Showing posts with label Murder. Show all posts
Showing posts with label Murder. Show all posts

Monday, 5 August 2024

In The St Hilda's Spotlight - Saima Mir

 Name:- Saima Mir

Job:- Author and Journalist

Website:- www. saimamir.com

X - @SaimaMir

Instagram - @saimamor_author

Introduction:-

Saima Mir is an award-winning journalist and author. Her novel The Khan is a Times and Guardian Bestseller and was shortlisted for the Specsavers Crime Fiction Debut Award.  It was also longlisted for the Jhalak Prize and the Portico Prize. Her current book Vengeance is the second in The Khan trilogy.

Current book? (This can either be the current book that you are reading or writing or both)

All The Colours of The Dark by Chris Whitaker

I’m writing the third in The Khan trilogy.

Favourite book:

The Autobiography of Malcolm X

Which two musicians would you invite to dinner and why?

Kishore Kumar and Stevie Nicks, because their sound takes me away to other times and places.

How do you relax?

I’m still figuring that out!

Which book do you wish you had written and why?

We Begin at The End – I love the character of Duchess and she lives in my head.

What would you say to your younger self if you were just starting out as a writer.

Keep writing but do it for the love of the story and the craft. No one else gets to decide if your story is worth telling. It is your job to tell it.

How would you describe your latest published book?

Vengeance is about the power that women could wield if we found each other and came together.

With  A Dance to the Music of Crime: the artful crime to murder being the theme at St Hilda's this year, which are you three favourite albums?

Grace by Jeff Buckley

Sholay soundtrack

Ghalib by Jagjit Singh

If you were given the ability to join a band which would it be and why?

Fleetwood Mac for the talent and the drama.

If you were to re-attend a concert which would it be and why?

I saw Franz Ferdinand when I was in my 20s. I was with friends I loved, we were a bunch of bright young journalists and life was better than I knew.

What are you looking forward to at St Hilda's?

Hanging out with all the talented authors and hearing them speak in beautiful surroundings where the arts are celebrated.

Vengeance by Saima Mir (One world Publications)

Two years into running her organised crime syndicate in the north of England, Jia Khan stumbles on a notebook her father - the previous Khan - kept on arrival from Pakistan in the 1970s. And what Jia finds in the journal sends her deep into the family's past. But once the sleeping dogs from those years are woken, they are set for attack. Meanwhile, Jia struggles to control unrest amongst those that oppose her. Worst of all, Jia must unravel a puzzling but terrible warning - one of her staff lies brutally slain, his corpse displayed in her garden despite her sophisticated security... Could a traitor be part of her inner sanctum.


Information on how to buy online tickets can be found here. #HCFW24

Thursday, 18 July 2024

A Case of Mice and Murder

Whenever I meet new people and they ask me what I do, I say ‘I am a barrister’. I never pause to think about it. I have been saying it all my adult life. I live and work in the Inner Temple, one of the four Inns of Court in London. I put on a wig and gown and went to court and argued cases every day for more than thirty years. I am a barrister. The last time I said it, was at a party thrown recently by my agent. It was the first publishing party I had ever been to. ‘I am a barrister,’ I said in response to a polite query from a fellow guest. ‘Oh, he said ‘What are you doing here, then?

What was I doing there? I am still wondering.

A Case of Mice and Murder’ is my COVID novel. Faced for the first time in my life with enforced seclusion, I wrote it more for fun than with any thought of publication.

The story was inspired by the extraordinary status of the Inner and Middle Temple (collectively known as the Temple.) The area, as a so-called ancient liberty, is in many ways quite separate from the whole of the rest of London. It is an independent local authority. And believe it or not, the City of London Police enter only with the permission of the Temple and share policing of the area with the Temple porters. Couple that with the fact that the same Temple porters man the gates 24 hours a day and the area is locked at night to all outsiders, and you have the makings of a classic murder mystery. It really only needed a body, a detective and a sidekick. So I set to, and ‘A Case of Mice and Murder’ is the result.

It tells the story of two mysteries in 1901 in the heart of legal London.

The first is the dramatic murder of the Lord Chief Justice and the quest to find his killer. The second a sensational legal battle over the rights to a book written by an anonymous author. 

There is one man linking them; Sir Gabriel Ward KC, Eton and Oxford educated, brilliant, solitary, reclusive, bound by compulsive rituals; reluctant sleuth in the first story, legendary advocate in the second.

The body of the Lord Chief Justice, is found in evening dress, with mysteriously bare feet, lying in the Temple one morning in 1901. The ‘how’ is not very difficult; a carving knife is sticking out of his chest. But who would do such a thing to a conventional successful Judge? And why?

Sir Gabriel Ward KC has no desire to play detective. He wants to be left alone to prepare for his next case. But he literally stumbles upon the body and so becomes drawn into the mystery.

His sidekick is Constable Maurice Wright of the City of London Police, who yearns to become a detective, left school at fourteen, has never read a book for pleasure and who lives with his large loving family in the East End of London.

At the same time as he and Wright investigate, Sir Gabriel is worrying about his next case; and that is a mystery, too. Sir Gabriel is not the kind of barrister who blusters his way round the Old Bailey representing murderers and his cases might be thought dry and technical. But not this one. Ward is representing a publisher who found the manuscript of a children’s book on his office doorstep with no hint as to its authorship. He published it and found himself with a smash hit that makes him a fortune. A woman claims to be the author. But is she really?

Between them, Sir Gabriel and Constable Wright while unravelling the complexities of the cases discover, along with the murderer, and the true author of the book, a friendship across the social divides of Edwardian England.

