Showing posts with label Oneworld Publications. Show all posts
Showing posts with label Oneworld Publications. Show all posts

Monday, 5 August 2024

In The St Hilda's Spotlight - Saima Mir

 Name:- Saima Mir

Job:- Author and Journalist

Website:- www. saimamir.com

X - @SaimaMir

Instagram - @saimamor_author

Introduction:-

Saima Mir is an award-winning journalist and author. Her novel The Khan is a Times and Guardian Bestseller and was shortlisted for the Specsavers Crime Fiction Debut Award.  It was also longlisted for the Jhalak Prize and the Portico Prize. Her current book Vengeance is the second in The Khan trilogy.

Current book? (This can either be the current book that you are reading or writing or both)

All The Colours of The Dark by Chris Whitaker

I’m writing the third in The Khan trilogy.

Favourite book:

The Autobiography of Malcolm X

Which two musicians would you invite to dinner and why?

Kishore Kumar and Stevie Nicks, because their sound takes me away to other times and places.

How do you relax?

I’m still figuring that out!

Which book do you wish you had written and why?

We Begin at The End – I love the character of Duchess and she lives in my head.

What would you say to your younger self if you were just starting out as a writer.

Keep writing but do it for the love of the story and the craft. No one else gets to decide if your story is worth telling. It is your job to tell it.

How would you describe your latest published book?

Vengeance is about the power that women could wield if we found each other and came together.

With  A Dance to the Music of Crime: the artful crime to murder being the theme at St Hilda's this year, which are you three favourite albums?

Grace by Jeff Buckley

Sholay soundtrack

Ghalib by Jagjit Singh

If you were given the ability to join a band which would it be and why?

Fleetwood Mac for the talent and the drama.

If you were to re-attend a concert which would it be and why?

I saw Franz Ferdinand when I was in my 20s. I was with friends I loved, we were a bunch of bright young journalists and life was better than I knew.

What are you looking forward to at St Hilda's?

Hanging out with all the talented authors and hearing them speak in beautiful surroundings where the arts are celebrated.

Vengeance by Saima Mir (One world Publications)

Two years into running her organised crime syndicate in the north of England, Jia Khan stumbles on a notebook her father - the previous Khan - kept on arrival from Pakistan in the 1970s. And what Jia finds in the journal sends her deep into the family's past. But once the sleeping dogs from those years are woken, they are set for attack. Meanwhile, Jia struggles to control unrest amongst those that oppose her. Worst of all, Jia must unravel a puzzling but terrible warning - one of her staff lies brutally slain, his corpse displayed in her garden despite her sophisticated security... Could a traitor be part of her inner sanctum.


Information on how to buy online tickets can be found here. #HCFW24

Thursday, 20 June 2024

Notes from an Accidental Crime Writer by Isobel Shirlaw

I didn’t realise, when I set out to write a novel, that the sort of story I was trying to tell would one day be classified as crime fiction – just one of the reasons, perhaps, that that particular novel (a mash up of violence, family secrets and the supernatural) didn’t get published…. With the next one, I got closer. I was told by an agent that it needed to be ‘crimier.’ Again, I hadn’t spotted that it would be perceived as crime fiction at all, seeing it as a sort of semi-violent, coming of age, YA-slash-adult tragi-comic psychological thriller. Hard to pitch? Impossible to sell.

One thing I did realise was that I was writing about families – all sorts of different families but all with their own secrets and problems. These were stories with a darkness at their heart. And it seemed that whatever I wrote, the crimes kept creeping in.

Part of the problem was that I didn’t feel qualified as a crime reader. I love writers that put me at immediate unease – Patricia Highsmith, Mariana Enriquez, John Fowles, Donna Tartt. And I wanted to instil a sense of dread in my readers. But it still didn’t feel like proper crime fiction. But by book number three or four or five – my so-called ‘debut’, A Proper Mother, I had started to embrace the crimes at the heart of the family. I knew I had found the right story and the right genre.

A Proper Mother is the story of a frightened single mother, Frankie, a survivor of domestic violence, negotiating an often hostile world, terrified that her youngest son Michael will turn out violent like his father. An early review of the book, on the crime fiction pages, observed that it is not a conventional crime novel. I found myself nodding along.

But why? 

Has it got crimes in it? Yes. Police? Yes again. Court cases? Dead bodies? No comment.

