets must never be revealed? Buried deep in MI6's digital archives is the most classified directory of all. It doesn't contain war plans or agent profiles, but shame: the misdeeds of politicians, royalty, business leaders and the service's own personnel. There are seven decades' worth of images and recordings, usually acquired for the sake of assessing risk, sometimes as a guard against betrayal, often engineered by MI6 for their own purposes. They are the most sensitive two thousand terabytes of data in the Service's possession. When material from the archive begins appearing online, panic spreads through the Establishment like wildfire. At first, the security breach only manifests itself in apparently random events: a suicide, a disappearance, a breakdown. But when it's discovered that the individuals concerned were all contacted by the same anonymous person, a connection comes into focus. The archive has been leaked. The hunt is now of unprecedented urgency before the entire political and business systems are fatally weakened. That's when they call for Elliot Kane...

More information about Oliver Harris and his work can be found on his website. Yu can also follow him on X @oliharris808 and on Facebook .