Now close to publication, I still feel like a barrister at heart but maybe, when my book actually comes out I will get over my imposter syndrome and feel able to say, when I am next asked, that I am a writer as well.

A Case of Mice and Murder by Sally Smith is published by Raven Books on 18th July 2024.

The Inner Temple: a warren of shaded courtyards and ancient buildings forming the hidden heart of London’s legal world. A place where tradition is everything, and murder belongs only in the casebooks. Until now… When barrister Gabriel Ward steps out of his rooms on a sunny May morning in 1901, his mind is so full of his latest case – the disputed authorship of bestselling children’s book Millie the Temple Church Mouse – that he scarcely registers the body of the Lord Chief Justice of England on his doorstep. But even he cannot fail to notice the judge’s dusty bare feet, in shocking contrast to his flawless evening dress, nor the silver carving knife sticking out of his chest. The police can enter the Temple only by consent, so who better to investigate this tragic breach of law and order than a man who prizes both above all things? But murder doesn’t answer to logic or reasoned argument, and Gabriel soon discovers that the Temple’s heavy oak doors are hiding more surprising secrets than he’d ever imagined.



Tuesday, 16 July 2024

In The St Hilda's Spotlight - Elly Griffiths

 Name:- Elly Griffiths

Job:- Author

Website:- https://ellygriffiths.co.uk

Facebook:- EllyGriffithsAuthor

X:- @ellygriffiths

Instagram:- @ellygriffiths17

Introduction:-

Elly Griffiths is the Edgar Award winning author of the Dr Ruth Galloway mysteries, The Brighton Mysteries, the Harbinder Kaur series and the Justice series as well as a number of standalone novels. She was awarded the CWA Dagger in the Library in 2016. In 2020 she won an Edgar Award for Best Novel for The Strangers Diaries. In 2021 The Postscript Murders was shortlisted for the CWA Gold Dagger. Her most recent book is The Man In Black and Other Stories.

Current book? (This can either be the current book that you are reading or writing or both)

Currently reading: The Examiner by Janice Hallett. It’s the story of a murder told through the emails and coursework of six students on a multimedia MA. The reader is the examiner and, such is the author’s brilliance, I have no idea what’s going on!

Currently writing: The Frozen People, the first book in what I hope will be a series about a time-travelling detective.

Favourite song: 

Thunder Road by Bruce Springsteen

Which two musicians would you invite to dinner and why?

Bruce Springsteen and Giuseppe Verdi. I’m half Italian (as is Bruce!) and I’d love to talk to Verdi about his role in the Risorgimento, the unification of Italy. We could end by singing Va Pensiero with Bruce on the harmonica. 

How do you relax?

I swim every day and, however knotty the plot problem, I usually find that I’ve solved it after a few lengths. Otherwise I like to read, do crosswords and listen to podcasts. 

Which book do you wish you had written and why?

The Woman in White by Wilkie Collins. For me, it’s the perfect novel: thrilling, moving and endlessly inventive. It also has the best heroine, Marian Halcombe, and the best villain, Count Fosco. 

What would you say to your younger self if you were just starting out as a writer.

 Keep going! I wrote my first novel at 11 so had many rejections before I was finally published at 40.

How would you describe your latest published book?

The Last Word is the story of an ill-matched group of private detectives investigating the death of a writer. The trail leads them to a sinister writers’ retreat and an even more sinister book group…

With A Dance to the Music of Crime: the artful crime to murder being the theme at St Hilda's this year, which are you three favourite albums?

Born to Run by Bruce Springsteen

The Kick Inside by Kate Bush 

Neapolitan Songs by Giuseppe Di Stefano

If you were given the ability to join a band which, would it be and why? 

Well, it has to be the E-Street Band. I could take over the position currently held by Patti, Bruce’s wife, shaking the tambourine and looking soulful (OK, she sings quite well too).

If you were to re-attend a concert which, would it be and why

Bruce Springsteen, Wembley 1985. It was the first time that I saw Bruce in concert. I’ve seen him on every subsequent visit to the UK but I’d like to relive that first time. 

What are you looking forward to at St Hilda's?

Everything: the talks, the discussions, the chance to overact in the murder mystery play…but mostly just meeting old friends and making new ones in a beautiful, inspiring setting. 


The Man in Black and Other Stories by Elly Griffiths (Quercus Publishing) Out Now

This collection of tales by the No 1 bestselling author features all her best-loved characters: Dr Ruth Galloway, Harry Nelson, Max Mephisto, Detective Harbinder Kaur and more. It features several stories never published before, including a brand new Ruth and Nelson story. A must for all her fans. Have you been wondering what happened to your favourite characters Ruth Galloway and Harry Nelson? Dive into this fabulous collection of stories and find out. Here are stories to suit all tastes. There are ghost stories and mini cosy mysteries; tales of psychological suspense and poignant vignettes of love and loss. There's a creepy horror story to make you shiver and a tale narrated by Flint, Ruth Galloway's cat, to make you smile.


Information about 2024 St Hilda's College Crime Fiction Weekend and how to book online tickets can be found here. 

Wednesday, 10 July 2024

In The St Hilda's Spotlight - David Whittle

 Name: - David Whittle

Job: - Author

Introduction: -

David Whittle is the biographer of Bruce Montgomery, who is better known to detective fiction readers (especially of the Golden Age era) as Edmund Crispin. He is a classically trained musician but is also involved in folk and big band music. He was the Director of Music for 32 years at Leicester Grammar School.