I don’t think I’m alone in this regard. Some of the first other writers I have met have been crime writers. At this year’s CrimeFest in Bristol I was surprised to hear at least two other writers say, almost apologetically, that their book wasn’t necessarily crime fiction or that they didn’t see themselves as crime writers. It has made me think more deeply about this whole area. For if even the people who write it are not sure that it is crime fiction, then what exactly is crime fiction?

Perhaps it depends on another question: what is crime? And that particular question has been at the centre of my professional career for a long time. I have worked for many years for domestic violence charities in various capacities – supporting victims, developing services, fundraising, working with the criminal justice system; often trying to persuade the police, other professionals and wider society to take crimes perpetrated by people’s partners and ex-partners as seriously as those perpetrated by strangers.

A major problem with crimes relating to domestic violence is a perception in many parts of society that they are not as serious as other sorts of crime. Of course for those who work in the field of domestic violence, it is widely understood to be more dangerous. As Refuge (where I worked for many years) and the NSPCC often remind us: two women are killed every week by a partner or ex-partner. And the people at highest risk of homicide are babies, killed, usually by a parent or step-parent in a context of domestic abuse. 

I remember once calling the police to report my front door having been kicked in by a stranger one evening while I was out. Fortunately no-one succeeded in getting into the house; nothing was taken; no-one hurt. But the police response was extraordinary. A team arrived within moments. They took fingerprints, sought witness statements, returned the next day for further checks and sent countless leaflets offering support. That same week I had been talking to a woman whose ex-partner had climbed in her window and threatened to kill her with a clawhammer. She was carrying her toddler. When she called the police, no-one came. She was lucky to survive. And she managed to get to a refuge. But many women in the same position are not so lucky.

In my novel I wanted to put the reader in the shoes of the survivor. Frankie’s experiences are fictional but not uncommon. I hope they resonate. Having accidentally written a crime novel I hope it helps, in some way, to change our collective perception of domestic violence and recognise it as serious crime.

 

A Proper Mother by Isobel Shirlaw (Oneworld Publications) Out Now 

Ever since an ominous palm-reading on her honeymoon, Frankie has suspected that her youngest son, Michael, is different. From an early age he sees things no one else can. As he grows up – academically gifted, a musical prodigy and with an unshakeable religious faith – his mother can no longer deny there is something strange about him, or that it frightens her.  It is only when Frankie learns Michael is sliding into drugs and violence that she realises she can't keep ignoring the past. But by confronting her destructive marriage and her own responsibility for all that has gone wrong, she begins to see there is something darker at play.

You can follow her on "X" @isobelshirwal


Thursday, 2 March 2023

Extract from The Writing Retreat by Julia Bratz

 Chapter 5

The shout from the conductor startled me out of a half sleep.

We were approaching the station. The floppy-haired boy next to me was long gone, the car nearly empty. The train slowed with a juddering whine. A fuzzy, electronic voice repeated: “This is . . . [inaudible].”

If I’d been sleeping more deeply, I would’ve missed the stop alto- gether. Rushing to pull my suitcase from the rack, I found myself wait- ing behind the only other person disembarking. She was short, with blond hair spilling out the bottom of a bright orange ski cap. Could she be going to Roza’s too? The train steps were steep and both of us stum- bled, righting ourselves on the pavement. Outside, the wind slapped our faces. She turned and squinted at me.

“Are you by any chance going to Roza Vallo’s?” Her words were fast and choppy, like she was rushing to get them out before she sprinted away.

“I am!” I’d managed to remain somewhat calm on the train, but now excitement and fear lit up my entire body. I stuck out my hand. “I’m Alex.”

“Poppy.” Her little hand squeezed surprisingly hard. “Oh my god, are you just like dying?”

I laughed at her openness. Her animated face and Valley girl intonation were so different from what I would’ve expected at a Roza Vallo retreat.

Yes, absolutely.” I grinned. “I can’t believe it’s actually happening.” “Girl, me neither!” Her warm brown eyes widened. “I’ve been driving everyone I know nuts. I’ve just been freaking out about it. Oh should we find the car? It's probably down there.” She continued to chatter as we crossed the icy terrain, across the platform and down the stairs. Below, in the small lot, a black car waited, steam rising from the tailpipe.

“Oh thank Jesus. I’m so effing cold.” She beelined for the car and I hurried to keep up. A man climbed out as we neared.

“Afternoon, ladies.” He had a flat upstate accent and a full, white- flecked beard. We greeted him and jumped into the back of the car.

In- side, it was deliciously warm and smelled like fake vanilla. An air freshener shaped like a cookie hung from the rear view mirror, along with a rosary.

“I’m Joe,” he called.

“Hi, Joe. I’m Poppy. This is Alex.” She grinned at me, eyes crinkling. There were faint lines around her eyes and mouth; I had the feeling that she smiled a lot.

“Poppy! Haven’t heard that name before.” Joe pulled smoothly out of the lot.

“It’s Scottish.” She shrugged.

“Scotland, huh?” Joe said. “I’ve always wanted to go there.”

“It’s great. Really violent, though. People are constantly getting into fights. Once I saw two men walk out of a church and punch each other.”

Joe and I laughed and Poppy leaned back, pleased. “Do you work for Roza, Joe?”

“Sometimes. Not directly. I just work for the cab service up here.” He glanced back at us in his rearview mirror.

“You from here?” I asked.

“Born and raised.” He dipped his head. “It’s a nice area. Pretty isolated, though. Guessing that’s why Ms. Vallo likes it.”

“Have you interacted a lot with her?” Poppy asked.

“Nah, she keeps to herself when she’s here. Her staff—I think her name’s Yana, the one who calls—they set up the transportation when people come in from the city.”

“How long has she been up here?” Poppy leaned forward, grabbing onto the back of his seat with pink-painted nails. She was definitely trying to get some kind of inside scoop.

“I think she bought the estate in 2000? Took a few years for her to fix it up. The place had really gone to shit.” He coughed. “Pardon my French.”

Poppy noticed me watching her. “I’m super obsessed with Roza.” She rolled her eyes. “And Blackbriar. I’m such a sucker for haunted houses.”

“Oh, yeah. I totally get it.” For the past few weeks I’d been focusing so much on the reality of spending a month with Roza and Wren that I hadn’t even thought about the estate. Of course, I knew all about it. After I’d read Devil’s Tongue at twelve, I’d done a deep dive into Roza on a library computer the first week of school. She’d fixed up Black- briar just a few years before then, and several magazines and papers had covered the transformation. It only made sense that one of her houses was the site of unsolved murders.

"You know the story, right?' Poppy asked me. "Of course. Daphne and Horace'.

“And Lamia.” She grinned like I’d passed a test. But anyone who was more than a casual fan of Roza’s knew the story, which was itself like something out of one of her novels.

Oil baron Horace Hamilton built Blackbriar Estate in the late  nine- teenth century. A lifelong bachelor, he fell for waitress in town, Daphne Wolfe. 

Daphne caused a stir, first by her much younger status, then when she started séance  group. The spiritualist community at that time considered Daphne a powerful channeler, initially through automatic writings, then drawings and paintings. The trouble started when Daphne claimed to have connected with a powerful female demoness named Lamia. Daphne told her group that Lamia wanted to channel a “great commission” through her art.

The others in the group became disturbed by Lamia and left. Horace forbade Daphne to welcome a dark spirit into the house. After a huge snowstorm, the staff returned to find Daphne and Horace dead. Horace had been eviscerated in bed. And Daphne was in the basement, her body burned beyond recognition.

Most assumed that Daphne, caught in the throes of a psychotic break, had killed Horace in his sleep and then lit herself on fire. But, mysteriously, the rest of the basement was completely untouched, including three completed paintings nearby.

“So you grew up here,” Poppy said. “You heard all the stories about Blackbriar?”

“Oh, sure.” He chuckled. “We used to dare each other to spend a night inside. The doors were locked but people went in through a bro- ken window in the back.”

“Oh my god. You stayed there?” Poppy’s eyes sparkled with interest.

“Nope, not me. I was way too scared.” He considered. “My cousin did once. He ended up falling down the basement stairs and breaking his ankle. Everyone said it was the curse.”

“The curse?” I repeated.

“That female demon, whatever her name was. People said she’s still there.” He cleared his throat. “You couldn’t pay meto stay there, to be honest. I don’t know if I believe in demons or whatever, but there’s definitely some odd energy in that house.”

“Uh-oh.” Poppy sounded gleeful. “I guess we’ll have to let you know.”

The houses and buildings abated and eventually we were surrounded by unending woods. I used the time for some deep breathing. Every mile we were getting closer and closer. Every minute that passed meant one fewer minute before seeing Roza—which was overwhelmingly exciting— and Wren—incredibly horrifying. It was so strange to balance the two, and they both revved up my system, causing a fluttering in my chest.