 

Current book? (This can either be the current book that you are reading or writing or both)

I am in the middle of the very informative Perry: A Drinker’s Guide by Adam Wells (I organize the cider and perry bar at my local CAMRA beer festival) and have just finished Midsummer Murder by Cecil Wills (I review for Mystery People). Mixing business with pleasure? No, just pleasure.

Favourite book:

There are too many. I have recently reminded myself how much I love The Bachelors (Les Celibataires) by Henry de Montherlant. It follows the decline of two elderly and impecunious members of the aristocracy who, like more or less everyone else in the book (and certainly members of their family) are disagreeably lazy, feckless, eccentric, mean, anxious, cantankerous, snobbish and malevolent, amongst many other unappealing yet somehow comic traits. How can you not take to the sort of characters who will, for instance, order a daily newspaper ‘with the sole intention of forcing this excellent man [the local postman] to walk sixteen kilometres daily from the post office to the château and back.’ As the novel memorably states about one character, an ageing count: ‘It was malevolence that kept him alive, for malevolence, like alcohol, is a preservative.’ Another French novel, Clochemerle by Gabriel Chevallier, detailing the comic repercussions from the mayor’s decision to build a public urinal in the village square, is also much loved. Appropriately, this year, I am a great admirer of Anthony Powell’s A Dance to the Music of Time (I wrote one of my few fan letters to him about it). If all else fails it would have to be The Code of the Wooster’s by PG Wodehouse.

Which two musicians would you invite to dinner and why?

Just two seems a bit mean! One would have to be Bruce Montgomery (‘Edmund Crispin’) for the obvious reason that I’d like to see how accurate my portrait of him is in the biography, even if presumably he’d drink me out of house and home and I wouldn’t remember much as I’d be sloshed after half an hour. The other would-be JS Bach. For organists like me his music is a (the?) high point of the repertoire and I would enjoy telling him that I spent five years learning and performing all his surviving organ works (everyone else is fed up with me going on about it). There are one or two questions about performance practice that I would like to ask him before Montgomery gets going with the booze.

How do you relax?

I am a keen birdwatcher but like to have a good walk whilst doing so (I am not one of those who stands for hours in the same spot with a telescope), preferably near marshes as nothing beats a good swamp - that’s what coming from the Wash does for you. Most Saturdays in the season are taken up with football as I have a season ticket at Boston United, and also go to Derby County sometimes. And, of course, reading.

Which book do you wish you had written and why?

One of the ones I have listed above for the reason that I admire them.

What would you say to your younger self if you were just starting out as a writer.

Just get on with it. Ideas are all very well, but you have to put in the slog.

How would you describe your latest published book?

I have only one published book, although I have contributed to a number of others. The rather inelegantly titled Bruce Montgomery/Edmund Crispin: A Life in Music and Books has sections examining the music which are a bit specialized, but they can always be skipped. I hope the biographical chapters and examinations of the novels keep the general reader entertained.

With A Dance to the Music of Crime: the artful crime to murder being the theme at St Hilda's this year, which are you three favourite albums?

Another impossible question, the answer to which varies almost from hour to hour, but here’s today’s list:

1] I am currently enjoying the complete chamber music of Gabriel Fauré.

2] The Atomic Mr Basie (a high point of big band jazz)

3] No Rush by Aly Bain & Phil Cunningham (they are not all by him, but nobody can write slow airs like Phil Cunningham).

If you were given the ability to join a band which, would it be and why?

I have had the fun of playing the piano with the Syd Lawrence Orchestra (only as a guest for a couple of numbers!), but I think I’d relish playing the piano with the wonderful Scottish group Session A9. They give traditional music a really good modern drive and it can be very exhilarating (they play lovely slow tunes too).

If you were to re-attend a concert which, would it be and why.

It would be the last UK appearance of the great Count Basie and his Orchestra at the Royal Festival Hall in 1982 (he died two years later). I was in my first job teaching at a boarding school on the Devon/Dorset border, so it was more or less impossible to get out during the week, particularly as I only had a 95cc motor bike. I managed, though, to get to it (not on the bike!) but my memory of the evening is now rather hazy. I would love to experience it again, even if only to take proper note of who the band members were.

What are you looking forward to at St Hilda's?

I have a lot to thank St Hilda’s for, as the first time I spoke about Crispin was there in 1994 when my research was in their relative infancy. I met a lot of people who encouraged me to keep going, so I am looking forward to meeting some of them again as well as meeting new like-minded people and hearing the other speakers. I am particularly looking forward to having a chat with Jake Lamar as I relished Viper’s Dream.


Bruce Montgomery/Edmund Crispin: A Life in Music and Books by David Whittle (Taylor and Francis) Out Now

Under his real name, Bruce Montgomery (1921-1978) wrote concert music and the scores for almost 50 feature films, including some of the most enduring British comedies of the twentieth century, amongst them a number in the series started by Doctor in the House and the first six Carry On films. Under the pseudonym of Edmund Crispin, he enjoyed equal success as an author, writing nine highly acclaimed detective novels and a number of short crime stories, as well as compiling anthologies of science fiction which helped to increase the profile of the genre. A close friend of both Philip Larkin and Kingsley Amis, Montgomery did much to encourage their work. In this first biography of Montgomery, David Whittle draws on interviews with people who knew the writer and composer. These interviews, together with in-depth research, provide great insight into the development of Montgomery as a crime fiction writer and as a composer in the ever-demanding world of films. During the late 1950s and early '60s these demands were to prove too much for Montgomery. Alcoholism combined with the onset of osteoporosis and a retreat into a semi-reclusive lifestyle resulted in him writing and composing virtually nothing during the last 15 years of his life. 


Information about 2024 St Hilda's College Crime Fiction Weekend and how to book online tickets can be found here.

Sunday, 7 July 2024

In The St Hilda's Spotlight - Lucie Whitehouse

 Name:- Lucie Whitehouse

Job:- Author 

Facebook: Lucie Whitehouse

X:- LWhitehouse5

Instagram:- lwhitehouse5

Introduction:-

Lucie Whitehouse is the author of seven novels which include the Robin Lyons series of which Risk of Harm was a Sunday Times Crime Novel of the Month. Her psychological novel Before We Met was not only a Richard and Judy Summer Book Club pick but also a ITV Crime Thriller Book Club selection. Her most recent book is Last Witness.

Current book? (This can either be the current book that you are reading or writing or both)

I’m currently reading my way through Rosalie Knecht’s excellent Vera Kelly series. Set in the late Sixties in New York and South America, these remind me of both Mad Men and Graham Greene, and in my book, there’s not much higher praise than that. 

Favourite book

Just one? Too hard. Can I do a top three? The Heart of the Matter by Graham Greene, Beyond Black by Hilary Mantel and The Dead Hour by Denise Mina.

Which two musicians would you invite to dinner and why?

Tracy Chapman and Bruce Springsteen because they’re both top-five favourites of mine and they’re both excellent storytellers.

How do you relax?

Dinner and drinks with friends and family.

Which book do you wish you had written and why?

Beyond Black by Hilary Mantel because it’s a work of genius.

What would you say to your younger self if you were just starting out as a writer.

Don’t try and make your first draft perfect (because, I hate to tell you, Lucie, you will never shake this habit and it’s terrible). Also, do NOT under any circumstances learn to play Sudoku. 

How would you describe your latest published book?

In Last Witness, DCI Robin Lyons is plunged into one of Birmingham’s most contentious recent cases when eighteen-year-old Ben Renshaw is found dead in city woodland. Renshaw had been a key witness in the rape trial of Alistair Heywood, son of a rich and influential local family, and the Heywoods had promised revenge but as Robin discovers, the truth is much more complicated than that.

With A Dance to the Music of Crime: The Artful Crime to Murder being the theme at St Hilda's this year, which are you three favourite albums?

Tracy Chapman’s eponymous album, Ryan Adams’s Gold, Cowboy JunkiesThe Trinity Sessions

If you were given the ability to join a band which would it be and why? 

The Cure because I love them and I’m one hundred percent up for Robert Smith’s aesthetic.

If you were to re-attend a concert which would it be and why

The White Stripes at Brixton Academy, 2003. Phenomenal. Jack White is a genius. 

What are you looking forward to at St Hilda's?

Seeing friends and making new ones, and learning more about this fabulous genre of ours.


The Last Witness by Lucie Whitehouse (Orion Publishing)

When 18-year-old Ben Renshaw is found dead in city woodland, DCI Robin Lyons is plunged into one of Birmingham's most controversial cases.  Months earlier, Ben and his best friend gave testimony that sent a former classmate, Alistair Heywood, to prison for a vicious sexual assault. Before the trial, the boys and their families endured months of brutal witness intimidation, for which the Heywoods, a privileged and influential local family, faced no legal repercussions. Instead, they vowed revenge. Is Ben's murder the fulfilment of that vow, the beginning of a bloody new chapter that will go on claim lives on all sides? Or is the truth - as the Heywoods claim - something entirely different?To solve the case, Robin has to negotiate the city's networks of power while walking a dangerous line: her own daughter, Lennie, has a secret that could threaten her liberty - and, if it comes out, Robin's, too. Before long, Robin comes to question whether she knows what justice is at all.


Information about 2024 St Hilda's College Crime Fiction Weekend and how to book online tickets can be found here

Tuesday, 2 July 2024

In The St Hilda's Spotlight - Doug Johnstone

 Name: Doug Johnstone

Job: - Author and Freelance Arts Journalist

Website: https//www.dougjohnstone.com

X: @doug_johnstone

Instagram:@writerdougj

Introduction

Doug Johnston is the author of 17 books.  The Space Between Us was chosen for BBC Two’s Between the Covers, while Black Hearts was shortlisted for the Theakston Crime Novel of the Year, The Big Chill long-listed for the same prize. Three of his books – A Dark MatterBreakers and The Jump – have been shortlisted for the McIlvanney Prize for Scottish Crime Novel of the Year. He has a degree in physics and a Phd in Nuclear Physics. He is a member of the Fun' Lovin' Crime Writers. And the co-founder of the Scotland Writers Football Club. His most recent book is The Collapsing Wave.

Current book? (This can either be the current book that you are reading or writing or both)

I’m currently writing the third part of my science fiction Enceladons trilogy, following on from The Space Between Us and The Collapsing Wave. It’s set mostly in and around Greenland, so this has been a big research challenge. 

Favourite book:

It changes every week, but let’s for now say The Night Always Comes by Willy Vlautin. A thriller and an existential look at the broken heart of America.

Which two musicians would you invite to dinner and why?

Only two? Singer songwriter Sufjan Stevens and soul legend Mavis Staples. I reckon they’d both have amazing stories to tell.

How do you relax?

Noodle about on the guitar.

Which book do you wish you had written and why?

So many! I’m a huge Sara Gran fan, and I think her horror novella Come Closer is just about a perfect piece of writing, so definitely that.