“The cell service is cutting out,” Poppy announced. “Is that normal?” “Unfortunately, yes.” He glanced back at us. “Real spotty up here.” The undulating line of woods opened up briefly to showcase several long gray buildings. figure stood at the mailbox by the road—a woman whose strands of loose gray hair flew out from beneath a furry hunter’s cap. I nudged Poppy and she looked over. The woman raised a hand, her

plain face solemn but kind.

Poppy waved cheerfully back. “Who’s that?”

“That’s a nun, believe it or not,” Joe said. “That nunnery’s been there for two hundred years.”

“I love it!” Poppy watched out the back window. “How many live there?”

“There are only about ten of them now, I think. Ten nuns in that big place. But they live here all year round. Have a few cows and chickens. Make some real tasty jams that they sell out by the road sometimes.”

“Aww, that’s cute.” Poppy returned to her phone.

“They’re pretty cut off from the world, aren’t they?” I asked. “They have interns in the summer.” Joe’s dark eyes alighted on mine

in the rear view mirror. “College kids who help out with the gardens. But in the winter they’re alone, far as I know.” He cleared his throat. “They’re actually the closest people to Blackbriar.”

“How far are we?” A new flush of excitement and fear filled my chest.

“Not far. About fifteen miles.”

“Whoa.” Poppy glanced at me. “So we’re going to be super isolated.” “Pretty much,” Joe said. “Especially if there’s big storms. Last winter the people who live out here got snowed in twice.”

“So when you say ‘snowed in,’ what does that mean, exactly?” Poppy asked.

“Well, it didn’t used to be this bad. Maybe a few snowfalls here and there. But last year and the year before, there were some big storms. It took a few days for the snowplows to come all the way out. Until then, they were stuck.”

“Yikes.” Poppy bit her lip. “What if the power goes out?”

“Most places have backup generators. Don’t worry. I’m sure the house has a couple.”

We moved on to happier topics, and ten minutes later, we slowed to turn onto a bumpy gravel path. We’re here.Every cell in my body crack- led with new energy.

“Is this it?” I tried to sound calm. “Sure is,” Joe responded.

Breathe. Breathe. Breathe.

“Oh my god.” Poppy’s hand shot out and found mine. Hers was bony and cold, a skeleton’s grip. We wound through a long, curving path with some potholes that made us fly up in our seats. Poppy giggled nervously. “You’d think a millionaire would fix her driveway,” Joe muttered.

As if in answer, the gravel turned into cement, and we smoothly transitioned out of the trees to an open space.

Of course I’d seen pictures, but in real life it was even more impressive than I’d expected. The Victorian fortress towered over us, magnificent and proud. The doorway was flanked by two turrets, and snow-cloaked ivy climbed up the gray stone walls. There were so many windows, all milky white with the pale setting sun. It unsettled me, like looking at eyes rolled up into a head.

“Wow,” Poppy breathed.

“Beautiful, huh?” Joe sounded proud, as if taking ownership in the sight.

My unease faded, and now I felt only joy. This was it. This was Roza Vallo’s mansion. 

This was real. This was happening. I quivered with anticipation as we pulled into the circular drive and stopped at the front steps.

“Well, girls, this is our stop.” Joe opened his door and the cold swept into the warm space. Poppy was still staring at the house. "Ready?" I asked.

She turned and there was a peculiar look—uncertainty? apprehension?—on her face.

But then she smiled. “Yeah! Let’s do it.”

Joe had already taken both our suitcases from the trunk, and now he rubbed his gloved hands, as if eager to go.

“Oh, wait, can I—should we give you a—” I plunged my hand into my purse.

“No need, it’s all taken care of.” It was strange seeing Joe head-on after the forty-five minutes in the car. He was similarly taking stock of me, his expression serious. “You two be careful, okay?” He reached out and I shook his hand.

“Thank you, Joe! You’re the best!” Poppy cried, wheeling her suit- case to the front steps. I followed, glancing back to see Joe already pulling around the drive.

“Okay, girl.” Poppy grinned, her hand hovering over the circular doorbell. “Ready?”

For a second, I couldn’t breathe, but I nodded, and Poppy pushed. A deep thrum came from the house, like a purr or a growl. My fingers tightened on my suitcase’s handle as the door slowly creaked open.

The Writing Retreat by Julia Bratz, (Magpie / Oneworld Publication) Out Now

A book deal to die for. Five attendees are selected for a month-long writing retreat at the remote estate of Roza Vallo, the controversial high priestess of feminist horror. Alex, a struggling writer, is thrilled. Upon arrival, they discover they must complete an entire novel from scratch, and the best one will receive a seven-figure publishing deal. Alex’s long-extinguished dream now seems within reach. But then the women begin to die.