What would you say to your younger self if you were just starting out as a writer.

It’s boring advice, but just keep plugging away. Keep writing the books you want to write, and you will find your tribe.

How would you describe your latest published book?

The Collapsing Wave is a first contact science fiction thriller set in the Scottish Highlands. It’s about how badly humans treat each other, and the world around us. There’s guns, chases, prison breakouts and telepathic alien octopuses. 

With A Dance to the Music of Crime: the artful crime to murder being the theme at St Hilda's this year, which are you three favourite albums?

Again, this changes from day to day, but today I’m going to say:

Only Revolutions by Biffy Clyro

Illinoise by Sufjan Stevens

Heavy Heavy by Young Fathers 

If you were given the ability to join a band which would it be and why? 

Biffy Clyro. A Scottish rock band who marries massive choruses with weirdness. I could drum for them, no bother. Just waiting for the call. 

If you were to re-attend a concert which would it be and why

The first time I saw The Afghan Whigs at The Venue in Edinburgh, around 1990 maybe. I was in a band called Cheesegrater (yes, really) who were playing later on in the venue downstairs, and I sneaked up and saw the most amazing grunge-soul review band, totally owning the stage. An inspiration. I was also pretty drunk, so don’t remember it too well.

What are you looking forward to at St Hilda's?

All the music chat!

The Collapsing Wave by Doug Johnstone (Orenda Books) 

Six months since the earth-shattering events of The Space Between Us, the revelatory hope of the aliens’ visit has turned to dust and the creatures have disappeared into the water off Scotland’s west coast.Teenager Lennox and grieving mother Heather are being held in New Broom, a makeshift US military base, the subject of experiments, alongside the Enceladons who have been captured by the authorities.Ava, who has given birth, is awaiting the jury verdict at her trial for the murder of her husband. And MI7 agent Oscar Fellowes, who has been sidelined by the US military, is beginning to think he might be on the wrong side of history.When alien Sandy makes contact, Lennox and Heather make a plan to escape with Ava. All three of them are heading for a profound confrontation between the worst of humanity and a possible brighter future, as the stakes get higher for the alien Enceladons and the entire human race…

Information about 2024 St Hilda's College Crime Fiction Weekend and how to book online tickets can be found here.




Thursday, 22 February 2024

Social, Cultural and Political climate of Victorian England

How the social, cultural and political climate of Victorian England combined to create a perfect storm of crime, murder and sensationalism.

Kim Donovan, author of The Mysterious Mrs Hood, provides the historical backdrop to her great -great aunt’s murder in 1900.

England 1898 --It has been ten years since Jack the Ripper terrorised the streets of Whitechapel, London. Charles Booth and his team of socialists have been working on a project to map wealth and poverty across the city since 1886, and have recently named Stockwood Street, which was home to Mary Jane and Herbert Bennett, as being one of the ‘lowest class’ streets in Victorian London. It was at this point that Mary Jane and Herbert made a choice: to turn to crime to escape poverty. Mary Jane’s desperate struggle for survival had begun.

Charles Booth’s work would eventually result in a colour-coded map of the city, which carved out and demarcated the poorest streets with thick black lines. Booth classified these areas as being home to the ‘lowest classes.’ The notebooks that accompany Booth’s poverty map add vivid detail about the social character of each street, which helps to give us a sense of the conditions in which people were living at the time. Stockwood Street, a dingy thoroughfare off Plough Street, near Clapham Junction, was described as being awash with ‘drunken, rowdy and troublesome people’. It is easy to imagine the danger that may have lurked on the ‘vicious and semi-criminal’ street after dark. It is no surprise, then, that a heavily pregnant Mary Jane would have urgently sought to liberate herself from these challenging social conditions.

The researchers documenting the conditions on London’s streets would at times be accompanied by the police officer for the district in which they were charting. It was a time when officers walked their beats. Forensic science was in its infancy, and the police still relied heavily on clues to solve crimes. The Criminal Investigation Department (CID) of Scotland Yard had been set up ten years before, and plain clothed police officers, who had originally been thought of as ‘spies’ had made significant strides in winning the trust of the public. Despite this more robust police force, Mary Jane and Herbert would successfully evade the scrutiny of the authorities as they travelled across the country, graduating from fraud to theft, and eventually to arson, while leaving a trail of disgruntled people in their wake.

When relations between the couple eventually began to sour, it is unlikely that they would have considered divorce. Although legal by that time, divorce was expensive and brought with it great shame, especially for women. Mary Jane would have been dependent on her marriage for reasons of reputation, and she would have been reliant on her husband for money.

Despite the great swathes of black on Booth’s map of London, social conditions across the country were being to improve. The Bank holiday Act of 1871 had introduced four regular bank holidays, which gave workers more time for leisure activities, and the development of the railways made it possible to travel longer distances with more ease. Seaside resorts had begun to spring up, and Great Yarmouth in particular became a popular holiday destination. It was here, on a holiday with her infant daughter in September 1900, that Mary Jane would meet her tragic end.

This increase in leisure time coincided with a rise in literacy levels and the development of a more affordable and less regulated press, which, in turn, led to a dramatic rise in newspaper readership. The Victorians had a reputation for being avid consumers of violent entertainments, and a new-fangled form of journalism dubbed ‘Tabloid Journalism’, or ‘Yellow Journalism’ (in North America) had started to develop. Articles in this style had a focus on bold headlines, emotive writing and sensationalist stories. They were, broadly speaking, a development of the Broadside, a type of street literature that had been infamously sold at public executions in the eighteenth and early nineteenth centuries.

The sensationalist reporting of crime was at odds with a legal system that required impartiality, and there were calls at the turn of the 20th Century to regulate the press through fear that sensationalist reporting would prejudice active cases. It was into this press that the story of Mary Jane’s murder found its way, and it was through a newspaper report that her father would learn of his daughter’s murder. The press whipped up such a frenzy around the case that the ensuing trial attracted attention from across the country and Mary Jane Bennett became a household name. She had escaped poverty, and her desperate struggle for survival had come to an end, but not in the way she would have hoped for.

The Mysterious Mrs Hood by Kim Donovan (Orion Publishing) Out Now

A true Victorian murder mystery... Great Yarmouth, September 1900: A young woman is found dead on the beach, a bootlace tied tightly around her neck. Despite her death attracting national attention in the press, nobody claims her. Detective Inspector Robert Lingwood of the Great Yarmouth police force declares he will not rest until the mystery of the young woman's death is solved. But it's only once the case has been referred to Scotland Yard that the layers of mystery start to peel away... 'Mrs Hood' was in fact Mary Jane Bennett, and this is her story. Following clues and tracking red herrings leads the police to close in on their one and only suspect. With arson, fraud, an affair and a sensation-hungry press, the murder gripped the nation in one of the most eagerly anticipated trials of the early twentieth century.

Kim Donovan can be found on X @Kim_Donovan_



Monday, 18 December 2023

My Favourite Non Fiction Reads 2023

This year I haven't read as many non-fiction books as I would have liked. However, the following are the non-fction books that I did read and enjoyed. They are in alphabetical order :-

Great and Horrible News: Murder and Mayhem in Early Modern Britain by Blessin Adams (Harper Collins)

Nine historic crimes. One familiar obsession. In early modern England, murder truly was most foul. Trials were gossipy events packed to the rafters with noisome spectators. Executions were public proceedings which promised not only gore, but desperate confessions and the grandest, most righteous human drama. Bookshops saw grisly stories of crime and death sell like hot cakes. This history unfolds the true stories of murder, criminal investigation, early forensic techniques, high court trials and so much more. In thrilling narrative, we follow a fugitive killer through the streets of London, citizen detectives clamouring to help officials close the net. We untangle the mystery of a suspected staged suicide through the newly emerging science of forensic pathology. We see a mother trying to clear her dead daughter's name while other women faced the accusations - sometimes true and sometimes not - of murdering their own children. These stories are pieced together from original research using coroner's inquests, court records, parish archives, letters, diaries and the cheap street pamphlets that proliferated to satisfy a voracious public. These intensely personal stories portray the lives of real people as they confronted the extraordinary crises of murder, infanticide, miscarriage and suicide. Many historical laws and attitudes concerning death and murder may strike us as exceptionally cruel, and yet many still remind us that some things never change: we are still fascinated by narratives of murder and true crime, murder trials today continue to be grand public spectacles, female killers are frequently cast as aberrant objects of public hatred and sexual desire, and suicide remains a sin within many religious organisations and was a crime in England until the 1960s. Great and Horrible News! explores the strange history of death and murder in early modern England, yet the stories within may appear shockingly familiar.

Love Me Fierce in Danger: The Life of James Ellroy by Steven Powell (Bloomsbury Publishing Plc)

Love Me Fierce In Danger is the story of James Ellroy, one of the most provocative and singular figures in American literature. The so-called "Demon Dog of Crime Fiction," Ellroy enjoys a celebrity status and notoriety that few authors can match. However, traumas from the past have shadowed his literary success. When Ellroy was ten years old, his mother was brutally murdered. The crime went unsolved, and her death marked the start of a long and turbulent road for Ellroy that has included struggles with alcoholism, drug addiction, homelessness, and jail time. In tracing his life and career, Steven Powell reveals how Ellroy's upbringing in LA, always on the periphery of Hollywood, had a profound and dark influence on his work as a novelist. Using new sources, Powell also uncovers Ellroy's family secrets, including the mysterious first marriage of his mother Jean Ellroy, eighteen years before her murder. At its heart, Love Me Fierce in Danger is the story of how Ellroy overcame his demons to become the bestselling and celebrated author of such classics as The Black Dahlia and LA Confidential. Informed by interviews with friends, family, peers, and literary and Hollywood collaborators, as well as extensive conversations with Ellroy himself, Love Me Fierce In Danger pulls back the curtain on an enigmatic figure who has courted acclaim and controversy with equal zealotry.

The Mysterious Romance of Murder: Crime Detection, and the Spirit of Noir by David Lehman (Cornell University Press)

From Sherlock Holmes to Sam Spade; Nick and Nora Charles to Nero Wolfe and Archie Goodwin; Harry Lime to Gilda, Madeleine Elster, and other femmes fatales—crime and crime solving in fiction and film captivate us. Why do we keep returning to Agatha Christie's ingenious puzzles and Raymond Chandler's hard-boiled murder mysteries? What do spy thrillers teach us, and what accounts for the renewed popularity of morally ambiguous noirs? In The Mysterious Romance of Murder, the poet and critic David Lehman explores a wide variety of outstanding books and movies—some famous (The Maltese Falcon, Double Indemnity), some known mainly to aficionados—with style, wit, and passion. Lehman revisits the smoke-filled jazz clubs from the classic noir films of the 1940s, the iconic set pieces that defined Hitchcock's America, the interwar intrigue of Eric Ambler's best fictions, and the intensity of attraction between Humphrey Bogart and Lauren Bacall, Robert Mitchum and Jane Greer, Cary Grant and Ingrid Bergman. He also considers the evocative elements of noir—cigarettes, cocktails, wisecracks, and jazz standards—and offers five original noir poems (including a pantoum inspired by the 1944 film Laura) and ironic astrological profiles of Barbara Stanwyck, Marlene Dietrich, and Graham Greene. The Mysterious Romance of Murder is written by a connoisseur with an uncanny feel for the language and mood of mystery, espionage, and noir.