Trapped, terrified yet still desperately writing, it is clear there is more than a publishing deal at stake at Blackbriar Estate. Alex must confront her own demons – and finish her novel – to save herself.

Julia Bratz can be found on Twitter and Instagram @juliabratz





Monday, 19 December 2022

Forthcoming books from Oneworld Publications Incl Point Blank Press

March 2023 

Clara & Olivia is by Lucy Ashe. "Surely you would like to be immortalised in art, fixed forever in perfection?" Sadler's Wells, 1933. I would kill to dance like her. Disciplined and dedicated, Olivia is the perfect ballerina. But no matter how hard she works, she can never match identical twin Clara's charm. I would kill to be with her. As rehearsals intensify for the ballet Coppelia, the girls feel increasingly like they are being watched. And, as infatuation turns to obsession, everything begins to unravel.

A book deal to die for. Five attendees are selected for a month-long writing retreat at the remote estate of Roza Vallo, the controversial high priestess of feminist horror. Alex, a struggling writer, is thrilled. Upon arrival, they discover they must complete an entire novel from scratch, and the best one will receive a seven-figure publishing deal. Alex's long-extinguished dream now seems within reach. But then the women begin to die. Trapped, terrified yet still desperately writing, it is clear there is more than a publishing deal at stake at Blackbriar Estate. Alex must confront her own demons - and finish her novel - to save herself. This unhinged, propulsive, claustrophobic closed-door thriller will pull you in and spit you out... The Writing Retreat is by Julia Bartz.

April 2023

Blood and Water (Twin Truths) is by Jacqueline Sutherland. How well do your family really know you? Belle can't wait to finally have her twins all to herself after their first term at university. But when Kit unexpectedly brings back her boyfriend Ivo, Belle has to welcome him into their home. Charming and confident, Ivo soon wins over the family, but Belle can't shake a strange feeling. And when Ivo reveals he knows a lot more about Belle than he first let on, she realises his intrusion into their lives could destroy everything she has built. How far is Belle willing to go to protect her family and herself?

May 2023

In this crackerjack Cold War thriller, MI5 faces a deadly threat, one only Richard Knox can avert. But he only has six days and the clock is ticking fast. How long can you survive in the shadows? Richard Knox, freshly returned to active duty after a year out of the field, is ordered to uncover the invisible enemy that's infiltrated the Service in his absence. His quest takes him to Hong Kong, a city on the brink of chaos, where he discovers the lines between friend and foe have never been more blurred. Who is behind the assault on MI5? How long have they been operating in the shadows? And what is their endgame? A Game of Deceit is by Tim Glister.

June 2023

The Chemical Code is by Fiona Erskine. Jaq Silver is back in Brazil and this time she has a single mission - vengeance. But after several near misses, Jaq isn't sure who to trust. Determined to discover what exactly is in the mysterious box that everyone is after, Jaq becomes increasingly embroiled in a web of far-reaching corruption. It seems like everyone has a hidden agenda but is she chasing the right target? And who is chasing Jaq?

It's not that Alice wants someone to die. It's just that things were a lot more interesting when she and Iris were investigating a murder. Two months after Alice and Iris solved the murder of Brooke Donovan, Steve Anderson has become a semi-celebrity; Iris Adams and Cole Fielding are almost dating; and Alice Ogilvie is bored out of her brain. Reluctantly attending the school dance at Levy Castle, Alice sneaks away from the party to do some snooping while Iris gets close to Cole. But when she pushes open the door to what was once Charles Levy's study, she quite literally falls onto her next case... The Night in Question is by Kathleen Glasgow and Liz Lawson.

What do a priceless painting, a minotaur, a lighthouse and a glass eye have in common? They're all part of a treasure trail set by an eccentric millionaire. For 10-year-old aspiring journalist Rani it couldn't be more perfect. A chance for adventure and also a shot at getting the perfect scoop for a story competition in the local newspaper. Joining forces with her mischievous Nani who is visiting from Mauritius, she sets out to get to the bottom of the mystery. But solving the clues isn't so simple...and neither is outwitting rival wannabe journalist Lexi. Can Rani and Nani crack the code and avoid a dangerous nemesis determined to take the prize at any cost? Rani Reports: The Missing Millions (The Trickster's Treasure) is by Gabrielle & Satish Shewhorak.