Ian Fleming: The Complete Man by Nicholas Shakespeare (Vintage Publishing)

A fresh portrait of the man behind James Bond, and his enduring impact, by an award-winning biographer with unprecedented access to the Fleming family papers. Ian Fleming's greatest creation, James Bond, has had an enormous and ongoing impact on our culture. What Bond represents about ideas of masculinity, the British national psyche and global politics has shifted over time, as has the interpretation of the life of his author. But Fleming himself was more mysterious and subtle than anything he wrote. Ian's childhood with his gifted brother Peter and his extraordinary mother set the pattern for his ambition to be 'the complete man', and he would strive for the means to achieve this 'completeness' all his life. Only a thriller writer for his last twelve years, his dramatic personal life and impressive career in Naval Intelligence put him at the heart of critical moments in world history, while also providing rich inspiration for his fiction.







Sunday, 21 May 2023

Murdle: 100 Solve 100 Devilishly Devious Murder Mystery Logic Puzzles


Every Murdle includes a list of suspects, murder locations and murder weapons. There is also a list of clues. All suspects were only in one location with one murder weapon, but only one of them committed the murder.

Use the clues to fill in the deduction grid. When, for example, you work out what weapon a suspect had, put atick in the box. At the same time, put a cross against the other weapons for that suspect because you now know they did not have those. When you have enough information in the grid - who had what, and where - use the clue in red to work out whodunit. 

Good luck, gumshoe!

Murdle: 100 Solve 100 Devilishly Devious Murder Mystery Logic Puzzles by G.T. Karber (Souvenir Press) Out 6 July 2023, creator of Murdle.com.

From G. T. Karber, the creator of the popular online daily mystery game at www.Murdle.com, comes this fiendishly compulsive and absolutely killer collection of 100 original murder mystery logic puzzles. Join Deductive Logico and pit your wits against a slew of dastardly villains in order to discover: - Who committed the ghastly deed? - What weapon was used to dispatch the victim? - Where did the dreadful demise occur? These humorous mini-mystery puzzles challenge you to find whodunit, how, where, and why. Examine the clues, interview the witnesses, and use the power of deduction to complete the grid and catch the culprit. Packed with illustrations, codes, and maps, this is the must-have detective casebook for the secret sleuth in everyone. Are you the next Miss Marple or Hercule Poirot? You'll soon find out, if you dare to Murdle! Perfect for fans of Sudoku, Wordle, and other logic games, Karber’s Murdle is a brand new utterly addictive new puzzle for armchair detectives.




Monday, 15 May 2023

No Ordinary Day with Matt Johnson and John Murray.

 Author Matt Johnson in conversation with contributor John Murray to talk about how this book came about.

Matt Johnson

Matt: John, perhaps we should explain who we are first, about the campaign and how this all got started?

John: April 17th 1984, a day that will forever live in our memories. Yvonne and I were both uniform PCs at Bow Street. On that day, we were scheduled to do some routine work but were re-assigned to a demonstration outside the Libyan People’s Bureau in St James’s Square. You were driving the local traffic car, as I now know.

Matt: That’s right, and although I’d never met you at that time, I knew Yvonne quite well. Not too long before, she’d been at my house warming party with Mick Liddle, her fiancé. Matt: John, perhaps we should explain who we are first, about the campaign and how this all got started?

John: April 17th 1984, a day that will forever live in our memories. Yvonne and I were both uniform PCs at Bow Street. On that day, we were scheduled to do some routine work but were re-assigned to a demonstration outside the Libyan People’s Bureau in St James’s Square. You were driving the local traffic car, as I now know.

Matt: That’s right, and although I’d never met you at that time, I knew Yvonne quite well. Not too long before, she’d been at my house warming party with Mick Liddle, her fiancé. 

John Murray

John: Mick was on the demonstration as well, just a few yards from us. We were standing facing about fifty noisy demonstrators who were venting their anger against Colonel Gaddafi. I remember hearing a noise like fire crackers going off and then everything went silent, not a sound. Then, from the crowd somebody screamed.

Matt: When did you first realise Yvonne and many others had been shot?

John: It took a while; I mean who would ever have expected a man to open up on us with a Sterling machine gun from the first floor of the Embassy? Yvonne and I had changed position several times and it was only a moment earlier when she’d come across to me and offered to swap. The people in front of me were particularly vocal so she was doing me a favour. She was in my line of sight and I saw her go down. I thought she’d tripped over but it was only as she writhed in agony that I realised it was more serious than that. Our Sergeant, Howard Turner, helped me with her and it was then we saw the blood and her wound.

Matt: So, you knew then you’d been shot at and many people had been hit?

John: We all realised, if they opened up again we were sitting ducks. But there were injured people who needed help and, as we know, that sometimes means risking it all to do that. Together with another PC called Pete Rogers, we lifted Yvonne and carried her to Charles II Street where it was safer. And that’s where you came in. When the ambulance arrived, you were assigned to escort us to the Westminster Hospital.

Matt: Were you able to speak to Yvonne during those moments?

John: I was. She was hurting and I used a pair of scissors to cut the waistband of her skirt. There were two Libyan students with us who’d also been shot. One was really crying. Yvonne talked to him, calmed him down and reassured him. 

Matt: She realised she’d been shot?

John: By then, yes. And I promised her I would not rest until I’d helped he get the people who’d done it.

Matt: And an hour later came the awful news, that she had died?

John: Yes, and as we know, what followed was the longest siege in UK policing history. At the end of which our Government decided everyone inside, even those suspected of involvement in the murder, would be allowed to leave without being prosecuted.

Matt: Because they had diplomatic immunity?

John: They had nothing of the kind, as we now know. Some of those Libyans were killers, bombers, terrorists. They were in the UK to murder people.

Matt: And now the full story behind what happened that day is about to be told in this book. 

John: Yes, and if you don’t mind me saying, you’ve done an incredible job. This was a three dimensional jigsaw of information, some related, some apparently quite random. You’ve pieced it together with the skill of a detective.

Matt: Do you recall how the idea to write it came about?

John: The Victoria Derbyshire show had the idea to mark the anniversary of the murder with a reunion. They wanted to talk to me about what was a 36 year campaign at that time, and to bring me together with you, with Tony Long from the firearms team and with Clive Mabry, that legend amongst police officers.

Matt: Clive being the PC who sneaked into the Square late at night and under cover of darkness to recover Yvonne’s hat from the street outside the Libyan Embassy?

John: I’d never met him. We knew he existed but it was the BBC researcher who tracked him down. Ex-para. Brave as you can imagine. Rescued her hat so it could sit on her coffin for the funeral.

Matt: The coffin you personally carried into Salisbury Cathedral.

John: That’s right. I repeated my promise to her that day as well. I promised I would get the men that did it. 

Matt: Do you remember how the idea for a book came up that day?

John: I’ve read all your novels and loved them. And I remember you dedicated your very first novel to Yvonne’s memory. Clive suggested it as we talked about those books. He reckoned you could do it because you’d be able to get access to people that an ordinary writer couldn’t. And they’d talk you because of your pedigree. 

Matt: I remember I took a long time thinking about it. It was a lot of responsibility. I’d never written non-fiction before and I didn’t want to let you down, to let down Yvonne’s memory. Even once I’d started I had many doubts.

John: It was a mammoth task. We knew there was stuff in the National Archives waiting to be discovered and there was a story to be told but it grew to even more than I expected.

Matt: Amazing to think what the Government was up to in those days, supposedly in our best interests?

John: And what they’re almost certainly up to today.

Matt; So, what is your hope for the book?

John: I’m hoping people will read it and learn the truth. Over the years I’ve talked to more people than I could count who remember where they were and what they were doing on the day Yvonne was shot. This was a national tragedy not just a police tragedy. I want people to understand what drove me to do the best for my friend and to secure justice for her. I want them to know who killed Yvonne, how they did it and why. And I want them to know why our Government wanted the killers to go free. What about you, similar I’d guess?

Matt: Yes, all as you describe. But for me there’s more. I want people to learn about you and about how brave you’ve been, the personal risks you’ve taken and the dangers you’ve faced and, despite all that, you never gave up. And I want people to read how events that day shaped policing in the UK for the next forty years, and in ways they might hardly have believed. The truth, I think, will shock people but sadly, I fear it may not surprise them.

John Murray has fought for nearly 40 years to secure justice for the murder of WPC Yvonne Fletcher. No Ordinary Day tells the story of that fight.

No Ordinary Day: Espionage, Betrayal, Terrorism and Corruption - The Truth Behind the Murder of WPC Yvonne Fletcher by Matt Johnson with John Murray (Mardle Books) Out Now.

On 17 April 1984, as police and anti-Gaddafi demonstrators gathered in the street outside the Libyan People's Bureau in London, they had no way of knowing they were about to become part of one of the greatest tragedies in British policing history. At 10.17a.m. automatic gunfire rained down on them. WPC Yvonne Fletcher was hit in the back and later died from her injuries. Twelve demonstrators were wounded. The gunmen were Libyans, both concealed behind a first-floor window of the Bureau. Two weeks later, all those present inside the Bureau, including everyone suspected of involvement in the attack, were deported from the UK. Men guilty of terrorism and murder were neither arrested nor prosecuted. As Yvonne Fletcher lay dying, her colleague and close friend PC John Murray cradled her in his arms. Before she lost consciousness, he promised her he would not rest until those responsible for her murder had been brought to justice.

Thirty-seven years would pass before John was able to fulfil that promise. Whilst writing John Murray's story, Matt Johnson identified UK government duplicity, secret service deals and how a plan to finally defeat the all-powerful National Union of Mineworkers would place the government in an invidious position when pro- and anti-Gaddafi elements brought their fight to the streets of the UK. He was able to discover why, in 1984, her killers had been allowed to go free. His extensive research also revealed how events on 17 April resulted in a 30-year government campaign to bring the police services of the UK under political control, a campaign that has driven our police service into the state of disarray we see today. The story behind what happened outside the Libyan People's Bureau is complex, shocking and revealing. Matt Johnson's compelling account pulls together a series of seemingly unconnected threads into a coherent whole, incorporating all the inter-related elements of politics, business, secret service missions and chance. For some, this will be a very uncomfortable read. For many, it may confirm what they already suspect, that we, the public, know very little of the decisions being made by our elected representatives and the actions taken by official bodies, supposedly in our best interests.