Thursday, 3 June 2021

Missing Children by Syd Moore

 

The subject of missing children is as emotive as it gets. Almost every parent or guardian I’ve encountered has at least one story to tell when they became aware that their child or children weren’t where they were meant to be. Often this heart-stopping nightmare is over in mere minutes, but on some occasions those minutes can stretch into hours, days, months or sometimes years. You’d imagine that the latter were rare, however when I was researching the subject for my new book Strange Tricks, I found the statistics published by the UK Missing Persons Unit (part of the National Crime Agency) particularly unsettling. In 2018/2019, for example, there were 75,918 children recorded missing by UK police forces and 218,707 incidents (some children go missing several times a year). 

Drilling down into this statistic I was comforted to learn that over half of these 200K plus cases closed within eight hours. Of the rest 80% were resolved within 24 hours. But that year there were also 1,514 children recorded as long-term missing. Generally this means that they have been gone for longer than 28 days. These cases can remain open for a significant amount of time: around 50% actually refer to children who disappeared before that year and were still not found. That’s around 750 children. 

This did not seem like an inconsiderable number. In fact, it made me wonder - if so many children went missing like this, on a regular basis, why did we not see more appeals across the media? We all remember the tragedies of Madeleine McCann and Sarah Payne, the press conferences, parental appeals and media coverage that followed every harrowing step of those investigations. But what of Alexander Sloley, aged sixteen, who went missing in 2008? Eleven-year-old Abdu Abdo not seen since September 2017. Or Carmel Fenech, a sixteen-year-old, who failed to return home to Crawley in May 1998? 

Like many crime writers I am lucky enough to have a 'source' in the police force who was able to enlighten me. 'When a child is reported missing,' she told me, 'you have to assess what level of risk of harm they fall into. There are three – low, medium and high. The higher the risk, the more quickly officers act.' My source explained, 'Nothing is taken for granted. You have to search the homes of missing children, as sometimes they might be hiding in the loft or the shed. They're children – they do that kind of thing. If they're not there you then have to ask lots of questions about the state of the home. If the children are happy there and see if there are any other red flags. We're now aware of grooming. So we have to find out if the missing child has been given gfts, or makeup, if they seem to have more money, if there has been a change in their behaviour or mood? You then have to move on to see there are any persons of interest in the area who might have something to do with the disappearance. Quite often this way you can locate a child. But obviously, it doesnt work all the time. Another of the key factors, with regards to ramping up the case, is the child's aaage. The younger the child, the more likely you might go to a CRA. Then information will be released to the public via traditional media and social media in the hope that this will lead to the safe recovery of the child'.

The CRA stands for Child Rescue Alert. This is a system run by the National Crime Agency, based on the American 'Amber Alert'. It was first piloted by Sussex Police following the abduction and murder of Sarah Payne and is pretty much a partnership between the police, the media and the puvblic. Its intention is to alert the public to the abduction or other high-risk disappearance as quickly as possible.

So why isn't it applied more often? Well, it seems that the British public are fickle – it has been concluded that an increase deployment of the CRA is likely to lead to oversaturation. It must, therefore, be used sparingly and only in the most problematic of cases. 

In many cases, once questions have been asked and answers gleaned it appears that some children have chosen to go missing. 'Looked after children (in Local Authority care), are of the highest risk of being reported missing. 1 in 10 looked after children are reported missing compared to 1 in 200 children.

The reason for children leaving home also vary. More than half of missing children have experienced conflict, abuse and neglect at home and 1 in 5 (later located) have said that they have felt forced to leave (Missingpeople.org.uk). Other reasons include mental health issues, abuse, domestic violence or child sexual exploitation.

It is a sad state of affairs but the 'voluntary' nature of their disappearance does contextualise those shocking statistics. Though there still persists a cause for concern – although most cases are solved, the children found and returned to safety, a minority never are. And even more disssturbing than that – some who disappear are never reported missing after all.

For more information on the subject please visit Missingpeople.org.uk


Strange Tricks by Syd Moore (Oneworld Publications) Out Now

Secretly Rosie Strange has always thought herself a little bit more interesting than most people - the legacy her family has bequeathed her is definitely so, she's long believed. But then life takes a peculiar turn when the Strange legacy turns out not just to be the Essex Witch Museum, but perhaps some otherworldly gifts that Rosie finds difficult to fathom. Meanwhile Sam Stone, Rosie's curator, is oddly distracted as breadcrumb clues into what happened to his missing younger brother and other abducted boys from the past are poised to lead him and Rosie deep into a dark wood where there lurks something far scarier than Hansel and Gretel's witch...